It presents a major African voice to American readers - a voice that prompted Peter Tinniswood to write in the London Times, reviewing Gurnah's previous novel, "Mr. Gurnah is a very fine writer. I am certain he will become a great one." Paradise is Abdulrazak Gurnah's great novel. At twelve, Yusuf, the protagonist of this twentieth-century odyssey, is sold by his father in repayment of a debt. From the simple life of rural Africa, Yusuf is thrown into the complexities of precolonial urban East Africa - a fascinating world in which Muslim black Africans, Christian missionaries, and Indians from the subcontinent coexist in a fragile, subtle social hierarchy. Through the eyes of Yusuf, Gurnah depicts communities at war, trading safaris gone awry, and the universal trials of adolescence. Then, just as Yusuf begins to comprehend the choices required of him, he and everyone around him must adjust to the new reality of European colonialism. The result is a page-turning saga that covers the same territory as the novels of Isak Dinesen and William Boyd, but does so from a perspective never before available on that seldom-chronicled part of the world.

    it is the facade that many of us peruse our lives carrying, often neglecting our pain, our mental health, and most importantly, the way we are more prone to hurting others when we lack this self-awareness. (w)holehearted seeks to encompass as many stories as possible, touching on several topics, namely, spirituality, feminism, colorism, domestic violence, intersectionality, mental health and more. it aims to depict that anyone with the darkest past and pitfalls can still save themselves from drowning in the difficulties that not only plague our world, but also plague our hearts.

    He turned his eye to the world, to the cultures and the people around him, and saw reflections of himself. In this collection, he works in both free verse and traditional forms, rendering scenes of exquisite detail that pry into the hearts of his characters and reveal the contradictions that bind father to son, lover to lover, and person to person. From the broken hills and drowsy river valleys around Paducah, Kentucky, to Houston diners and Gulf Coast shrimp boats, to the tropical cityscape of Miami, Bolton creates vivid scenes in which his characters confront the loneliness and the "little music" of their lives. With a richly musical voice and an ear for the cadences of everyday speech, Bolton gives his readers not the trappings of love and grief, but the very things themselves, rendered in lines that reverberate with the authority of sincerity and truth.

    Lawrence Hill’s new book doesn’t lessen the awfulness of the times, but adds a unique human dimension. Hill has created an uplifting and highly educational story about a shameful part of history. The Book of Negroes is sold in the United States under the title, Someone Knows My Name. Aminata Diallo was born free in Africa in the eighteenth century. She had a rich and lovely childhood until the day she was captured by slave traders and marched off to the coast in chains. Along with thousands of others, Aminata was destined for North America as a slave to white owners. She was eleven years old. Hill tracks Aminata’s story through the circle of her life. Every Bookclub-in-a-Box discussion guide includes complete coverage of the themes and symbols, writing style, and interesting background information on the novel and the author.

    It was a sample (and not even the correct file - it was an old rough draft that was saved under a new title), and Goodreads will not take it down. The Amazon link directs to the correct, and full, edition. "She is lost, but the world is too. It is a perfect circle.For life is, but a dream /// is not."- "Seeing Ghosts/A Perfect Circle" excerptA. H. SewellCopyright 2015

    It features Guy Collins, a British hack who stumbles by chance into the murky underworld of the city. A woman's mutilated body is discarded by the side of a club near one of the main hotels in Victoria Island. Collins, a bystander, is picked up by the police as a potential suspect. After experiencing the unpleasant realities of a Nigerian police cell, he is rescued by Amaka, a Pam Grier-esque Blaxploitation heroine with a saintly streak. As Collins discovers more of the darker aspects of what makes Lagos tick - including the clandestine trade in organs - he also falls slowly for Amaka. Little do they realise how the body parts business is wrapped up in the power and politics of the city. The novel features a motley cast of supporting characters, including a memorable duo of low-level Lagos gangsters, Knockout and Go-Slow. Easy Motion Tourist pulsates with the rhythms of Lagos, reeks of its open drains, and entertains from beginning to end. A modern thriller featuring a strong female protagonist, prepared to take on the Nigerian criminal world on her own.

    He’s a man of the African bush, and coping with ‘girlie feelings’ was always Helene’s department, not his. When an orphaned baby elephant is found, Rodger sees an opportunity that might help him reconnect with his children. But interfering with the orphan goes against his usual conservation methods. It will require a new approach to save both the baby and his family.

