For Eva Thompson and Justine Andrews, the 1970s was a magical time and North Brookfield, MA was a magical place. Eva, the introvert who found happiness in the pasture with her beloved horse, Smoky, wanted to be left alone. Justine, the spitfire who spent summers with her family in Eva's hometown, wanted a friend. Together, the unlikely duo forged a friendship that would span decades.Each summer, Justine returned for three months, reuniting the girls and reigniting their sense of mischief and adventure. Together, they come of age in the era of sex, drugs, and rock 'n roll. Until one fateful night. What happened to Eva when her car broke down on a deserted country road? And, what will the fiery-tempered Justine do if she finds out?The adventures, growing pains, joys, and sorrows of Eva and Justine will draw you in, keep you riveted, and make you root for Justine as she begins to uncover Eva's secret. How far would you go to avenge your best friend?"A funny, spirited story that is bursting with 1970s nostalgia. Justine and Eva's summer teenage escapades tickled my memory, and their devoted friendship touched my heart." - Shelle Sumners, author of Grace Grows

    They are all suffering from short-term memory loss and they can't remember why or how they got on this ship. The onboard computer (MAC) tells them that it was programmed to wake them up early. They believe MAC woke them up by mistake. They can't re-enter suspended animation, there's only enough food for a few months, and they are too far away to return to Earth ... but even if they could return, MAC tells them that the Earth has been destroyed by nuclear war. They realize that they are all going to die on this ship.Cromartie, the unelected leader of their group, tries his best to keep the others calm, but soon they are at each other's throats. After one of them is found murdered, Cromartie and Sanders form an alliance. Cromartie tells Sanders that pieces of his memories are beginning to come back to him in his dreams; he believes he's seeing clues to their survival.But after the next murder, Cromartie and Sanders must work fast to find the mind-blowing key to their survival and figure out which one of them is the killer before it's too late.

    Richie Hofmann disciplines his natural elegance into the sterner recognitions that matter: 'I am a little white omnivore,' the speaker of Second Empire discovers. Mastering directness and indirection, Hofmann's poems break through their own beauty."—Rosanna WarrenThis debut's spare, delicate poems explore ways we experience the afterlife of beauty while ornately examining lust, loss, and identity. Drawing upon traditions of amorous sonnets, these love-elegies desire an artistic and sexual connection to others—other times, other places—in order to understand aesthetic pleasures the speaker craves. Distant and formal, the poems feel both ancient and contemporary.Antique BookThe sky was crazed with swallows.We walked in the frozen grassof your new city, I was gauzed with sleep.Trees shook down their gaudy nests.The ceramic pots were caparisoned with snow.I was jealous of the river,how the light broke it, of the skeinof windows where we saw ourselves.Where we walked, the ice crackedlike an antique book, openingand closing. The leavesbeneath it were the marbled pages.Richie Hofmann is the winner of a Ruth Lilly Fellowship from the Poetry Foundation, and his poems have appeared or are forthcoming in the New Yorker, Poetry, the Kenyon Review, and Ploughshares. A graduate of the Johns Hopkins University MFA program, he is currently a Creative Writing Fellow in Poetry at Emory University.

    Blood Lyrics is a mother's song, one seared with the knowledge that her country wages long, aching wars in which not all lives are equal. There is beauty imparted, too, but it arrives at a cost: "Don't say it's the beautiful / I praise," Ford writes. "I praise the human, / gutted and rising."

    His first collection, set in the Midwest, alternately features a childhood Wisconsin farm, the record-breaking storm that destroyed it, and the turbulent marriage that recalls it. Love and wonder mingle in these lines.

    K.Williams's work: more than four hundred poems that, though remarkable in their variety, have in common Williams's distinctive outlook—restless, passionate, dogged, and uncompromising in the drive to find words for the truth about life as we know it today.Williams's rangy, elastic lines are measures of thought, and in these pages we watch them unfold from his confrontational early poems through the open, expansive Tar and With Ignorance. His voice is both cerebral and muscular, capable of both the eightline poems of Flesh and Blood and the inward soundings of A Dream of Mind—and of both together in the award-winning recent books Repair and The Singing. These poems feel spontaneous, individual, and directly representative of the experience of which they sing; open to life, they chafe against summary and conclusion.Few poets leave behind them a body of work that is global in its ambition and achievement. C. K. Williams is one of them.

