Howard (1906-36) is best known for his stories about Conan the Barbarian. However, Howard was a prolific writer of fantasy, horror, historical adventure, Westerns, detective, sports stories, true confessions and other genre fiction. During his short career, he created a number of memorable characters in the pages of Weird Tales and other pulp magazines, including the the vengeful Puritan swashbuckler Solomon Kane, King Kull of Valusia, and the Pictish chieftain Bran Mak Morn.This companion volume to The Complete Chronicles of Conan contains stories featuring Conan's brothers-in-arms, from Howard's very first professionally published story, through the exploits of Kane, Kull, and the Picts, to a number of Oriental adventures, an early draft of a Conan story, and a posthumously published space opera in the style of Edgar Rice Burroughs.Compiled and with a historical afterword by Stephen Jones, and lavishly illustrated by Les Edwards, this is a volume that no Robert E. Howard fan will want to miss.

    The tree is decorated, the mistletoe is in place, and the crab puffs are to die for. Nothing can spoil this celebration…except for some wayward magic and a pesky ghost who crashes the party.SPIRITS OF BOURBON STREETIt’s Halloween on Bourbon Street, and white witch Jade Calhoun is ready to party. But when a sexy spirit traps everyone in the past, she’s forced to forgo the cocktails in order to save those she loves...again.A MIRACLE ON BOURBON STREETIt’s Christmas Eve and Jade Calhoun’s ready for a quiet, magical night with her husband Kane. But when Santa demons and energy-stealing elves start wreaking havoc, it’s going to take a miracle on Bourbon Street to save Christmas.A BOURBON STREET VALENTINEIt’s Valentine’s Day and magic’s in the air. Only Kat Hart never expected her handmade jewelry to be at the center of everything. So when her night out at Cupid’s Ball turns into a competition to be a handsome stranger’s wife, it’s up to her to break the spell…or she might get more than she bargained for.SPIRITS, HURRICANES, AND THE KREWE OF GHOULIt’s Halloween and Pyper Rayne’s all vamped up, ready to play the vampire bride. And so is Ida May, her resident ghost. But when the “vampires” they're partying with start to appear to be real, there’s more at stake than just a little bite.KISSED BY TEMPTATIONThe last place sex-witch Mati Ballintine wants to be is at a holiday sorority party. But when the high angel from the council orders her to protect a new angel recruit, she has no choice but to go and grit her teeth through the frat boys’ advances.
The night turns from bad to worse when a demon appears and is hell-bent on taking the angel to Hell. Mati and her incubus boyfriend Vaughn will need to combine forces to not only save the angel, but everyone else the demon leaves in his wake.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    It relates the tale of Grettir, an eleventh-century warrior struggling to hold on to the values of a heroic age becoming eclipsed by Christianity and a more pastoral lifestyle. Unable to settle into a community of farmers, Grettir becomes the aggressive scourge of both honest men and evil monsters - until, following a battle with the sinister ghost Glam, he is cursed to endure a life of tortured loneliness away from civilisation, fighting giants, trolls and berserks. A mesmerising combination of pagan ideals and Christian faith, this is a profoundly moving conclusion to the Golden Age of the saga writing.

    History has no record of him. There is a moral in that, somewhere.""The problem with being a pain in the ass is that you never quite know who's trying to get you.""Why do people keep insisting that I join the 21st Century? I *LIVE* in the 21st Century! I just don't want to be bothered by the shitheads on the internet!""I have no mouth. And I must scream.""I think love and sex are separate and only vaguely similar."

    Sin City: The Babe Wore Red and Other Stories is a collection of three complete tales of the town without pity and the tough guys and hot dames who live there.In The Customer is Always Right, a man and woman fall in love, but one falls harder than the other. It's true love Sin City style. On the opposite side of the coin, a working girl from Old Town gives her client a quick lesson in business, And What's Behind Door Number Three... isn't something you should negotiate for. And in the lead story, The Babe Wore Red, Dwight finds himself in frighteningly familiar territory with a too-much woman with too few answers, and a fully loaded shotgun aimed at his skull. Sex always makes Dwight stupid, so is he setting himself up for an idiot's death? God only knows.All three stories have appeared in quiet, little places where you probably couldn't find them, and all three are self-contained. For introducing new readers to the streets of Sin City, or for filling the weeks between issues of The Big Fat Kill, Sin City: The Babe Wore Red can't be beat.

    Offered here are tales of battle, travel, and adventure, but also songs of heartache and longing, pearls of lusty innuendo and clear-eyed stoicism, charms and spells for everyday use, and seven "hoards" of delightfully puzzling riddles.Featuring all-new translations by seventy-four of our most celebrated poets—including Seamus Heaney, Robert Pinsky, Billy Collins, Eavan Boland, Paul Muldoon, Robert Hass, Gary Soto, Jane Hirshfield, David Ferry, Molly Peacock, Yusef Komunyakaa, Richard Wilbur, and many others—The Word Exchange is a landmark work of translation, as fascinating and multivocal as the original literature it translates.

