World War II comic book propaganda-with Superman, Batman, and Captain America raising war bonds, and bashing cartoon Japanese and Germans-was so ubiquitous that there was barely a US comic untainted by the war effort. The sub-textual sequential art continued well into the Ciold War, with both sides producing comics extolling themselves and defaming the enemy. This book is a fascinating visual history of some of the most outrageous, and unbelievable and politically charged comics ever published.

    Ranchers find fifteen-year-old Lori Perkins in the wilderness on the edge of death. When she awakens, she tells a grizzly story of murder, vengeance and a ghostly rider that killed her family. Beside himself, Sheriff Rufus Mackie calls upon a mysterious Hunter to deal with the revenant that apparently is still stalking Lori. Hunter leads Elizabeth Winslow who nursed Lori back to health and her son Jonah who is the same age as Lori and heavily crushing on her along with Sheriff Mackie and Lori back to Lori’s family farm. What they find shocks everyone. Badlands: The Hunter is a 9,000-word short story that introduces readers to Hunter, the main character of the upcoming Badlands novel series. This story is the first of six leading to the premiere of the first novel Badlands: Comes the Hunter, coming soon.

    The punk rock pin-up cultural phenomenon known as suicidegirls.com includes journal entries excerpted from the site and over 200 artful, color photos.

    A year later, as a member of Britain's elite No. 3 Commando, Lynch wants nothing more than to go back over the Channel and kick open Hitler's Fortress Europe, guns blazing. Introduced by his commanding officer to the enigmatic Lord Pembroke, Lynch is offered a chance to be part of a special team of hand-picked Commandos. Their assignment: sneak into occupied France and ally with the French partisans to fight back against the Nazis. Lynch readily accepts the challenge, but when the mission goes awry from the very beginning, and the motives of the partisan leader become suspect, the Commandos begin to wonder about their role in the mission: trusted allies with the partisans, or worms dangling as bait for a hungry fish?COMMANDO: Operation Arrowhead is a military action - adventure novel written in the spirit of classic war movies and wartime pulp adventure fiction.

    Many of the images included in this volume, depicting pivotal scenes and characters, were previously embargoed and have never appeared in book form. The work of Alan Lee and John Howe — the two artists most closely associated with Tolkien’s world — is featured, along with that of many other talented artists and designers. The artists’ own descriptions of the design process used in creating the look of the films both enlighten and enliven this essential book.

    Rebus showcases new work as well as important creative milestones including the eerie dreamscapes of his oil paintings, the elaborate installations and animations he created for Prada in 2008, his gorgeous illustration work, as well as never-before-published pages from his detailed sketchbooks. Page after page, this monumental book reveals new ideas and explorations from an artist whose voice, influence, and vision remain simply unparalleled.

    President Roosevelt musters the captains of industry and leading scientists to find a way to turn back the Martian tide

    It describes the genre's origins and development, showcasing the most important artists.

    Where romance met with soft porn there was also a surprisingly large population of butch brunettes pursuing and seducing blond femmes. This was an alternate universe of erotic pulp fiction where gals and dolls were exploring the illicit pleasures of lesbian love -- much to the delight of a largely male, heterosexual readership. Before the sexual revolution of the 1960s, these books offered a thrilling peek into the deviant underworld of wild passion and scandalous sex.

    Originally published in the October, 1933 issue of The Spider.

    Please read all the way through.)) Alex is dead. Dead, and apparently with a one way ticket to a place that only the worst of the worst go. All for a simple choice he made about a product his company owned. Damned for all time. Luckily for him, he’s about to be given a chance. Another choice to make. He can instead, return to the land of the living, though his soul would belong to another. Except the world he’s being sent to, isn’t the same one he came from. It’s not even a similar period in time, but from something long past in history. The dark ages. And part of the deal to live again, is to make pacts with others. Pacts that would bind others in secrecy. That they could never speak of what they'd done. Deals for anything, and everything. From things as simple as a meal, to their very lives. How much would you give of yourself to live on in the world is an easy question. The better question, is how much would you take from others? If Alex wants to keep living, to keep his soul from being sent to the darkest corner of hell, he’ll have to ask himself that question. Daily. Warning: This novel explores dark subjects, and what people will give up of themselves, and each other, to get what they want. The main character is written as a real person in a tough situation, and will not make choices that line up with societal and cultural norms. It contains adult themes and moral ambiguities. As with my previous work, explicit scenes are found within. It has violence and a harem relationship. This is the Omnibus edition of the 1st Fostering Faust Trilogy. It contains all three books of the first trilogy. Only the description of the first book has been included to prevent spoilers from occurring. (Product Page for Book 1: https://www.amazon.com/gp/product/B07...) (Product Page for Book 2: https://www.amazon.com/gp/product/B07...) (Product Page for Book 3: https://www.amazon.com/gp/product/B07...)

