As he put the phone down and stared into the darkness of his hotel room, he feared he'd been handed a political death sentence. The year was 1993, and he would be responsible for an economy that had had seven different currencies in the previous eight years to cope with inflation that had run at 3000 percent a year. Brazil had a habit of chewing up finance ministers with the ferocity of an Amazon piranha. This was just one of the turns in a largely unscripted and sometimes unwanted political career. In exile during the harshest period of the junta that ruled Brazil for twenty years, Cardoso started his political life with a tentative run for the Federal Senate in 1978. Within fifteen years, and despite himself, this former sociologist was running the country.And what a country! Brazil, it is often said, is on the edge of modernity, striding with one foot in mid-air towards the future, the other still rooted deep in a traditional past. It is a land of sophisticated music and brutal gold-digging, of the next global superpower and the last old-time coffee plantations. It is gloriously ungovernable, irrepressibly attractive, and home to the family, friends and extraordinary life of Fernando Henrique Cardoso. This is his story and his love song to his country.

    This comprehensive textbook uses a building-block approach that starts with the fundamental principles of system operation and progresses gradually to complex diagnostic and service procedures. Short sentences, concise definitions, and thousands of color illustrations help students learn quickly and easily. This newly revised text provides thorough coverage of the latest developments in the automotive field, including hybrid drive systems, computer network communication, and tire pressure monitoring systems. Organized around the eight ASE automobile test areas, Modern Automotive Technology is a valuable resource for students preparing for a career in automotive technology, as well as experienced technicians who are preparing for the ASE certification tests.

    Preeminent anthropologists like Napoleon Chagnon and Jacques Lizot founded their careers in the 1960s by "discovering" the Yanomami's ferocious warfare and sexual competition. Their research is now examined in painstaking detail by Patrick Tierney, whose book has prompted the American Anthropological Association to launch a major investigation into the charges, and has ignited the academic world like no other book in recent years. The most important book on anthropology in decades, Darkness in El Dorado will be a work to be reckoned with by a new generation of students the world over. A National Book Award finalist; a New York Times Notable Book, a Los Angeles Times Best Book of the Year, and a Boston Globe Best Book of the Year. 16 pages of b/w photographs. "In many respects, the most important book ever written about the Yanomami...."—Leslie Sponsel, University of Hawaii "An astonishing tale of scientific vainglory and blinding pride....Subtly argued and powerfully written."—The National Book Award Foundation Judges' Citation "[A] tale of self-interested agendas carried to such extremes as to seem an anthropological Heart of Darkness."—Los Angeles Times "Best Books of 2000" "[W]ill become a classic in anthropological literature, sparking countless debates."—The New York Times Book Review, John Horgan "Its most immediate effect may be to provoke a needed dialogue on the crucial importance of informed consent in anthropology."—The Chronicle of Higher Education, Carolyn Fluehr-Lobban "An enthralling and well-researched look at the unscrupulous practices of anthropology and journalism."—Booklist, Vanessa Bush "Copiously annotated and well documented... the culmination of a decade-long study of what Tierney claims is false science."—Publishers Weekly starred review "Nowhere is there a better case study of the effects of intervention on tribal peoples..."—Christian Science Monitor "[A] brilliant and shocking book....This book should shake anthropology to its very foundations."—Terrence Collins, Carnegie Mellon University "An extremely important contribution."—John Frechione, University of Pittsburgh "[C]arefully researched and documented...reveals an interlocking series of scandals that constitute the most flagrant violations of scientific ethics..."—Terrence Turner, Carnegie Mellon University "[A] devastatingly truthful story of massive genocide in contemporary times."—Chief Wilma Mankiller, Board Member, The Ford Foundation "The case of Napoleon Chagnon, as harrowingly documented by Patrick Tierney, appears to be an archetypal and unbelievably appalling one."—Alex Shoumatoff, author of The Rivers Amazon, and The World is Burning

    Political leaders. Promoters of health and education. Members of economic cooperatives. These are just some of the prominent, everyday roles held by women in the Zapatista autonomous region in Chiapas, where women’s participation has proved indispensable to the creation and maintenance of an alternative, democratic society.  Compañeras is the untold story of the women of the Zapatista movement, gathered by longtime community organizer Hilary Klein. The Zapatista women’s own recollections of their lives, struggles, and critical involvement bring to light the tremendous transformation of gender roles that has occurred in this culture of revolution, and are instructive for everyone committed to examining how existing grassroots alternatives to global capitalism can guide the way toward justice, equality, and democracy.