    Across the galaxy, the most-wanted criminals shudder at the mere mention of his name… Boba Fett!Following the events of Dark Empire II, a Hutt's misguided affections lead to a death contract on a faraway planet. Hired by the Hutt, Boba Fett pursues an intergalactic magician who may hold the key to the Hutt's future. The fact that the magician has died only poses a slight problem for the bounty hunter, as not even the dead can escape from Boba Fett!

    Charles Williams was one of the finest-not to mention one of the most unusual-theologians of the twentieth century. His mysticism is palpable-the unseen world interpenetrates ours at every point, and spiritual exchange occurs all the time, unseen and largely unlooked for. His novels are legend, and as a member of the Inklings, he contributed to the mythopoetic revival in contemporary culture.

    On the occasion of the Centennial of the University of Chicago and its Press, we take pleasure in reissuing this complete work in a handsome four-volume slipcased edition as well as in redesigned versions of the familiar paperbacks. For the Centennial Edition two of the original translations have been replaced. In the original publication David Grene translated only one of the three Theban plays, Oedipus the King. Now he has added his own translations of the remaining two, Oedipus at Colonus and Antigone, thus bringing a new unity of tone and style to this group. Grene has also revised his earlier translation of Prometheus Bound and rendered some of the former prose sections in verse. These new translations replace the originals included in the paperback volumes Sophocles I (which contains all three Theban plays), Aeschylus II, Greek Tragedies, Volume I, and Greek Tragedies, Volume III, all of which are now being published in second editions. All other volumes contain the translations of the tragedies of Aeschylus, Sophocles, and Euripides for the most part from the original versions first published in the 1940s and 1950s. These translations have been the choice of generations of teachers and students, selling in the past forty years over three million copies.

    Benson's edition of these important Middle English poems is here revised and updated by Professor Edward E. Foster, taking into account recent scholarship, to once again be available and accessible to students. The romances included here are two of the best, most significant Arthurian romances in Middle English, which complement each other in terms of style and content. While the Alliterative Morte Arthure belongs to the Alliterative Revival movement, replete with details of fourteenth century warfare, the Stanzaic Morte Arthur represents a briefer, quicker-paced, yet more sentimental English adaptation of the French Mort Artu. This edition-with contextualizing introductions, helpful glosses, plentiful notes, and useful glossary-comprises a great introduction to Middle English Arthuriana for students of the Middle Ages.

    Together, the Norton Critical Editions of Wordsworth's Poetry and Prose and The Prelude: 1799, 1805, 1850 are the essential texts for studying this author.Wordsworth's Poetry and Prose includes a large selection of texts chronologically arranged, thereby allowing readers to trace the author's evolving interests and ideas. An insightful general introduction and textual introduction precede the texts, each of which is fully annotated. Illustrative materials include maps, manuscript pages, and title pages. "Criticism" collects thirty responses to Wordsworth's poetry and prose spanning three centuries by British and American authors. Contributors include Samuel Taylor Coleridge, Percy Bysshe Shelley, Felicia Hemans, Ralph Waldo Emerson, Lucy Newlyn, Stephen Gill, Neil Fraistat, Mary Jacobus, Nicholas Roe, M. H. Abrams, Karen Swann, Michael O'Neill, and Geoffrey Hartman, among others. The volume also includes a Chronology, a Biographical Register, a Selected Bibliography, and an Index of Titles and First Lines of Poems.

    Leaf Storm, Story of a Shipwrecked Sailor, One Hundred Years of Solitude, Of Love and Other Demons, Love in the Time of Cholera, Living to Tell the Tale, Strange Pilgrims, Chronicle of a Death Foretold,Clandestine in Chile, others.

    

    Here Auerbach, thought by many to be the greatest of twentieth-century scholar-critics, makes the seemingly paradoxical claim that it is in the poetry of Dante, supreme among religious poets, and above all in the stanzas of his Divine Comedy, that the secular world of the modern novel first took imaginative form. Auerbach’s study of Dante, a precursor and necessary complement to Mimesis, his magisterial overview of realism in Western literature, illuminates both the overall structure and the individual detail of Dante’s work, showing it to be an extraordinary synthesis of the sensuous and the conceptual, the particular and the universal, that redefined notions of human character and fate and opened the way into modernity.CONTENTSI. Historical Introduction; The Idea of Man in LiteratureII. Dante's Early PoetryIII. The Subject of the "Comedy"IV. The Structure of the "Comedy"V. The PresentationVI. The Survival and Transformation of Dante's Vision of RealityNotesIndex