Eiko had a heart condition so the news of her death wasn't totally unexpected. But the circumstances of her demise left Tsuneo, a softly-spoken government bureaucrat, perplexed. How did it come about that his wife—who was shy and withdrawn, and only left their house twice a week to go to haiku meetings—ended up dead in a small shop in a shady Tokyo neighborhood?When Tsuneo goes to apologize to the boutique owner for the trouble caused by his wife’s death he discovers the villa Tachibana near by, a house known to be a meeting place for secret lovers. As he digs deeper into his wife's recent past, he must eventually conclude that she led a double life...

    Translation: Who killed the knight? Breaking the silence of five centuries, Julia's hunt for a Renaissance murderer leads her into a modern-day game of sin, betrayal, and death.

    Her worst fears are confirmed when the reporter, Brazil, presses the button to activate the boot-release rather than the siren on their first outing. He's not the only blight on her life right now: her cat's angsty, her hormones are misbehaving, her opposite number in the uniformed division is behaving like a jackass, the radio despatcher is determined to trip her up, the D.A. is in the middle of a hot battle with the trial schedule. And orange coloured corpses keep turning up on her patch.

    Nevertheless, they stake out the secret location, and through tiny peepholes in the knotted wood, become voyeurs at the scene of a shocking crime…Atmospheric, erotic, and tense, Devils in Daylight is an early work by the master storyteller who “created a lifelong series of ingenious variations on a dominant theme: the power of love to energize and destroy” (Chicago Tribune).

    Initially delighted with her new life—including the fashionable society balls to which she now has access—Emma soon realizes that her family harbors many ill feelings, not least those springing from the sisters' hopes—and disappointments—in snaring a husband. So when the eligible and suitably rich Tom Musgrove begins to transfer his affections from her sister Margaret to Emma, the result can only be further sibling rivalry and unrest. A delightful, exquisitely drawn portrait of family life, The Watsons is Jane Austen at her storytelling best. Author of the masterpieces Pride and Prejudice and Emma, Jane Austen (1775–1817) is one of the most beloved novelists of all time.

    But darkness brings death and Hercule Poirot has to untangle family strife, love and suspicious visitors tangle in order to clarify the murderer and prevent disaster.

    Feared but not loved, Manderson has no one to mourn him when the gardener at his British country estate finds him facedown in the dirt, a bullet buried in his brain. There are bruises on his wrist and blood on his clothes, but no clue that will lead the police to the murderer. It will take an amateur to—inadvertently—show them the way. Cheerful, charming, and always eager for a mystery, portrait artist and gentleman sleuth Philip Trent leaps into the Manderson affair with all the passion of the autodidact. Simply by reading the newspapers, he discovers overlooked details of the crime. Not all of his reasoning is sound, and his romantic interests are suspect, to say the least, but Trent’s dedication to the art of detection soon uncovers what no one expected him to find: the truth. Delightfully irreverent yet ingeniously plotted, Trent’s Last Case is widely regarded as a masterwork of the mystery genre.

    While attending a convention of the American Booksellers Association, Just discovers the dead body of a friend and protégé. Convinced that the death was due to murder, but unable to convince law enforcement, Just decides to investigate on his own.The book is an example of metafiction, as Asimov himself appears as a character doing research for a murder mystery set at a booksellers' convention.

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    Formerly the site of a medieval palace, it is now, in 1934, a decaying north London cul-de-sac. In a lodging house resides a collection of tenants with equally colourful histories, including the sinister Samuel Serridge.

    John H. Watson. In addition to its breathtaking account of their collaboration on a case of diabolic conspiracy in which the lives of millions hang in the balance, it reveals such matters as the real identity of the heinous professor Moriarty, the dark secret shared by Sherlock and his brother Mycroft Holmes, and the detective's true whereabouts during the Great Hiatus, when the world believed him to be dead.

    At least that is what the police assume, and I am playing the part of grieving widower with enthusiasm and success... It was I who killed her." Thus begins the much-hyped first novel by 20-year-old Oxford undergraduate Richard Mason. Your typical murder mystery The Drowning People is not, for we are given the identity of the killer--the who--immediately. The puzzle in this introspective novel is why--why did 70-year-old James Farrell murder his aristocratic wife, Sarah? The answer lies nearly 50 years into the past as the book ranges from Prague to London, from France to a remote castle in Cornwall. At its core is an intoxicating love affair between 22-year-old James, a talented violinist and hopeless romantic, and Ella Harewood, an American heiress to an English title, trapped by her heritage and destiny. A beautifully written exploration of self-absorbed first love and its tragic consequences, The Drowning People soars beyond the highest of expectations placed upon it.

    But a cop named Foley is on to Eddie and he's leaning on him to finger Scalisi, a gang leader with a lot to hide. And then there's Dillon-a full-time bartender and part-time contract killer--pretending to be Eddie's friend. Wheeling, dealing, chasing, and stealing--that's Eddie, and he's got lots of friends.

    A tour de force of menace, malicious comedy, and torrential social bile, this book marks the American debut of an extraordinary writer.

    They live in a small Dorset town and have been friends since school. On the surface Susan has it all – a lovely house and a long marriage to accountant Barry. Life has not been so kind to Julie, but now, with several failed businesses and bad relationships behind her, she has found stability: living in a council flat and working in an old people’s home. Then Susan’s world is ripped apart when Barry is found dead in a secret flat – or rather, a sex dungeon. It turns out Barry has been leading a double life as a swinger. He’s run up a fortune in debts and now the bank is going to take Susan’s home.Until, under the influence of an octogenarian gangster named Nails, the women decide that, rather than let the bank take everything Susan has, they’re going to take the bank. With the help of Nails and the thrill-crazy, wheelchair-bound Ethel they pull off the daring robbery, but soon find that getting away with it is not so easy.The Sunshine Cruise Company is a sharp satire on friendship, ageing, the English middle classes and the housing bubble from one of Britain's sharpest and funniest writers.Until, under the influence of an octogenarian gangster named Nails, the women decide that, rather than let the bank take the house, they’re going to take the bank. With the help of several thrill-crazy, wheelchair-bound friends they pull off the daring robbery, but soon find that getting away with it is not so easy. Setting off across Europe, the team pick up a teenage hitchhiker, get entangled with Interpol and the Russian Mafia, and discover that, far from winding down, their lives are only just beginning.