Their simple missionfueled by passion for a more open and democratic nation, topnotch and timely information, and the financial support of concerned individuals and organizationswas to jumpstart broad civic dialogue and enable ordinary citizens to effectively voice their political concerns. In the spirit of simplicity and empowering the citizen, this book is an essential "how to" for becoming politically informed and involved. In this handbook for change, MoveOn members from around the country have written about what it means to be a responsible member of a democracywhat they have done in the past and what they are now doing to help make the United States more accountable, forward thinking, and a better place to live. The 50 Ways range from simple ideas, such as "Tell a Friend about a Petition" to more dynamic suggestions, such as "Organize a Constituent Meeting," and the editors at MoveOn provided action items and resources for those who want to take inspiration a step further."

    In this groundbreaking anthology, more than seventy women and men from all walks of life describe their lives as bisexuals in prose, poetry, art, and essays

    The Social Movements Reader, Second Edition, provides the most important and readable articles and book selections on recent social movements from around the world.With selected readings and editorial material this book combines the strengths of a reader and a textbookReflects new developments in the study of social movements, both empirical and theoreticalProvides original texts, many of them classics in the field of social movements, which have been edited for the non-technical readerSidebars offer concise definitions of key terms as well as biographies of famous activists and chronologies of several key movementsRequires no prior knowledge about social movements or theories of social movements

    Ramanujan (who died in 1993) has rendered two services: he has introduced Indian and Western readers to an unfamiliar and fascinating literary tradition, and he has provided access to some examples of a mature classical poetry. In them, as the translator notes, passion is balanced by courtesy, transparency by ironies and nuances of design, impersonality by vivid detail, spareness by richness of implication. The poems come from one of the earliest surviving texts of Tamil poetry, the Kuruntokai, an anthology of love lyrics probably recorded during the first three centuries A.D. Seventy-six of these classical poems have here been given a modern language and form. In an effort at fidelity to the effect of the images and their placement in the original, Ramanujan has given a visual shape to the poems by typographic devices. This classic anthology of translations has long been out of print. It should interest all those who read poetry, as well as those who value Ramanujan's gift as a translator.

    From the moment powerful men started falling to the #MeToo movement, the lamentations began: this is feminism gone too far, this is injustice, this is a witch hunt. In The Witches Are Coming, firebrand author of the New York Times bestselling memoir and now critically acclaimed Hulu TV series Shrill, Lindy West, turns that refrain on its head. You think this is a witch hunt? Fine. You’ve got one.In a laugh-out-loud, incisive cultural critique, West extolls the world-changing magic of truth, urging readers to reckon with dark lies in the heart of the American mythos, and unpacking the complicated, and sometimes tragic, politics of not being a white man in the twenty-first century. She tracks the misogyny and propaganda hidden (or not so hidden) in the media she and her peers devoured growing up, a buffet of distortions, delusions, prejudice, and outright bullsh*t that has allowed white male mediocrity to maintain a death grip on American culture and politics-and that delivered us to this precarious, disorienting moment in history.West writes, “We were just a hair’s breadth from electing America’s first female president to succeed America’s first black president. We weren’t done, but we were doing it. And then, true to form—like the Balrog’s whip catching Gandalf by his little gray bootie, like the husband in a Lifetime movie hissing, ‘If I can’t have you, no one can’—white American voters shoved an incompetent, racist con man into the White House.”We cannot understand how we got here-how the land of the free became Trump’s America—without examining the chasm between who we are and who we think we are, without fact—checking the stories we tell ourselves about ourselves and each other. The truth can transform us; there is witchcraft in it. Lindy West turns on the light.

    Classics of the environmental imagination—the essays of Henry David Thoreau, John Muir, and John Burroughs; Aldo Leopold’s A Sand County Almanac; Rachel Carson’s Silent Spring—are set against the inspiring story of an emerging activist movement, as revealed by newly uncovered reports of pioneering campaigns for conservation, passages from landmark legal opinions and legislation, and searing protest speeches. Here are some of America’s greatest and most impassioned writers, taking a turn toward nature and recognizing the fragility of our situation on earth and the urgency of the search for a sustainable way of life. Thought-provoking essays on overpopulation, consumerism, energy policy, and the nature of “nature” join ecologists’ memoirs and intimate sketches of the habitats of endangered species. The anthology includes a detailed chronology of the environmental movement and American environmental history, as well as an 80-page color portfolio of illustrations.

