But then we never think about food more than when we are hungry and we never think about life rafts more than when we are thrown overboard.”The Comfort Book is Haig’s life raft: it’s a collection of notes, lists, and stories written over a span of several years that originally served as gentle reminders to Haig’s future self that things are not always as dark as they may seem. Incorporating a diverse array of sources from across the world, history, science, and his own experiences, Haig offers warmth and reassurance, reminding us to slow down and appreciate the beauty and unpredictability of existence.

    These interviews are compiled in Scout, Atticus, and Boo, the perfect companion to one of the most important American books of the 20th Century. Scout, Atticus, and Boo will also feature a foreword from acclaimed writer Wally Lamb.

    How does it feel to be constantly regarded as a potential threat, strip-searched at every airport?Or be told that, as an actress, the part you’re most fitted to play is ‘wife of a terrorist’? How does it feel to have words from your native language misused, misappropriated and used aggressively towards you? How does it feel to hear a child of colour say in a classroom that stories can only be about white people? How does it feel to go ‘home’ to India when your home is really London? What is it like to feel you always have to be an ambassador for your race? How does it feel to always tick ‘Other’?Bringing together 21 exciting black, Asian and minority ethnic voices emerging in Britain today, The Good Immigrant explores why immigrants come to the UK, why they stay and what it means to be ‘other’ in a country that doesn’t seem to want you, doesn’t truly accept you – however many generations you’ve been here – but still needs you for its diversity monitoring forms.Inspired by discussion around why society appears to deem people of colour as bad immigrants – job stealers, benefit scroungers, undeserving refugees – until, by winning Olympic races or baking good cakes, or being conscientious doctors, they cross over and become good immigrants, editor Nikesh Shukla has compiled a collection of essays that are poignant, challenging, angry, humorous, heartbreaking, polemic, weary and – most importantly – real.

    Don DeLillo’s “Human Moments in World War III” follows the strange detachment of two astronauts who are orbiting in a skylab while a third world war rages on earth. “The Ziggurat” by Gene Wolfe traverses a dissolving marriage, a custody dispute, and the visit of time travelers from the future. T. C. Boyle’s “Descent of Man” is the subversively funny tale of a man who suspects that his primatologist lover is having an affair with one of her charges. In “Schwarzschild Radius,” Connie Willis draws an allegorical parallel between the horrors of trench warfare and the speculative physics of black holes. Artfully crafted and offering a wealth of esteemed authors—from writers within the genre to those normally associated with mainstream fiction, as well as those with a crossover reputation—this volume aptly demonstrates that great science fiction appears in many guises.ContentsIntroduction by James Patrick Kelly & John Kessel“Angouleme” by Thomas M. Disch “The Ones Who Walk Away From Omelas” by Ursula K. Le Guin “Ladies and Gentlemen, This Is Your Crisis” by Kate Wilhelm “Descent of Man” by T. C. Boyle “Human Moments in World War III” by Don DeLillo “Homelanding” by Margaret Atwood “The Nine Billion Names of God” by Carter Scholz “Interlocking Pieces” by Molly Gloss “Salvador” by Lucius Shepard “Schwarzschild Radius” by Connie Willis “Buddha Nostril Bird” by John Kessel “The Ziggurat” by Gene Wolfe “The Hardened Criminals” by Jonathan Lethem “Standing Room Only” by Karen Joy Fowler “10^16 to 1” by James Patrick Kelly “93990” by George Saunders “The Martian Agent, A Planetary Romance” by Michael Chabon “Frankenstein’s Daughter” by Maureen F. McHugh “The Wizard of West Orange” by Steven Millhauser

    Having survived a profoundly dysfunctional upbringing only to find herself hospitalized and facing a dual diagnosis of post traumatic stress disorder and bipolar II disorder; Terese Marie Mailhot is given a notebook and begins to write her way out of trauma. The triumphant result is Heart Berries, a memorial for Mailhot's mother, a social worker and activist who had a thing for prisoners; a story of reconciliation with her father―an abusive drunk and a brilliant artist―who was murdered under mysterious circumstances; and an elegy on how difficult it is to love someone while dragging the long shadows of shame.Mailhot trusts the reader to understand that memory isn't exact, but melded to imagination, pain, and what we can bring ourselves to accept. Her unique and at times unsettling voice graphically illustrates her mental state. As she writes, she discovers her own true voice, seizes control of her story, and, in so doing, reestablishes her connection to her family, to her people, and to her place in the world.

    The result is You Are an Artist, a journey of creation through which you'll invent imaginary friends, sort books, declare a cause, construct a landscape, find your band, and become someone else (or at least try). Your challenge is to filter these assignments through the lens of your own experience and make art that reflects the world as you see it.You don't have to know how to draw well, stretch a canvas, or mix a paint colour that perfectly matches that of a mountain stream. This book is for anyone who wants to make art, regardless of experience level. The only materials you'll need are what you already have on hand or can source for free.You Are an Artist brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.