    As a school that strove to combine applied art with both the fine arts and technology, the Bauhaus movement has outlasted all other trends in architecture and design. This volume provides insight into the historical, cultural, philosophical, political and pedagogical background of the 1930s, when the Bauhaus was founded. It also portrays the famous Bauhaus directors and teachers and describes their signature pedagogical methods. Finally, the authors take readers inside Individual workshops, where they can discover for themselves the unique wealth of forms and ideas that remain the hallmark of Bauhaus products. Through its contributions to current discourse on the Bauhaus as a "fixed star of the avant-garde," its wealth of pictorial material (some of which has never before been published), as well as the rich variety of topics it addresses, this book offers a comprehensive look at one of the most significant institutions in the history of modern art and culture.

    for Girls, Vargas and Rosado now reveal the other face of the coin: Qui?bole with... for Guys. Adolescence is a complicated stage of life in which, overnight and without warning, you are faced with uncertainties of all kinds. Here, guys will find the answer to all the questions that keep you up at night, from the physical to the mental changes.

    In The Death of Trotsky, Cecelia Holland brings this fated and fatal day to life, from its quotidian beginnings to its dramatic close. Between Trotsky’s waking and his final rest, she probes the outer-workings and inner thoughts of those who were with him till the end, illuminating a man who exited life as he lived it: defiantly. Cecelia Holland, author of more than 30 books and articles, lives in northern California with her family.Cover Design by Adil Dara.

    military presence there. Looking at the war from the ground up, interviewing and profiling human rights activists, guerrillas, and paramilitaries to explain how it has changed their lives, Robin Kirk gives depth and meaning to the headlines that leave unexplained the intimate dimension of the U.S./Colombian relationship.

    These signify a place's authenticity, in contrast to the bland standardization of the suburbs and exurbs. But as Sharon Zukin shows in Naked City, the rapid and pervasive demand for authenticity -- evident in escalating real estate prices, expensive stores, and closely monitored urban streetscapes -- has helped drive out the very people who first lent a neighborhood its authentic aura: immigrants, the working class, and artists. Zukin traces this economic and social evolution in six archetypal New York areas -- Williamsburg, Harlem, the East Village, Union Square, Red Hook, and the city's community gardens -- and travels to both the city's first IKEA store and the World Trade Center site. She shows that for followers of Jane Jacobs, this transformation is a perversion of what was supposed to happen. Indeed, Naked City is a sobering update of Jacobs' legendary 1961 book, The Death and Life of Great American Cities. Like Jacobs, Zukin looks at what gives neighborhoods a sense of place, but argues that over time, the emphasis on neighborhood distinctiveness has become a tool of economic elites to drive up real estate values and effectively force out the neighborhood "characters" that Jacobs so evocatively idealized. "This is scholarship with its boots on the ground, challenging us to look at the familiar in a new light." --The Boston Globe "A highly readable narrative...a revelation, no matter where you live." --The Austin Chronicle "Provocative." --San Francisco Chronicle

    A soldier in the Spanish army, she traveled to Peru and Chile, became a gambler, and even mistakenly killed her own brother in a duel. During her lifetime she emerged as the adored folkloric hero of the Spanish-speaking world. This delightful translation of Catalina's own work introduces a new audience to her audacious escapades.From the "Introduction" by translator Michele Stepto: "Sometime between 1626 and 1630 -- that is, between the visit to Naples, which concludes her memoir, and her return to the Americas -- she wrote down in manuscript or dictated to an amanuensis an account of her life."The "Translator's Note" further explains: "Only the Muñoz and Ferrer copies of the original manuscript now exist. The present translation into English is based largely on a 1918 edition of Ferrer's Historia [de la Monja Alférez Doña Catalina de Erauso, escrita por ella misma (1829)], though we have also consulted Muñoz's Vida y sucesos [de la Monja Alférez...Escrita por ella misma (1784)], recently made available in an excellent edition edited by Rima de Vallbona.