    Poulin, Jr., Poetry Prize. In his foreword he writes, "I was immediately struck by the boldness of imagination, the strange cadences, and wild music of these poems. We should be glad that young poets like Keetje Kuipers are making their voices heard not by tearing up the old language but by making the old language new."Keetje Kuipers, a native of the Northwest, earned her BA at Swarthmore College and MFA at the University of Oregon. A Stegner Fellow at Stanford University, she divides her time between Stanford and Missoula, Montana.From Devils Lake Journal:“Keetje Kuipers’ Beautiful in the Mouth is at once lovely, frank, and haunting. The poems move easily between landscapes, inhabiting the American west, Paris, and New York City with equal ease and yet, they never exploit sympathies of locale for their power. Instead, they rely on nothing but the speaker’s own candor, who is able to speak through such disparate poems as “Bondage Play as Substitue for Prayer” alongside “Waltz of the Midnight Miscarriage,” “Reading Sappho in a Wine Bar,” and “Barn Elegy” with a good spattering of honest-to-goodness sonnets.”From ForeWord Reviews:“The poems move like ghosts themselves: disappearing into walls, circling back, appearing for a moment to be captured, then evaporating into thin air. Kuipers pins moments onto the page with the care of an etymologist collecting rare specimens. Her poems are at once visceral and cosmic, “a wave as well as a particle.””

    The excitement, compassion, lyricism, and humor that epitomize his writing for the theater are all present in his poetry. It was as a young poet that Williams first came to the attention of New Directions' founder James Laughlin who initially presented some of Williams' verse in the New Directions anthology Five Young American Poets 1944 (before he had any reputation as a playwright), and later published the individual volumes of Williams's poetry, In the Winter of Cities (1956, revised in 1964) and Androgyne, Mon Amour (1977). In this definitive edition, all of the playwright's collected and uncollected published poems (along with substantial variants), including poems from the plays, have been assembled, accompanied by explanatory notes and an Introduction by Tennessee Williams scholars David Roessel and Nicholas Moschovakis.The CD included with this edition features Tennessee Williams reading, in his delightful and mesmerizing Mississippi voice, several of the whimsical folk poems he called his "Blue Mountain Ballads,"poems dedicated to Carson McCullers and to his longtime companion Frank Merlo, as well as his long early poem, "The Summer Belvedere."

    Thinking about the ways in which economic policy, racism, and militarized policing combine to shape the city, Lake Michigan's poems continue exploring the themes from Borzutzky's Performance of Becoming Human, winner of the National Book Award for Poetry. But while the influences in this book (Césaire, Vallejo, Neruda) are international, the focus here is local as the book takes a hard look at neoliberal urbanism in the historic city of Chicago.  Named a 2018 Best Book of the Year by the New York Public Library.

    Over the course of a single evening, an extraordinary range of characters passes through the Rushes, creating an unforgettable mosaic of individuals and constructing an ephemeral community. The descent into the depths of a sexual world culminates with one of the most shattering experiences in recent fiction. Out of the lives he explores, Rechy distills a moving human experience that will leave few readers untouched" -- Page 4 of cover.

    If you or someone you know is discontented, distressed, or downright disturbed, maybe the Great White North is right for you, eh. But how much do you really know about Canada? Can you do a job that Canada needs (do you play hockey, drill for oil, or make poutine?)? Can you identify the best Canadian province for your lifestyle (lots of tundra or just some tundra?)? Can you master the proper pronunciation of "sorry"? What strange wizardry is the Canadian government? Is maple syrup acceptable substitution for currency? At long last, How to Move to Canada can help make your vague threat into a cold Canadian reality. This book is also full of activities such as: Color the flag of your new homeland Match the strange Canuck dialect with their local definitions And more! PLEASE NOTE: This is a humor book. It won't really help you emigrate. Rather, it's a subversive mix of real information on the Great White North plus a hilarious look at all the reasons why you won't like it there any better — and why they probably won't have you anyway.

    They offer a complex, boldly colored self-portrait; their muscular lines argue fiercely with the fact of limit; they pulse with the drama of perception and the quest to forge meaning.

