The author relates his own life experiences to offer a view of contemporary Native American life.

    He became one of the ten richest men on the planet and controlled 80 per cent of the global cocaine trade before he was shot dead in 1993.In 1965, a secret mission by Colombian Special Forces, led by an MI6 agent, to recover a cash hoard from a safe house used by a young Pablo Escobar culminates in a shoot-out leaving many dead. Escobar and several of his men escape. Only a baby survives, Roberto Sendoya Escobar. In a bizarre twist of fate, the MI6 agent takes pity on the child, brings him home and later adopts him.Over the years, Pablo Escobar tries, repeatedly, to kidnap his son. The child, unaware of his true identity, is allowed regular meetings with Escobar and it becomes apparent that Roberto’s adopted father and the British government are working covertly with the gangster in an attempt to control the money laundering and drug trades.Many years later in England, as Roberto’s father lies dying in hospital, he hands his son a coded piece of paper which, he says, reveals the secret hiding place of Escobar’s ‘missing millions'. The code is published in this book for the first time.

    But when Paco was struck down by a disease that left him unable to walk, Hickam was faced with a terrible decision, let his beloved cat live in misery or put him to sleep. Before that decision could be made, the space mission Hickam was working on needed to be rescued and there was only one sure way to save it: Paco's magic meow! This is a true story of the space age that is also a delightful tale of the love between an engineer and his cat.

    Out and Back recounts Allen's fight to rehabilitate her body, rebuild her belief in herself, and return to the life and sport she loves.

    Michihiko Hachiya was director of the Hiroshima Communications Hospital when the world's first atomic bomb was dropped on the city. Though his responsibilities in the appalling chaos of a devastated city were awesome, he found time to record the story daily, with compassion and tenderness. His compelling diary was originally published by the UNC Press in 1955, with the help of Dr. Warner Wells of the University of North Carolina at Chapel Hill, who was a surgical consultant to the Atomic Bomb Casualty Commission and who became a friend of Dr. Hachiya. In a new foreword, John Dower reflects on the enduring importance of the diary fifty years after the bombing.

    Essays from a tiny diner in the middle of the country.These are stories of love and adaptation at the broad intersection of commerce and community, and of how a pandemic changed everything and nothing about us.

    Readers will relate to Crewe’s ache at missing her mom, her nostalgia for her childhood, her frustrations at raising teenagers, and her impatience for terrible parking lot etiquette in equal measure. The book spans sixteen years’ worth of columns for The Cape Bretoner Magazine, Cahoots Magazine, and The Chronicle Herald.Are You Kidding Me?! is a side-splitting, heartwarming, Cape Breton–flavoured celebration of the little things.

    Finding pleasure in the customs and characters of small-town life, in The Heart Can Be Filled Anywhere on Earth he writes with affection about the town elders, seen by those in the outside world as misfits and losers. “They taught me what to value, what to ignore, what to embrace, and what to resist.” In his trek through the heartland, Holm covers a satisfyingly wide emotional terrain, from scandalous affairs in the 1950s to his aunt’s touching attempts to transcend poverty with perfume and movie-star airs.

    Let her stories heal your heart and soul." (Christiane Northrup, M.D., author of Women's Bodies, Women's Wisdom)

    Angela Patrick was 19 years old, enjoying her first job working in the City, when her life turned upside down. A brief fling with a charismatic charmer left her pregnant, unmarried and facing a stark future. Being under 21, she was still under the governance of her parents, strict Catholics who insisted she have the baby in secret and then put it up for adoption. Shunned by her family and forced to leave her job, Angela was sent to an imposing-looking convent for unmarried mothers in north-east London. Run like a Victorian workhouse, conditions in the convent were decidedly Spartan. Vilified and degraded by the nuns for her 'wickedness', her only comfort came from the other pregnant girls, all knowing they too would have to give up their babies. After a terrifying labour with no pain relief, Angela gave birth to a beautiful son, Paul, with whom she fell instantly in love. At eight weeks he was taken from her and forcibly put up for adoption, leaving Angela bereft and heartbroken. Not a day went by without Angela thinking about him. Then, thirty years later, she received a letter. It was from Paul, and a reunion was arranged. This vital slice of social history is a shocking reminder of how cultural mores have changed around the issue of single motherhood since the early 1960s. It is also an honest, heartfelt memoir that explores the closest of human bonds.

     Filled with stories about injuries sustained while patients were not thinking so clearly, sad tales that reveal the not-so-funny side of the emergency room, things I've learned after years of being in this position, and signs you work in the ER, this condensed book has just enough to tickle your funny bone and then make you cry.

    Fiction writer and essayist Charles D'Ambrosio inspects manufactured homes in Washington state; tours the rooms of Hell House, a Pentecostal "haunted house" in Texas; visits the dormitories and hallways of a Russian orphanage in Svrstroy; and explored the textual space of family letters, at once expansive and claustrophobic. In these spaces, or the people who inhabit them, he unearths a kind of optimism, however guarded. He introduces us to a defender of gray whales; the creator of Biosquat, a utopian experiment in Austin, Texas; and a younger version of himself, searching for "culture" in Seattle in 1974. He analyzes the nuances of Mary Kay Letourneau's trial and contemplates the persistence of rain and of memory.

    Not all the stories these characters tell are true; some are lies, wild yams, clever deceits, baroque fabrications. But whether or not a homeless kid invents an incredible history for himself isn't the point, explains diarist-of-the-street Jim Grimsley. "All these stories and lies add up to something like the truth."Inspired in part by Ovid's Metamorphoses, Iizuka's Polaroid Stories takes place on an abandoned pier on the outermost edge of a city, a way stop for dreamers, dealers and desperadoes, a no-man's land where runaways seek camaraderie, refuge and escape. Serpentine routes from the street to the heart characterize the interactions in this spellbinding tale of young people pushed to society's fringe. Informed, as well, by interviews with young prostitutes and street kids, Polaroid Stories conveys a whirlwind of psychic disturbance, confusion and longing. Like their mythic counterparts, these modem-day mortals are engulfed by needs that burn and consume. Their language mixes poetry and profanity, imbuing the play with lyricism and great theatrical force.

    Haiku are practiced by poets, lovers, and schoolchildren, by “political haiku” twitterers, by anyone who has the desire to pin preception and experience into a few quick phrases. This essay offers readers unparalleled insight into the living heart of haiku—how haiku work and what they hold, and how to read through and into their images to find a full expression of human life and perceptions, sometimes profound, sometimes playful.

    The only comprehensive study that examines all areas of Basho's work, including haibun, renku and critical commentaries.