It's been downhill ever since. For all this talk of our dazzling modern age, the two biggest advances of the past decade are Wi-Fi and Nando's. That's the best we can do.'In his latest laugh-out-loud collection of misanthropic scribblings, hideous Q-list celebrity failure Charlie Brooker tackles everything from the misery of nightclubs to the death of Michael Jackson, making room for Sir Alan Sugar, potato crisps, global financial meltdown, conspiracy theories and Hole in the Wall along the way. The collapse of civilisation has never felt this funny (unless you're a sociopath, in which case it's been an uninterrupted laugh riot since the days of the Somme).This book is guaranteed to brighten your life, put a spring in your step, and lie to you on its back cover.

    Michael Perry loves this place. He grew up here, and now -- after a decade away -- he has returned. Unable to polka or repair his own pickup, his farm-boy hands gone soft after years of writing, Mike figures the best way to regain his credibility is to join the volunteer fire department. Against a backdrop of fires and tangled wrecks, bar fights and smelt feeds, he tells a frequently comic tale leavened with moments of heartbreaking delicacy and searing tragedy.

    Misfit and motherless, they share an American desert summer of darkly illuminating signs and portents. In locales as mirrored strange as a nursing home where the living dead are preserved, to a wildlife museum where the dead are presented as living, the girls attend to their future. A remarkable attendant cast of characters, including a stroke survivor whose soulmate is a vivisected monkey, an aging big-game hunter who finds spiritual renewal in his infatuation with an eight-year-old–the formidable Emily Bliss Pickles–and a widower whose wife continues to harangue him, populate this gloriously funny and wonderfully serious novel where the dead are forever infusing the living, and all creatures strive to participate in eternity.

    What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a genuinely feminine form . . . a poetry of intimacy, witness, honesty, and relation" (Boston Globe).

    She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance. The Collected Stories of Lydia Davis is an event in American letters.

     Through thirteen wildly imaginative short stories and a passional essay on colonialism and Southeast Asia, Cambodia: A Book for People Who Find Television Too Slow startles, amuses, and infuriates its readers with juxtaposed images and penetrating insights into the media jungle. Like subtitles read in a foreign film, the pace of Brian Fawcett’s intoxicating prose accelerates quickly and unfolds right before the readers eyes until it is moving more swiftly than the imagines on the evening moves. Passion stirs in the pages of Fawcett’s book, urging readers to resist the annihilation of memory and imagination in our society.

    Whether he is describing his coming of age in America, his formative war experiences, or his life as an artist, this is Vonnegut doing what he does best: being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut’s passions.

    Set in an apocalyptic and post-apocalyptic world that is disturbing because it is uncannily familiar, National Anthem chronicles the aftermath of the failure of imperial vision. Allowing Rome and America to bleed into one another, Prufer masterfully weaves the threads of history into an anthem that is as intimate as it is far-reaching.

    In AM/PM, impish humor and cutting insight are on full display. Readers tour the lives of 23 characters across 120 stories full of lizard tails, Schrödinger boxes, and volcano love. June wakes up one morning covered in seeds; Leonard falls in love with a chaise lounge; Betty insists everything except flowers are a symbol of her love for her husband; Andrew talks to his house in times of crisis. Written every morning and night for two months, these brief vignettes (50 to 100 words) recall Donald Barthelme in their whimsy and subtle yet powerful emotions. An intermittent love story as seen through a darkly comic lens, AM/PM mixes poetry and prose, humor and hubris to create a truly original work of fiction.

    He writes them to Emma, a woman he sees at a party. Each entry captures the loose, disparate details of daily life, including desires, frustrations, joys, social observations, anecdotes, advice, and the self, as depicted through emotional weather updates. Emma’s replies are not revealed, but the narrator’s persona is as he philosophizes and courts the object of his affection. He is a fan of boxing, a scientist by trade, and a student of the “vortex”—an entity he uses to describe his self-deterioration and the emptiness in his life. Together, the letters reveal the internal dialog of a conflicted protagonist who shadowboxes Emma, himself, and even the reader.

    In Holy the Firm she writes about a moth consumed in a candle flame, about a seven-year-old girl burned in an airplane accident, about a baptism on a cold beach. But behind the moving curtain of what she calls "the hard things -- rock mountain and salt sea," she sees, sometimes far off and sometimes as close by as a veil or air, the power play of holy fire.This is a profound book about the natural world -- both its beauty and its cruelty -- the Pulitzer Prize-winning Dillard knows so well.

    A young woman named Foe has lost her memory and six messengers who attempt to recite her past back to her inevitably - and creatively - fail. Parts Kafka, Lewis Carroll, and Aesop, the imagistic allegory warns that in a culture of texting, email, and Twitter, we can't forsake real conversation - or we could lose its art forever. - Interview Magazine, Dec/Jan 2010.An exquisite memento of wildly imagined scenes, odd characters, and nightmares confused with waking life, a slipstream loop where bureaucracy and hallucination are so intertwined that you’re often confused which is the most absurd. - The Brooklyn Rail, April 2010.

    He's having a hard time getting started because his career is floundering, his girlfriend Roz has recently left him, and he is thinking about the great poets throughout history who have suffered far worse and deserve to feel sorry for themselves. He has also promised to reveal many wonderful secrets and tips and tricks about poetry, and it looks like the introduction will be a little longer than he'd thought. What unfolds is a wholly entertaining and beguiling love story about poetry: from Tennyson, Swinburne, and Yeats to the moderns (Roethke, Bogan, Merwin) to the staff of The New Yorker, what Paul reveals is astonishing and makes one realize how incredibly important poetry is to our lives. At the same time, Paul barely manages to realize all of this himself, and the result is a tenderly romantic, hilarious, and inspired novel.

    In a series of essays that progress from the tiniest earth dwellers to the most far flung celestial bodies—considering the similarity of gods to donkeys, the inexorability of love and vines, the relations of exploding stars to exploding sea cucumbers—Amy Leach rekindles a vital communion with the wild world, dormant for far too long. Things That Are is not specifically of the animal, the human, or the phenomenal; it is a book of wonder, one the reader cannot help but leave with their perceptions both expanded and confounded in delightful ways.

    Crapalachia is a portrait of these formative years, coming-of-age in rural West Virginia.Peopled by colorful characters and their quirky stories, Crapalachia interweaves oral folklore and area history, providing an ambitious and powerful snapshot of overlooked Americana.