The themes of countless legends, these men were infamously depicted in Suetonius's Lives of the Caesars as strange at best & hideously villainous at worst. Delving into the personalities of these rulers, classical historian Michael Grant attempts to sort fact from rumor & to determine how each of these men used their unlimited authority. Black-&-white illustrations.

    This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.

    It was a period marked by lavish displays of wealth, a dazzling cultural mix, and the advent of Christianity. The splendor and squalor of the city, the spectacles, and the day’s routines are reconstructed from an immense fund of archaeological evidence and from vivid descriptions by ancient poets, satirists, letter-writers, and novelists—from Petronius to Pliny the Younger. In a new Introduction, the eminent classicist Mary Beard appraises the book’s enduring—and sometimes surprising—influence and its value for general readers and students. She also provides an up-to-date bibliographic essay. “Carcopino’s pledge to his readers was to open up to them some traces of the world that lay underneath the grandeur that remains the public face of ancient Rome. . . . No one has ever done it better.”—Mary Beard, from the Introduction

    Stark's provocative report challenges conventional wisdom and finds that Christianity's astounding dominance of the Western world arose from its offer of a better, more secure way of life."Compelling reading" (Library Journal) that is sure to "generate spirited argument" (Publishers Weekly), this account of Christianity's remarkable growth within the Roman Empire is the subject of much fanfare. "Anyone who has puzzled over Christianity's rise to dominance...must read it." says Yale University's Wayne A. Meeks, for The Rise of Christianity makes a compelling case for startling conclusions. Combining his expertise in social science with historical evidence, and his insight into contemporary religion's appeal, Stark finds that early Christianity attracted the privileged rather than the poor, that most early converts were women or marginalized Jews—and ultimately "that Christianity was a success because it proved those who joined it with a more appealing, more assuring, happier, and perhaps longer life" (Andrew M. Greeley, University of Chicago).

    English versions of Sophocles’ three great tragedies based on the myth of Oedipus, translated for a modern audience by two gifted poets.

    As commander he never lost a battle. Yet it is his adversary, Hannibal, who has lived on in the public memory, due mostly to his daring march through the Alps with his elephants. At the Battle of the Ticinus, Hannibal’s initial encounter with Roman arms, young Scipio first tasted warfare, rescuing his dangerously wounded, encircled father, who was also the Roman commander. By nineteen Scipio was the equivalent of a staff colonel and in 210 B.C. he was placed in supreme command. In three years he destroyed Carthaginian power in Spain and, after being made consul, took his forces to Africa, where he conquered Carthage’s great ally, Syphax. Two years later he clashed with Hannibal himself, annihilating his army in the decisive Battle of Zama. For this triumph and his other exploits in the Punic Wars, Scipio was awarded the title Africanus.In his fascinating portrait of this extraordinary commander, B. H. Liddell Hart writes, ”The age of generalship does not age, and it is because Scipio’s battles are richer in stratagems and ruses—many still feasible today—than those of any other commander in history that they are an unfailing object lesson.” Not only military enthusiasts and historians but all those interested in outstanding men will find this magnificent study absorbing and gripping.

    They recount the key episodes in the lives of the gods, and dramatise the moments when they first appear before mortals. Together they offer the most vivid picture we have of the Greek view of the relationship between the divine and human worlds.

    All the historical and archaelogical evidence has been seamlessly pieced together to reconstruct the architectural wonders of these mighty civilizations. Re creating public buildings, religious temples, shops, and houses, Connolly reveals every aspect of life in glorious detail, from religion and food to drama, games, and the baths. In addition to the great monuments and moments of classical Greece and Rome, readers learn about a typical day in the life of an Athenian and a Roman. They read about and see the houses people inhabited; attend 5 day festivals and go to the theater; fight great battles and witness the birth of Rome's navy; visit temples and spend a day at the chariot races. The spectacular artwork and vivid descriptions provide a window into the fascinating history of these two extraordinary cities and civilizations. The Ancient City is the crowning achievement of Peter Connolly's distinguished career.

