Timeless classics like ‘Time Stops at Shamli’, ‘Bus Stop, Pipalnagar’, and ‘The Night Train at Deoli’ rub shoulders with brilliant new stories that have never been published before like ‘Strychnine in the Cognac’, ‘The Horseshoe’ and ‘When the Clock Strikes Thirteen’. Vibrant, poignant, beautiful and tragic, these stories show a master storyteller at the height of his powers.

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    What we have here in this big fat volume is a cockeyed chrestomathy of 37 Algren pieces... with his hallmark stamped on every link." —The New York Times Book Review"The range of the book is satisfying—rich, will titillate even the most fastidious dilettante or culture vulture... also contains pieces that will make you laugh your head off. Once you begin reading it, you will not be able to put it aside." —The Chicago Tribune"Essential Algren." —The Washington Post"Very good, fast, funny and tough... Algren, where have you been hiding?" —The San Francisco ChronicleHere again is Algren's rich output from the 1960s and '70s, tough, streetwise stories and travelogues from around the world: accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of his beloved Chicago White Sox, among other subjects.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    With irony and an unfailing eye for telling detail, she cannily observes the illusions that people necessarily create and destroy in the tangle of life.

    Entwhistle may look like your sweet, old granny...but things happen to her: she's caught up in the witness protection program, stuck in an elevator with an assortment of strangers, her house is burglarized and her dog is kidnapped. But Mrs. Entwhistle is dauntless; she didn't get to be a fesity seventy-eight by wimping out. Come join her on her porch swing, meet her best friend, Maxine, and her dog, Roger. Maxine will probably offer you a bowl of her homemade soup. Sit a while. Come back when you can.

    And it is just this ordinariness that makes them special.In The H Street Sledding Record, a man throws horse manure on his roof every Christmas Eve to keep the myth of Santa alive. Bigfoot Stole My Wife is the claim of another man whose wife has disappeared without a trace, the only clue is that the kitchen smells funny: hairy. A third man finds that The Uses of Videotape are many: he uses a VCR to explain some mysterious goings-on in his bedroom while he and his wife are sleeping.While these wonderful stories seem to concern the people we see on the street or in the supermarket, they are quietly proving that nothing is normal, but all is well.

    Two lonely schoolboys at the end of childhood are forced into an unwanted companionship. One of them is terrified of what the future holds.Does music have its ghosts? Its victims? Something is stirring in the cathedral that both echoes an ancient tragedy and seems to offer a chance of future happiness. One thing is certain. Broken voices make false promises. And their lies may prove fatal.

    How did he allow the other person to die? How did he help the other person to hang himself to death? He was terribly upset about this. The moment his eyes saw a rope in any form he used to remember everything.........

    Wealthy and powerful, when something goes wrong, people expect him to make it right. But what can he do when his cousin leaves his bride standing at the altar? Court her himself. Kylie Beth Webster has a thriving business and is totally committed to helping revitalize downtown Buckley. Brokenhearted, humiliated, and furious, she isn’t about to fall into a rebound romance with another sweet talkin’, good lookin’ cowboy. Not even if he’s kind, upstanding, and her longtime friend. But Gideon isn’t simply trying to make amends for his cousin’s behavior. He’s determined to marry the woman he loves. All he has to do is convince her that his love is real – and win her heart.

    Church, marriage to a steady young man, children - her fortunes are already laid out for her, as are the shiny modern appliances in her new home. All she has to do is stay with Roy, who loves her. But as the decades unfold, what seems to be a safe, predictable existence overwhelms Hope. Where - among the demands of her children, the expectations of her husband and the challenges of her best friend, Emily, who has just read The Feminine Mystique - is there room for her? And just who is she anyway? A wife, a mother, a woman whose life is somehow unrealized?This beautifully crafted and perceptive work of fiction spans some fifty years of Hope Koop's life in the second half of the 20th century, from traditionalism to feminism and beyond. David Bergen has created an indelible portrait of a seemingly ordinary woman who struggles to accept herself as she is, and in so doing becomes unique.

    Twentysomethings, brought up with divorce, Watergate and Three Mile Island, and scarred by the 80s fall-out of yuppies, recession, crack and Ronald Reagan, they represent the new generation - Generation X.Fiercely suspicious of being lumped together as an advertiser's target market, they have quit dreary careers and cut themselves adrift in the California desert. Unsure of their futures, they immerse themselves in a regime of heavy drinking and working at no-future McJobs in the service industry.Underemployed, overeducated, intensely private and unpredictable, they have nowhere to direct their anger, no one to assuage their fears, and no culture to replace their anomie. So they tell stories; disturbingly funny tales that reveal their barricaded inner world. A world populated with dead TV shows, 'Elvis moments' and semi-disposable Swedish furniture...

    Each story follows the life of a person living on a fictitious council estate in London. The stories illustrate the realities and struggles that ordinary people go through at a time when people are feeling disenfranchised and are frustrated at not having their voices heard. Ranging from a humorous look at the gentrification of London to the realities of living with addiction the stories place the reader in the shoes of each character allowing them to feel their emotions.

    As a Family Liaison Officer he is always the bearer of bad news - it is his job to tell the friends and family of victims the fate of their loved ones.But Tom is weighted down by crimes both old and new - haunted by the death of his best friend Dani, whose murder has never been solved.When a rare opportunity emerges for Tom to take the lead in a horrific murder investigation, he is determined to get justice for the victim. A young girl has been found in her own home, cut so badly - and so carefully - that she has bled to death, leaving a deliberate pool of blood in the shape of angel wings....

    Lovers, spouses, siblings, hairdresser and client, mother and baby, teacher and pupil, girl and fox—these are the characters who animate Kathy Page's stunning new collection. While undergoing medical tests, tending the garden, starving themselves, touring museums, travelling, considering suicide, and falling pregnant, they drive each other towards moments where the true shapes of their lives are glimpsed. With humour, tenderness, and occasionally ruthless observation, Page offers us a sense of who they—and we—might become.United by her characters' primal desire for intimacy, these stories reflect our yearning for meaningful connection. In doing so, The Two of Us strengthens Kathy Page's reputation as one of the most powerful writers at work today.