As he did so brilliantly in London: The Novel and New York: The Novel, Edward Rutherfurd brings to life the most magical city in the world: Paris. This breathtaking multigenerational saga takes readers on a journey through thousands of years of glorious Parisian history.

    Steven Wrigley is trying to survive his senior year of high school, still reeling from the death of his mother and adjusting to life with his father. Along the way, he meets a girl who becomes another kind of obsession: Elise Devon.Elise’s secrets keep her distanced from everyone. She has a special place she calls the Obscura. She goes there when she is depressed or angry. The Obscura makes her feel like nothing she’s ever felt before. When she loses herself to the Obscura, she fears she also gives herself to something much darker, something much more powerful. Something calling itself the Sorrow King.Who is the Sorrow King?He is carved from wood and bone.He smells like wax, dead leaves, and memories.He travels by moonlight and drinks the sorrow of others.Can love exact vengeance on a monster made from madness, depression, and misery? Or will the Sorrow King bleed the town dry before satiating himself and moving on?

    Snyder, Tim Curran, Pete Rawlik, Sam Gafford, Christine Morgan, Cody Goodfellow and many more, Return of the Old Ones: Apocalyptic Lovecraftian Horror continues the Dark Regions Weird Fiction line with 19 original stories from some of the best authors in Lovecraftian horror and weird fiction today. Return of the Old Ones will only have one signed edition (deluxe slipcased hardcover) and will feature a similar stamp design to the popular Cthulhu head stamping featured on the World War Cthulhu hardcovers. It will be signed by all contributors and will feature the original color cover artwork by Vincent Chong as color end sheets.

    Every word tells, & the number of unusually stirring incidents is legion, while the plot is phenomenal in its strength, merit & ingeniousness.

    It was a "big country needing big men and women to live in it." This volume presents five more of L'Amour's fine short stories about the West, restored according to how they first appeared in their initial publication in magazines. "Riding for the Brand" Jed Asbury was stripped naked by Indians and forced to run the gauntlet. He ran it better than they had expected and escaped with only a few minor wounds. Still on the dodge, Jed encounters a covered wagon in which the horses and humans have been killed, the wagon and its contents left to stand. He is able to outfit himself from clothes and guns he finds in the wagon, and in the process he learns what the intentions were of those who had driven the wagon--and the possible reason they were killed. Jed decides to push forward and accomplish precisely what they had intended to do. "Four Card Draw" Allen Ring drew four cards in a poker game with Ben Taylor, and he won a small ranch. The ranch cabin sits on a low ledge of grass backed up against a cliff of red rock, with a spring not more than fifty feet away. The ranch is all he had ever hoped to have. Only it isn't going to be that simple. Ross Bilton, the town marshal, shows up with two deputies and tells Allen that, whether he has a deed or not, no one is allowed to live on the ranch. A killing had taken place there years before and remains unsolved. But that's not enough to persuade Allen to leave. "His Brother's Debt" Rock Casady is considered a coward. When gunman Ben Kerr issued a challenge, Casady fled rather than stick around to fight. He rode on to new range and got himself a job. He did well at it, but everyone noticed that he avoided going to town, and he avoided people. That was before Sue Landon, niece of the ranch's owner, asked Rock to accompany her to town to make some necessary purchases. Though that might mean a confrontation with rustler and hardcase Pete Vorys, Rock agrees. However, minding his own business proves ineffective when Vorys decides that this stranger has to be cut down to size. "The Turkeyfeather Riders" Jim Sandifer swings down from his buckskin and stands for a long minute, staring across the saddle toward the dark bulk of Bearwallow Mountain. For three years he has been riding for the B Bar, and for two of those years he has been ranch foreman. Now he knows that what he is about to do will bring an end to that, an end to his life here, to his chance to win the girl he loves. He stopped a raid by some B Bar men on the Katrischen spread, and now he has to tell the B Bar's owner what he did--and suffer the consequences. "The Nester and the Paiute" The Paiute is the local bad man. But as bad as his rustling and killing has been, Sheriff Todd had never caught him with real evidence and so could only keep his eye on the Paiute, hope to catch him in the act. That was before the nester rode in, looking for the Paiute. Sheriff Todd is out of town, but that doesn't matter to the nester. He's been following the Paiute's tracks all the way here and now wants to know where he lives. That's easily told, but Sheriff Todd isn't going to like it if there's a shoot-out between the nester and the Paiute. What no one knows is that the sheriff has already run into the Paiute, and that the Paiute has finished him. For the Paiute, this has become the end game.

    Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

    Half these stories never published before in U.S.

    It's a remote place, isolated from the world, and home to a group of half-Indian cattlemen.Dawnay is puzzled by the cattlemen's apparent fear of the dark. Until he learns of the elusive dwarfs who are supposed to dance among the trees by moonlight. His scientific brain urges him to confront the unknown, but Dawnay has entered a realm of nightmare, one that science cannot explain...

    15-year-old Sandy loses his job and his home when the small farm he lives on is sold, and then is horrified when "The Nipper" is sold as a pit-pony.

    

    

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    Deputy Marshal in Kansas for a great deal of his life. As soon as his brother Tommy stops answering his letters, he gets extremely alarmed and decides to take matters into his own hands. When he puts a plan in place to travel to Texas, little does he know that a shattering surprise awaits him there; his brother has been found dead, next to the body of one of the most powerful ranchers in town. Will Lee manage to unravel the truth behind these enigmatic and shocking deaths?While Lee is still aghast, the local sheriff declares Tommy's death a suicide, and also accuses him of attempting robbery and murder. On the spur of the moment, the case is considered closed, which makes Lee highly suspicious. Feeling that they drag Tommy's name through the mud, he decides to defy the law and seek vindication. Will he succeed in this lonesome yet risky mission? How will he solve this demanding riddle and clear his brother's name?Lee's hazardous quest begins, having Susan Marsh and Ki'Somma, a young Cherokee medicine man, on his side. Doubts, lies, deceits, serious injuries as well as many other roadblocks will derange their endless undertaking. Will they manage to join forces triumphantly and complete this challenging mission? Or will Tommy always be remembered as a ruthless criminal?

    He willingly promises to take care of Fred’s sister and mother—after all, he has been quietly in love with Fred’s sister, Meg, for years.After a gruelling retreat across Spain, Jon finally returns to find England in the grip of a snowy winter. Thoughts of Meg have kept him going, but when he reaches her home, it is not Meg who meets him at the door but her cousin Rupert. Jon is devastated to learn that Rupert and Meg are to be wed in two days’ time.Despite Rupert’s efforts to keep them apart, Jon manages to talk to Meg, who does notnot want to marry her cousin. Meg suggests that she would be safe from Rupert’s threats if she married Jon instead.Without hesitation, Jon sets off through the icy conditions and deep snow to get a marriage licence before Rupert can force Meg to marry him. But d

    P. Lovecraft, the seminal, enigmatic horror writer of the early 20th century. Houellebecq’s insights into the craft of writing illuminate both Lovecraft and Houellebecq’s own work. The two are kindred spirits, sharing a uniquely dark worldview. But even as he outlines Lovecraft’s rejection of this loathsome world, it is Houellebecq’s adulation for the author that drives this work and makes it a love song, infusing the writing with an energy and passion not seen in Houellebecq’s other novels to date.