    . . . All of this he recounts in a style that consistently entertains." --The New York Times Book Review In this magisterial adaptation of his epic three-volume history of Byzantium, John Julius Norwich chronicles the world's longest-lived Christian empire. Beginning with Constantine the Great, who in a.d. 330 made Christianity the religion of his realm and then transferred its capital to the city that would bear his name, Norwich follows the course of eleven centuries of Byzantine statecraft and warfare, politics and theology, manners and art.In the pages of A Short History of Byzantium we encounter mystics and philosophers, eunuchs and barbarians, and rulers of fantastic erudition, piety, and degeneracy. We enter the life of an empire that could create some of the world's most transcendent religious art and then destroy it in the convulsions of fanaticism. Stylishly written and overflowing with drama, pathos, and wit, here is a matchless account of a lost civilization and its magnificent cultural legacy."Strange and fascinating . . . filled with drollery and horror."                          --Boston Globe

    . . the narrative verve of a born writer and the erudition of a scholar” —Daniel  Mendelsohn) and editor of The Landmark Arrian:The Campaign of Alexander (“Thrilling” —The New York Times Book Review), a  high-stakes drama full of murder, madness, tyranny, perversion, with the sweep of history on the grand scale. At the center, the tumultuous life of Seneca, ancient Rome’s preeminent writer and philosopher, beginning with banishment in his fifties and subsequent appointment as tutor to twelve-year-old Nero, future emperor of Rome. Controlling them both, Nero’s mother, Julia Agrippina the Younger, Roman empress, great-granddaughter of the Emperor Augustus, sister of the Emperor Caligula, niece and fourth wife of Emperor Claudius.             James Romm seamlessly weaves together the life and written words, the moral struggles, political intrigue, and bloody vengeance that enmeshed Seneca the Younger in the twisted imperial family and the perverse, paranoid regime of Emperor Nero, despot and madman. Romm writes that Seneca watched over Nero as teacher, moral guide, and surrogate father, and, at seventeen, when Nero abruptly ascended to become emperor of Rome, Seneca, a man never avid for political power became, with Nero, the ruler of the Roman Empire. We see how Seneca was able to control his young student, how, under Seneca’s influence, Nero ruled with intelligence and moderation, banned capital punishment, reduced taxes, gave slaves the right to file complaints against their owners, pardoned prisoners arrested for sedition. But with time, as Nero grew vain and disillusioned, Seneca was unable to hold sway over the emperor, and between Nero’s mother, Agrippina—thought to have poisoned her second husband, and her third, who was her uncle (Claudius), and rumored to have entered into an incestuous relationship with her son—and Nero’s father, described by Suetonius as a murderer and cheat charged with treason, adultery, and incest, how long could the young Nero have been contained?             Dying Every Day is a portrait of Seneca’s moral struggle in the midst of madness and excess. In his treatises, Seneca preached a rigorous ethical creed, exalting heroes who defied danger to do what was right or embrace a noble death. As Nero’s adviser, Seneca was presented with a more complex set of choices, as the only man capable of summoning the better aspect of Nero’s nature, yet, remaining at Nero’s side and colluding in the evil regime he created.Dying Every Day is the first book to tell the compelling and nightmarish story of the philosopher-poet who was almost a king, tied to a tyrant—as Seneca, the paragon of reason, watched his student spiral into madness and whose descent saw five family murders, the Fire of Rome, and a savage purge that destroyed the supreme minds of the Senate’s golden age.

    And since medieval Europe was the cradle of modern Western society, this work is vital for understanding our world and how it came into being.

    Far from being meek and mild, they were violent, ruthless and fundamentally intolerant. Unlike the polytheistic world, in which the addition of one new religion made no fundamental difference to the old ones, this new ideology stated not only that it was the way, the truth and the light but that, by extension, every single other way was wrong and had to be destroyed. From the 1st century to the 6th, those who didn't fall into step with its beliefs were pursued in every possible way: social, legal, financial and physical. Their altars were upturned and their temples demolished, their statues hacked to pieces and their priests killed. It was an annihilation.Authoritative, vividly written and utterly compelling, this is a remarkable debut from a brilliant young historian.

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    But how did it evolve? How did a language spoken originally by a few thousand Anglo-Saxons become one used by more than 1,500 million? What developments can be seen as we move from Beowulf to Chaucer to Shakespeare to Dickens and the present day? A host of fascinating questions are answered in The Stories of English, a groundbreaking history of the language by David Crystal.

    Sixty years later, after further violent rebellions and the city’s final destruction, Hadrian built the new city of Aelia Capitolina where Jerusalem had once stood. Jews were barred from entering its territory. They were taxed simply for being Jewish. They were forbidden to worship their god. They were wholly reviled.What brought about this conflict between the Romans and the subjects they had previously treated with tolerance? Martin Goodman—equally renowned in Jewish and in Roman studies—examines this conflict, its causes, and its consequences with unprecedented authority and thoroughness. He delineates the incompatibility between the cultural, political, and religious beliefs and practices of the two peoples. He explains how Rome’s interests were served by a policy of brutality against the Jews. He makes clear how the original Christians first distanced themselves from their origins, and then became increasingly hostile toward Jews as Christian influence spread within the empire. The book thus also offers an exceptional account of the origins of anti-Semitism, the history of which reverberates still.An indispensable book.