And not just a regular ghost, but one carrying the essence of an ancient fallen king and a mouth full of teeth that used to be his guardian warriors.    Three-time Eisner Award–nominated writer/artist Tony Sandoval presents a wondrous world of secret places and dreamlike magic hidden in the everyday corners of our sleeping imagination.

    In Clothes Called Fat details the lives of young women earnestly revealing the struggles women may have with their bodies and sexuality.Noko appears to be living a great life, she's got a good job and a loving boyfriend, but beneath a thin veneer is a young woman who is struggling with her self-image and self-confidence as she fights to keep her weight down. To Noko, being 5 pounds overweight means being miles away from happiness in her lovelife and in her work-place.Originally serialized in a major weekly newsmagazine for adult women (Shukan Josei, the first of its kind to be launched in Japan), this early gem from graphic novel megastar Moyoco Anno may be her most searing work to be published in English yet, closer in spirit to some of the best stateside indie comics—ironically, given its mainstream pedigree—than to most translated manga. In Clothes Called Fat is an indispensable addition to your growing library of sequential art for mature readers.

    1: THE SHRIKE. Sarah Fields is dying and her children strike a bargain with the Immortals: give them one month, until the moon is full again, to find her son. The boy is far away, in the trenches of France, stalked by the Reapers of Vengeance and Cruelty. Collects PRETTY DEADLY #6-10

    In a fit of angryspontaneity, Daikichi decides to take her in himself! But will livingwith this overgrown teenager of man help Rin come out of her shell? Andhang on, won't this turn of events spell doom for Daikichi's love life?!

    To commemorate its 100th anniversary the heads of newspaper Tozai Shimbun come up with a plan to publish the “Ultimate Menu”. The assignment is given to journalist Yamaoka Shiro, the protagonist of the series. With the help of a female coworker, Kurita Yuko, Yamaoka starts off on what can only be termed an epic saga to find the dishes hat will go into the “Ultimate Menu”. The subject of volume 1 is Nishon ryori, or Japanese cuisine, featuring stories on subjects like how to prepare a proper dashi (broth that is one of the building blocks of Japanese cooking), or matcha (the powdered green tea used in the tea ceremony), or red snapper sashimi. The subjects of the later volumes are: 2) sake, 3) fish, 4) vegetables, 5) rice dishes, 6) udon, and 7) izakaya or “pub” food.

    A small band of survivors crosses what's left of America, in constant danger and trying to hold onto what little humanity they can.In the blink of an eye, humanity is lost, and the Crossed are upon us. Men, women, and children alike fall victim to the mystery infection that makes killers out of parents and rapists out of lovers. Ruthless, berserk, and evil beyond measure, these cackling demons spread their plague across the Earth, brining humanity to near-extinction. Now, a small band of survivors make their cautious way across a deserted America, existing in a state of constant terror. The only thing they have in common is their determination to survive... but in this frightening new world, survival has a cost all its own. How far will they go to stay alive, and can they do so without become monsters themselves?

    This volume deals with the period leading up to World War II, a time of high unemployment and other economic hardships caused by the Great Depression. Mizuki's photo-realist style effortlessly brings to life the Japan of the 1920s and 1930s, depicting bustling city streets and abandoned graveyards with equal ease. When the Showa era began, Mizuki himself was just a few years old, so his earliest memories coincide with the earliest events of the time. With his trusty narrator Nezumi Otoko (Rat Man), Mizuki brings history into the realm of the personal, making it palatable, and indeed compelling, for young audiences as well as more mature readers. As he describes the militarization that leads up to World War II, Mizuki's stance toward war is thoughtful and often downright critical--his portrayal of the Nanjing Massacre clearly paints the incident (a disputed topic within Japan) as an atrocity. Mizuki's "Showa 1926-1939" is a beautifully told history that tracks how technological developments and the country's shifting economic stability had a role in shaping Japan's foreign policy in the early twentieth century.

    Reminiscent of the gothic style of Edward Gorey, Niffenegger's visually stunning narrative affirms her genius as a storyteller. These rich pages present the tale of three very different sisters: one who is beautiful, one who is smart, and one who is talented. A melodrama of sibling rivalry unfurls as one sister is driven mad with jealousy due to the passionate love affair of another. Escalating to a dizzying climax, the romance of the two lovers ends in sabotage, shame, and despair. Haunting illustrations and lyrical prose depict a timeless tale of love, revenge, and ultimately, transcendence. The Three Incestuous Sisters is a unique and lavish tour de force, which showcases Audrey Niffenegger's incredible talent as an artist and a writer.

    Learning of the rich man's sudden passing, Hitomi fakes his own death, digs up & hides the other man's body & then washes himself up on a beach near the home of the dead man's family.

    Out of nowhere, an entire school vanishes, leaving nothing but a hole in the ground. While parents mourn and authorities investigate, the students and teachers find themselves not dead but stranded in a terrifying wasteland where they must fight to survive.

    Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's GirlMountain tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.

    She can't do word processing, she can't connect to the Internet, and she's incapable of networking with other persocoms. Even her sound card seems broken. No wonder Hideki found her tied up in a pile of trash. But when the 19-year-old technophobe takes her home, he finds that she may be more advanced than her childlike behavior lets on.Chapters 1-12

    He embarks on a road trip to escape it all, and he soon discovers the only one he can count on completely is his faithful, recently adopted dog, who helps him see the light at the end of the tunnel. Illustrating the valuable lessons of friendship and loyalty, this is a heartwarming tale of two endearing characters and their shared adventure into the unknown.