    P. Lovecraft is the most important and influential horror writer of the twentieth century. His stories of occult nightmare and cosmic terror have drawn praise from William S. Burroughs, Angela Carter and Jorge Luis Borges and continue to inspire new generations of writers and artists.John Coulthart is one of H. P. Lovecraft's major visual interpreters. As an artist for David Britron's Lord Horror series, his work has been described as "shocking…harmful", "harrowing" and "brilliant" and has been banned on the grounds of obscenity by British law courts.This collection presents all of Coulthart's Lovecraft-inspired work from the past decade including two complete comic strip adaptations—The Haunter of the Dark and The Call of Cthulhu—over thirty pages of previously unseen drawings and paintings plus selections from the controversial Lord Horror series Hard Core Horror and Reverbstorm, which have been evolving Lovecraftian imagery in bold new directions.Material specially created for this volume includes The Great Old Ones, a kabbalah of Lovecraft's gods with accompanying evocations by Alan Moore, author of Watchmen, V for Vendetta, From Hell and many other graphic novel classics.

    Not with his wife, Amy, and especially not with their asshole friend, Scott. Lawyers all three, they were more likely to strip their opponents of pride, not clothing.Not that Ben wasn't intrigued--especially in the company of two attractive couples with a history of flirtation. He'd love to see either woman naked; he just wasn't sure how he felt about the guys ogling his wife. But when the wine begins to flow, inhibitions loosen, and clothes start coming off, he discovers a part of himself that's turned on by the attention Amy commands.Soon, the three couples are caught in the throes of high-stakes poker. Secrets come out, things get wild, and Ben discovers a side of his wife he never knew existed.

    Combining a sensitive use of line and subdued watercolors, he skillfully depicted forests of startling trees with claw-like roots, wholesome fairy maidens, monsters, and demons, and backgrounds filled with obscure figures. His inspired illustrations for the fairy tales of the Brothers Grimm (1900) brought him his first great success, with a long and distinguished career to follow.This collection of 55 full-color plates, reproduced from rare early editions, contains a rich selection of Rackham's best fairy tale images: a giant terrorizing the inhabitants of an isolated village in English Fairy Tales, a wicked witch greeting two lost children on her doorstep in Hansel and Gretel, a young maiden beset by snarling wolves in Irish Fairy Tales, and many more, including illustrations from Snowdrop and Other Tales, Little Brother and Little Sister, and The Allies' Fairy Book.

    Created in the early 1950s when Shuster was down on his luck after suing his publisher, DC Comics, over the copyright for Superman, he illustrated these images for an obscure series of magazines called Nights of Horror, published under the counter until they were banned by the U.S. Senate. Juvenile deliquency, Dr. Fredric Wertham, and the Brooklyn Thrill Killers gang all figure into this sensational story.The discovery of this artwork reveals the 'secret identity' of this revered comics creator, and is sure to generate controversy and change the perception of the way we look at Clark Kent, Lois Lane, Lex Luthor, and Jimmy Olsen forever. The book includes reproductions of these images, and an essay that provides a detailed account of the scandal and the murder trial that resulted from the publication of this racy material."Jeepers, Mr. Kent!" - USA Today "Eye-opening……a compelling feat of literary sleuthing." - Publishers Weekly"A shocking expose" - National Enquirer"Startling. . . this fascinating collection adds a new dimension to a hidden history.” - Miami Herald"Secret Identity is an incredible find of historic significance to comics art…. - Library Journal