    But how did the rise in banana consumption in the United States affect the banana-growing regions of Central America? In this lively, interdisciplinary study, John Soluri integrates agroecology, anthropology, political economy, and history to trace the symbiotic growth of the export banana industry in Honduras and the consumer mass market in the United States.Beginning in the 1870s when bananas first appeared in the U.S. marketplace, Soluri examines the tensions between the small-scale growers, who dominated the trade in the early years, and the shippers. He then shows how rising demand led to changes in production that resulted in the formation of major agribusinesses, spawned international migrations, and transformed great swaths of the Honduran environment into monocultures susceptible to plant disease epidemics that in turn changed Central American livelihoods. Soluri also looks at labor practices and workers' lives, changing gender roles on the banana plantations, the effects of pesticides on the Honduran environment and people, and the mass marketing of bananas to consumers in the United States. His multifaceted account of a century of banana production and consumption adds an important chapter to the history of Honduras, as well as to the larger history of globalization and its effects on rural peoples, local economies, and biodiversity.

    The Idea of Latin America is a geo-political manifesto which insists on the need to leave behind an idea which belonged to the nation-building mentality of nineteenth-century Europe.Charts the history of the concept of Latin America from its emergence in Europe in the second half of the nineteenth century through various permutations to the present day.Asks what is at stake in the survival of an idea which subdivides the Americas.Reinstates the indigenous peoples and migrations excluded by the image of a homogenous Latin America with defined borders.Insists on the pressing need to leave behind an idea which belonged to the nation-building mentality of nineteenth-century Europe.

    Here Castro speaks with raw frankness about the events of his extraordinary life and the legacy he hopes to leave behind.

    Throughout this volume drama colludes with history, in a tale of two social outlaws who became legendary national heroes, yet—despite their triumph and only meeting, in 1914, in the Mexican capital—failed to make common cause and ultimately fell victim to intrigues more treacherous than their own. 16 pages of black-and-white photographs bring this gripping narrative to life. "McLynn ... tells it so well ... you can hear the strains of he Mexican patriotic standard ‘Zacatecas' as you read it."—Austin American-Statesman "An admirably clear account of the chaos of revolution, its rivalries and bloody struggles...."—The Spectator "Informative and insightful ... feels less like a history than a great story, as exciting as a Saturday serial Western."—Publishers Weekly

    Parisians know that to really see the city you must descend into the metro. In this revelatory book, Marc Auge takes readers below Paris in a work that is both an ethnography of the city and a personal narrative. Guiding us through history, memory, and physical space, Auge juxtaposes the romance of the metro with the reality of multiethnic urban France. His work is part autobiography, with impressions from a lifetime riding the trains; part meditation on self and memory reflected in the people and places underneath Paris; part analysis of a place where the third world and the first world meet, where remnants of cultures move and press together; and part a reflection on anthropology in an era of globalization and urban development.Although he is a pillar of French thought, In the Metro is Auge's first major critical and creative work translated into English. It shows him to be firmly rooted in a tradition of literary ethnography that reaches back to Claude Levi-Strauss and Michel de Certeau, but also engaged in current theoretical debates in literary and cultural studies. In Auge's idiosyncratic and innovative approach, the act of observing the quotidian is elevated to an art. The writer and his history become part of the field he observes, and anthropology interacts with a site -- urban life -- usually reserved for sociology and cultural studies. Throughout, Auge reveals a passion for his milieu, seeing the metro as a place rich with history and literature -- an eclectic egalitarian society.