    She had been there just three years when a coup was declared, and the country descended into a state of civil war. It lasted for thirteen long years. During that time, God directed her to work with the orphans and widows. She started a centre for abandoned babies and traumatised children and saw the Lord performing remarkable miracles in the lives of people who had lost everything. Chrissie adopted three children herself, and has raised more than fifty others to young adulthood. Again and again she has witnessed miracles of protection and provision. When the war started, Chrissie, her adopted children, and the health staff were living in a rural location on top of a mountain, in a healing centre, with maternity clinic and dispensary. Every night there was gunfire, and every day people would come seeking refuge. One night, she and David Ndarahutse, the mission director, were sitting praying amid the fighting, when David said, 'Chrissie, look up.' There were dozens of angels standing on top of the walls of the healing centre. That was the night the angels came. 'From that moment on,' Chrissie records, 'I have never experienced or felt fear for my life.' Today Chrissie divides her time between Burundi, where she continues to care for the teenagers in her charge, and England, Canada and America, where she speaks widely about the faithfulness and power of God.

    The chilling words are followed by a confession to a murder committed nearly 13 years earlier. The chance discovery of the letter on 31 March 2012 reawakens a case long considered to have run cold, and a hunt begins for the men who kidnapped and killed Betty Ketani – and were convinced they had gotten away with it. The investigation spans five countries, with a world-renowned DNA laboratory called in to help solve the forensic puzzle. The author of the confession letter might have feared death, but he is very much alive, as are others implicated in the crime.Betty Ketani, a mother of three, came to Johannesburg in search of better prospects for her family. She found work cooking at one of the city’s most popular restaurants, and then one day she mysteriously disappeared. Those out to avenge her death want to bring closure to Betty’s family, still agonising over her fate all these years later.The storyline would not be out of place as a Hollywood movie – and it’s all completely true. Written by the reporter who broke the story, Cold Case Confession goes behind the headlines to share exclusive material gathered in four years of investigations, including the most elusive piece of the puzzle: who would want Betty Ketani dead, and why?‘Wonderful, evocative and vivid writing. Eliseev is a very exciting new talent.’ – Peter James‘This case is like an Agatha Christie whodunnit: abduction, murder and a confession.’ – Carte Blanche‘A relentless search for truth and justice. Cold Case Confession is a story that inspires confidence in the system and affirms that, indeed, we are all equal before the law.’ – Thuli Madonsela

    The poems mythologize family histories until they break open, using them to explore aspects of Sudan’s history of colonial occupation, dictatorship, and diaspora. Several of the poems speak to the late Egyptian singer Abdelhalim Hafez, who addressed many of his songs to the asmarani—an Arabic term of endearment for a brown-skinned or dark-skinned person. Elhillo explores Arabness and Africanness and the tensions generated by a hyphenated identity in those two worlds.No longer content to accept manmade borders, Elhillo navigates a new and reimagined world. Maintaining a sense of wonder in multiple landscapes and mindscapes of perpetually shifting values, she leads the reader through a postcolonial narrative that is equally terrifying and tender, melancholy and defiant.

    He's set to wrestle and study creative writing at Columbia University in New York. These poems are a look into his early experiences with love and loss, an introspective coming of age tale told in verse.

    As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.

    The long, hot summer has arrived and his friends have left the city. Naser spends his time off sitting beneath the palm tree outside his flat, dreaming of Egyptian actresses, and keeping out of the way of the religious police.

    Kamal's journey is motivated by a combination of guilt, hope, and the desire to unravel the mysteries of his childhood--mysteries compounded by the fact that Kamal is the son of an absent Indian father from a well-to-do family and a Swahili African mother of slave ancestry. Through a series of flashbacks, we watch Kamal's early years in the ancient coastal town of Kilwa, where he grows up in a world of poverty but also of poetry, sustained by his friendship with the magical Saida.This world abruptly ends when Kamal is sent away by his mother to live with his father's family in the city. There, the academically gifted boy grows up as a "dark Indian," eventually going to university and departing for Canada. Left behind to her traditional fate is Saida, now a beautiful young woman. Decades later, Kamal's guilt pulls him back to Kilwa . . . where he discovers what happened to Saida during a harrowing night of sinister rites. This complex, revelatory, sweeping and shocking book, is a towering testament to the magical literary powers of M.G. Vassanji.

    The title, Regarding Wave,reflects "a half-buried series of word origins dating back through theIndo-European language: intersections of energy, woman, song and 'GoneBeyond Wisdom.'" Central to the work is a cycle of songs for Snyder'swife, Masa, and their first son, Kai. Probing even further than Snyder'sprevious collection of poems, The Back Country, this newvolume freshly explores "the most archaic values on earth… the fertilityof the soil, the magic of animals, the power-vision in solitude, theterrifying initiation and rebirth, the love and ecstasy of the dance,the common work of the tribe…”