In homage to a new generation of tough young feminists, Marge Piercy presents a gathering of poems that reveal the poet as an early 'Grrrl.' Comprising over ninety poems selected from four books now out of print; poems previously published in literary magazines but never before collected and very early poems never published, this volume presents the bold and passionate political verse for which Piercy is well known alongside poems celebrating the sensual pleasures of gardening and cooking and sex; funny poems about New Year's Eve and warring boom boxes; vulnerable poems in which a young working class woman from the Midwest takes stock of herself and the limits of her world. For longtime fans and those new to Piercy's early work, this volume is an indispensable addition to the oeuvre of one of America's best-known and best-selling poets.Marge Piercy is the author of fifteen novels and fifteen books of poetry, most recently The Art of Blessing the Day (Knopf, 1999) a selection of Piercy's Jewish-themed poems. What Are Big Girls Made Of?(Knopf, 1997) was nominated for the Pulitzer Prize and selected as one of their Most Notable Books of the Year by the American Library Association. In October, 1999, she will be a featured poet on the Bill Moyers' PBS-TV poetry specials "Fooling with Words" and "The Sounds of Poetry" and her newest novel, Three Women will be published by William Morrow.TABLE OF CONTENTSPreface, .xiFrom THE TWELVE SPOKED WHEEL FLASHINGThe meaningful exchange, 4 Five thousand miles, 5 The summer invasion, and the fall, 6 Nothing you can have, 9 Archipelago, 12 The first salad of March, 15 Exodus, 16 Ask me for anything else, 18 What is permitted, 20 A gift of light, 22 Short season, 27 Ghosts, 29 The new novel, 31 Women of letters, 32From LIVING IN THE OPENThe token woman, 37 The clearest joy, 39 Make me feel it, 40 Sage and rue, 42 River road, High Toss, 44 Paradise Hollow, 45

    Mature audiences only.** How does someone give their heart away when they don’t have all of the pieces?Not that Makenna really wants a second chance at love anyway. She is stuck in her tragic past, secretly living every day for her deceased fiancé, while her new boyfriend, Drew, is gently nudging her into the present. Desperate to appear normal again, she slaps on a happy face and goes through the motions of a normal, healthy relationship—but with the exception of even a single kiss. And she’s okay with pretending, but Drew needs more than she’s willing to give.Surprisingly, it’s an innocent letter from a soldier halfway around the world that has her seeing life differently. Sawyer is at his breaking point, and his depression sucks him in deeper every day. Makenna becomes his only lifeline to home, and he’s hanging on by a very weak thread. By helping him, Makenna learns to let go of grief before she’s left with only a ghost of the woman she once was, finally freeing her from guilt and showing her that it is possible to love again. But when she discovers that both of the men in her life are hiding something, she makes two shocking revelations.One of them is insanely in love with her, and one of them destroyed her happy ever after. Even though a fairytale ending does await her, is she willing to face her own demons to fight for it? **DOES CONTAIN MILD LANGUAGE AND SEXUAL CONTENT.**

    “To all the loves I've weathered on the way to where I am...and especially to the ones who keep checking to see if I've written about them.” Morgan Nikola-Wren, author of “Magic with Skin On,” returns with her second poetry collection, an honest, amiable tribute to lovers turned strangers.

    Sometimes life is spiced up through natural events, sometimes life feels bland and tasteless. Sour Honey and Soul Food, is a book which explores the beauty and intricacies of love, life and connections, through poetry. Billy Chapata's third book looks to touch on the variety of flavors we taste, on this beautiful journey we call life.

    Weaving words like a vivid tapestry, Erickson reaches into the soul and invites us to swim in an ocean of hope, choosing love and aliveness over fear and resistance. Equal parts old soul and starry-eyed child, she encourages us to find the depth and meaning within our everyday lives, reminding us to stay true to our own paths while embracing both the pain and the beauty at the heart of reality. Keep this book close as a timeless reminder that wonder is everywhere. Your daily cup of universe.

    Frost scholar Lathem, who was also a close friend of the four-time Pulitzer Prize-winner, scrupulously annotated the 350-plus poems in this collection, which has been the standard edition of Frost's work since it first appeared in 1969.

    It is the idea that each of us carries an infinity - an oblivion - and love, of any kind, is a falling upward; a falling in. Each chapter explores a different stage of that journey.