    With humor and levity, here Adichie offers readers a unique definition of feminism for the twenty-first century—one rooted in inclusion and awareness. She shines a light not only on blatant discrimination, but also the more insidious, institutional behaviors that marginalize women around the world, in order to help readers of all walks of life better understand the often masked realities of sexual politics. Throughout, she draws extensively on her own experiences—in the U.S., in her native Nigeria, and abroad—offering an artfully nuanced explanation of why the gender divide is harmful for women and men, alike. Argued in the same observant, witty and clever prose that has made Adichie a bestselling novelist, here is one remarkable author’s exploration of what it means to be a woman today—and an of-the-moment rallying cry for why we should all be feminists.

    Common People will see writers who have made that leap reach back to give a helping hand to those coming up behind.We read because we want to experience lives and emotions beyond our own, to learn, to see with others’ eyes – without new working class voices, without the vital reflection of real lives, or role models for working class readers and writers, literature will be poorer.Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humor, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Original Pieces Contributed by:Damian BarrMalorie Blackman OBELisa BlowerJill DawsonLouise DoughtyStuart MaconieChris McCruddenLisa McInerneyPaul McVeighDaljit NagraDr Dave O’BrienCathy RentzenbrinkAnita SethiAdelle StripeTony WalshAlex Wheatleand more

    A unique and provocative anthology of lesbian writing, guaranteed to soothe the soulful and savage the soulless.

    . . . Using the language of the elemental world, he delineates a complex human intersection and transmutes cruelty into its opposite—a potent, lifegiving remedy.”—Alison Bechdel, author of Fun HomeFirst published in 1999, Exile & Pride established Eli Clare as one of the leading writers on the intersections of queerness and disability. With this critical tenth-anniversary edition, the groundbreaking publication secures its position as essential to the history of queer and disability politics, and, through significant new material that boldly interrogates and advances the original text, to its future as well. Clare’s writing on his experiences as a genderqueer activist/writer with cerebral palsy permanently changed the landscape of disability politics and queer liberation, and yet Exile & Pride is much too great in scope to be defined by even these two issues. Instead it offers an intersectional framework for understanding how our bodies actually experience the politics of oppression, power, and resistance. At the heart of Clare’s exploration of environmental destruction, white working-class identity, queer community, disabled sexuality, childhood sexual abuse, coalition politics, and his own gender transition is a call for social justice movements that are truly accessible for everyone.Blending prose and theory, personal experience and political debate, anger and compassion, Exile & Pride provides a window into a world where our whole selves in all their complexity can be loved and accepted.An award-winning poet and essayist, Eli Clare is also the author of The Marrow’s Telling.

    Writing with the same honesty and passion as her scandalous short-story, “The Quilt,” Chughtai exposes the complex relationships developed between women living and working in relative seclusion, and the intellectual and emotional contradictions lying in the heart of a rebellious country on the brink of independence from the British Raj and ultimately Partition.

    Exploring and revealing the lives of today's young feminists--the Third Wave--a collection of essays by thirty diverse members of the twenty-something generation covers a wide range of topics including racism, sex, identity, AIDS, revolution, and abortion.

    Like libertines. To their hormonal despair, when Professor Ram stages his remake of A Midsummer Night's Dream at their college fest, he casts these four as fairies. The farce that follows gradually takes over the lives of the rest of the characters in this achingly funny novel about the pratfalls that accompany caste pride. On and off the campus of Chennai University, you will encounter onion-and-garlic-free TamBrahms who rewrite Shakespeare to uphold the Hindu order, smug NRIs who call the shots in matrimonials, visiting Canadians who are aghast at the plight of Dalits (pronounced 'daylights') and, at the apex of the whole tumbling structure, a bibulous builder who invokes the gods even as he defrauds his clients. Tailing the characters around this plot is an unseen but all-seeing spectator. You may never guess who that is, but will laugh all the way to the answer.

    Contains 17 stories of Rudyard Kipling. Published in 1984.

    Weaving tales of India and of the new settlers in America, Chitra Divakaruni's stories explore themes of solitude, expectations, love and betrayal, as well as other reflections on life in both the East and the West.