    Cassiopeia. A sister. A Marco Polo. A somnambulist. A documentary on the voyages of Columbus. A cartographer. Star charts. Young intellectuals in black robes. Jean-Michel Basquiat. More birds and still more birds. A mathematician. All these things appear in The To Sound’s beautifully warped cosmology. This is a stunning book that builds its own world, a world of ambiguous relations and loaded words; a lyrical world that explores the unstated connections between things. . . ."

    Unfurling and unrelenting in its delivery, Candrilli has painted “the mountain” in excruciating detail. They show readers a world of Borax cured bear hides and canned peaches, of urine-filled Gatorade bottles and the syringe and all the syringe may carry. They show a violent world and its many personas. What Runs Over, too, is a story of rural queerness, of a transgender boy almost lost to the forest. The miracle of What Runs Over is that Candrilli has lived to write it at all."When Roethke said 'energy is the soul of poetry,' he might have been anticipating a book like What Runs Over, which is so full of energy it practically vibrates in your hand. Here, Candrilli’s speaker sticks their tongue 'into the heads / of venus fly traps just to feel the bite,' then later, burns holy books in the backyard and rolls around in the ashes until they become 'a painted god.' This is the verve of an urgent new poetic voice announcing itself to the world. As Candrilli writes: 'This is what I look like / when I’m trying to save myself.'"-Kaveh Akbar

    Not just any man, but a naked man with severe injuries all over her body. She should have driven on, should have left him there. But how could she leave a man to die that way? She took him home, aware that it could be the biggest mistake she’d ever made. She was already on the run, already trying to live as much off the grid as possible. What was she going to do with an injured man? What if he died in her bed? What would she do then? Teaching Lincoln Janet Spence—Summer—is the daughter of the local district attorney who plays at being a thief, doing all she can to humiliate her mother. That is until she gets caught by a local football hero who kidnaps her and plans a dark sort of revenge. Just her luck that Lincoln happens to choose that day to break into the football star’s house and recover items that will just pay off his gambling debts to the Gabbana family. Lincoln shows no interest in the tied up girl at first, but when he learns who she really is, how could he resist collecting this bit of leverage against a district attorney who ran on the campaign promise that she would rid Tampa of Lincoln and his faction of criminals? Cason's Girl Cason Durst was once carefree and popular, the kind of college kid who thinks he knows everything. And then he was arrested and met Lincoln Steele. Lincoln saved him, fixed his problems, and offered him a job. Now Cason keeps to himself, learning all he can from the men who formed Boone’s crew. He’s learned that making friends, falling in love, all those things he once took for granted, are dangerous to him now. He’s learned to keep to himself. In fact, he’s become kind of awkward. Shy, even. Therefore, he’s the last one anyone could have expected Lincoln to send out on a mission to romance a pretty girl. Let It Raine Kara Tripp walks into Jett’s office one afternoon, begging him to forgive the debt of her lover, Harry. She’s willing to do anything, a fact that’s underscored when she begins to undress right there in his office. Jett has had a lot of offers over the years, and he’s never had the patience for it. But when he hears that Kara just happens to be a therapist who works with autistic children, he can’t pass up the opportunity to see if her skills can help improve Raine’s behavior. Jett and Kara make a deal in which she goes to work for him and Raine for six months, and he will forgive Harry’s debt. And it works, for four months, it works perfectly. But then a mole pops up in Boone’s Crew, and Jett finds himself questioning everything, and everyone, around him. Boone's End Titus betrayed his crew. In his world, betrayal was a crime punishable by death. He has two choices: embrace the very enemy that threatens to rip his world apart, or turn himself in to the very men who would like nothing more than to put a bullet in his brain. It’s not a simple choice. Titus has to decide where his loyalties really lay, and figure out who he can trust before it’s too late and an innocent pays for his mistakes. Jude Volz lost her brother to violence, and her father went to jail when she needed him the most. Determined to make someone pay, she trusted the wrong man, and now she’s caught up in something she can’t control. Locked in a car with a traitor, she has no choice but to trust Titus, to open up to him, and hope that together they can find a way out of an impossible situation. But now they’re running not just from his crew, but from hers as well.