    There are 366 poems (one for each day of the year, and one for leap years), to delight, inspire and excite. Chosen for their magic and memorability, the poems in this anthology are an exultant mix of old and new from across the world, poems to learn by heart and take to heart.

    But destiny often changes people’s lives in ways they can’t imagine. When a dinosaur fossil is unearthed in the central Nevada desert, the last thing Andrea Alejandro, a graduate student in paleontology, expected to find was the tail section of an airplane in the same strata of earth.After Flight 839 crash lands in unfamiliar terrain, Sarah documents the daily routine she and her fellow passengers follow, waiting to be saved. Slowly but surely the survivors come to realize that they have crossed through time. The daily horrors of Cretaceous life become clearer as they encounter a family of Tyrannosaurus rexes that grows increasingly interested in the survivors and their shell of an airplane. As timelines collide, one woman’s battle for survival becomes another woman’s fight for the truth.Tomorrow’s Flight is the new novel from Amazon bestselling authors M.E. Ellington and Steven Stiefel.

    Now, after huge demand for more prescriptions from readers and 'patients' alike, William Sieghart is back. This time, tried-and-true classics from his in-person pharmacies are joined by readers' favourite poems and the new conditions most requested by the public - all accompanied by his trademark meditations (warm, witty and understanding, with just a twist of the challenging) on the spiritual ailments he seeks to cure.From ageing bodies and existential crises to long-distance relationships and embracing your slovenliness, The Poetry Pharmacy Returns caters to all-new conditions while drilling further down into the universals: this time, the challenges of family life, and of living as a person among others, receive a much closer look. Perfect for the treasured friends, barely tolerated siblings, beloved aunts and revered grandparents in your life.

    In addition to her bestselling autobiographies, beginning with I Know Why the Caged Bird Sings, she has also written a cookbook, Hallelujah! The Welcome Table; five poetry collections, including I Shall Not Be Moved and Shaker, Why Don’t You Sing?; and the celebrated poems “On the Pulse of Morning,” which she read at the inauguration of President William Jefferson Clinton, and “Amazing Peace,” which she read at the lighting of the National Christmas Tree in Washington, D.C., in December 2005.

    it is not only something to enjoy, but something to learn from. here are the things i did right, and the many things i did wrong. i give them to you, so that when love comes knocking, you will have a sense of what to do when you open the door.

    D.'s supposed "fallow" period. As these pages reveal, she was in fact writing a great deal of important poetry at the time, although publishing only a small part of it. The later, wartime poems in this section form an essential prologue to her magnificent Trilogy (1944), the fourth and culminating part of this book. Born in Pennsylvania in 1886, Hilda Doolittle moved to London in 1911 in the footsteps of her friend and one-time fiancé Ezra Pound. Indeed it was Pound, acting as the London scout for Poetry magazine, who helped her begin her extraordinary career, penning the words "H. D., Imagiste" to a group of six poems and sending them on to editor Harriet Monroe in Chicago. The Collected Poems 1912-1944 traces the continual expansion of H. D.'s work from her early imagistic mode to the prophetic style of her "hidden" years in the 1930s, climaxing in the broader, mature accomplishment of Trilogy. The book is edited by Professor Louis L. Martz of Yale, who supplies valuable textual notes and an introductory essay that relates the significance of H. D.'s life to her equally remarkable literary achievement.

    Critically acclaimed songwriter Courtney Marie Andrews presents her first poetry collection.This poetry collection reads like a transformation, me, the narrator, being the figurative Old Monarch. Documenting this journey, the book is separated into three sections, "Sonoran Milkweed," "Longing In Flight," and "Eucalyptus Tree (My Arrival to Rest)."In the first stage of my journey, I explore my childhood in Arizona, and the naive assumptions of youth. At this stage in my journey, I am impressionable, seeing the world with all its nuances for the first time. Through the landscape of the Sonoran Desert, I explore some dark family dynamics and what a child sees. Several characters turn up in the early poems including my cowboy grandpa, and the single mother who raised me, despite many forthcomings. The early poems also explore my desire to see a brighter world of possibility beyond the dusty desert island, and see humans more clearly within the confounds of discovery.In the second stage, I have left home. I am falling in love for the first time, as I become a young woman.Finally, the last stage is the old monarch's arrival to the garden. There are a lot of metaphysical and philosophical poems in this section. I arrive at the figurative garden, and I finally understand the journey at the edge of my life. There are a lot of poems in the context of a garden here, accepting mortality and the ever-changing world. These are meant to be wise old woman poems.

    Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.