    Cassandra Speaks is about the stories we tell and how those stories become the culture. It’s about the stories we still blindly cling to, and the ones that cling to us: the origin tales, the guiding myths, the religious parables, the literature and films and fairy tales passed down through the centuries about women and men, power and war, sex and love, and the values we live by. Stories written mostly by men with lessons and laws for all of humanity. We have outgrown so many of them, and still they endure. This book is about what happens when women are the storytellers too—when we speak from our authentic voices, when we flex our values, when we become protagonists in the tales we tell about what it means to be human.Lesser has walked two main paths in her life—the spiritual path and the feminist one—paths that sometimes cross but sometimes feel at cross-purposes. Cassandra Speaks is her extraordinary merging of the two. The bestselling author of Broken Open and Marrow, Lesser is a beloved spiritual writer, as well as a leading feminist thinker. In this book she gives equal voice to the cool water of her meditative self and the fire of her feminist self. With her trademark gifts of both humor and insight, she offers a vision that transcends the either/or ideologies on both sides of the gender debate.Brilliantly structured into three distinct parts, Part One explores how history is carried forward through the stories a culture tells and values, and what we can do to balance the scales. Part Two looks at women and power and expands what it means to be courageous, daring, and strong. And Part Three offers “A Toolbox for Inner Strength.” Lesser argues that change in the culture starts with inner change, and that no one—woman or man—is immune to the corrupting influence of power. She provides inner tools to help us be both strong-willed and kind-hearted.Cassandra Speaks is a beautifully balanced synthesis of storytelling, memoir, and cultural observation. Women, men and all people will find themselves in the pages of this book, and will come away strengthened, opened, and ready to work together to create a better world for all people.better world for all.

    But all rage isn't created equal. Who gets to be angry? (If there's now space for cis white women's anger, what about black women? Trans women?) How do women express their anger? And what will they do with it-individually and collectively? In Burn It Down, a diverse group of women authors explore their rage-from the personal to the systemic, the unacknowledged to the public. One woman describes her rage at her own body when she becomes ill with no explanation. Another writes of the anger she inherits from her father. One Pakistani American writes, "To openly express my anger would be too American," and explains why. Broad-ranging and cathartic, Burn It Down is essential reading for any woman who has burned with rage but questioned if she is entitled to express it.

    Edited and with a Preface by Gunther Stuhlmann

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

    Sugar - the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild - is the person thousands turn to for advice. Tiny Beautiful Things brings the best of Dear Sugar in one place and includes never-before-published columns and a new introduction by Steve Almond.  Rich with humor, insight, compassion - and absolute honesty - this book is a balm for everything life throws our way.

    Just as every person has a unique personality, every person has a unique body, and every body tells its own story.   In Body Talk, thirty-seven writers, models, actors, musicians, and artists share essays, lists, comics, and illustrations—about everything from size and shape to scoliosis, from eating disorders to cancer, from sexuality and gender identity to the use of makeup as armor. Together, they contribute a broad variety of perspectives on what it’s like to live in their particular bodies—and how their bodies have helped to inform who they are and how they move through the world.   Come on in, turn the pages, and join the celebration of our diverse, miraculous, beautiful bodies!

    Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins--some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them--and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.

    This artfully assembled anthology of original fiction, nonfiction, and art can serve as an introduction to the Steampunk culture or provide dedicated fans with more fuel. Stories of outlandishly imaginative technologies, clockwork contraptions, eccentric heroines, and mad scientists are complemented by canon-defining nonfiction and an array of original illustrations. This collection showcases the most sensational Steampunk talents of the last decade, including Daniel Abraham, John Coulthart, William Gibson, and Margo Lanagan, and demonstrates exactly why the future of the past is so excitingly new.ContentsIntroduction: “What Is Steampunk?” by Jeff and Ann VanderMeer“The Cast Iron Kid” by Andrew Knighton“The Steam Dancer (1896)” by Caitlín R. Kiernan“The Anachronist’s Cookbook” by Catherynne M. Valente“Tanglefoot” by Cherie Priest“O One” by Chris Roberson“Balfour and Meriwether in the Adventure of the Emperor’s Vengeance” by Daniel Abraham“The Bold Explorer in the Place Beyond” by David Erik Nelson“The Strange Case of Mr. Salad Monday” by Geoffery D. Falksen“At the Intersection of Technology and Romance” by Jake von Slatt“The Future of Steampunk: A Roundtable Interview” by Jeff and Ann VanderMeer“Dr. Lash Remembers” by Jeffrey Ford“Lost Pages From The Encyclopdia of Victoriana” by Jess Nevins“As Recorded on Brass Cylinders: Adagio for Two Dancers” by Lisa Mantchev“A Serpent in the Gears” by Margaret Ronald“Machine Maid” by Margo Lanagan“Which Is Mightier, the Pen or the Parasol?” by Gail Carriger“The Unbecoming of Virgil Smythe” by Ramsey Shehadeh“Wild Copper” by Samantha Henderson“The Mechanical Aviary of Emperor Jalal-ud-din Muhammad Akbar” by Shweta Narayan“The Unblinking Eye” by Stephen Baxter“Lovelace & Babbage” by Sydney Padua“The Persecution Machine” by Tanith Lee“Flying Fish (Prometheus)” by Vilhelm Bergsøe“The Gernsback Continuum” by William Gibson