In 1962, Williams retitled and expanded The Parade into a full-length play. Both versions of the play are set on the fishing wharves and in the sand dunes of Provincetown, Massachusetts, and tell the story of a young playwright named August dealing with his unrequited love for another man. It was produced posthumously in Provincetown in 2006.

    When one of them sets out to expose the truth, secrets become currency, the stakes get higher, and the trio s connection grows deeper in this searching, fiercely funny dark comedy with music.

    Prior is a man living with AIDS whose lover Louis has left him and become involved with Joe, an ex-Mormon and political conservative whose wife, Harper, is slowly having a nervous breakdown. These stories are contrasted with that of Roy Cohn (a fictional re-creation of the infamous American conservative ideologue who died of AIDS in 1986) and his attempts to remain in the closet while trying to find some sort of personal salvation in his beliefs.

    Desperate to reconnect with his long-estranged daughter, he reaches out to her, only to find a viciously sharp-tongued and wildly unhappy teen. Big-hearted and fiercely funny, The Whale tells the story of a man's last chance at redemption, and of finding beauty in the most unexpected places.

    a visionary work that bridges the history and culture of two worlds."--Frank Rich, New York TimesBased on a true story that stunned the world, and inspired by Giacomo Puccini's opera Madama Butterfly, M. Butterfly was an immediate sensation when it premiered in 1988. It opens in the cramped prison cell where diplomat Rene Gallimard is being held captive by the French government--and by his own illusions. He recalls a time when Song Liling, the beautiful Chinese diva, touched him with a love as vivid, as seductive--and as elusive--as a butterfly.How could he have known that his true love was, in fact, a spy for the Chinese government--and a man disguised as a woman? The diplomat relives the twenty-year affair from the temptation to the seduction, from its consummation to the scandal that ultimately consumed them both.M. Butterfly is one of the most compelling, explosive, and slyly humorous dramas ever to light the Broadway stage, a work of unrivaled brilliance, illuminating the conflict between men and women, the differences between East and West, racial stereotypes--and the shadows we cast around our most cherished illusions.The original cast included John Lithgow as Gallimard and BD Wong as Song Liling. During the show's 777-performance run, David Dukes, Anthony Hopkins, Tony Randall, and John Rubinstein were also cast as Gallimard. Hwang adapted the play for a 1993 film directed by David Cronenberg, starring Jeremy Irons and John Lone.TEXT OF THE BROADWAY REVIVAL

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    

    And nowhere is his dramatic genius more apparent than in two of his probing early works, The American Dream and The Zoo Story.The New Yorker hailed The American Dream as "unique ... brilliant ... a comic nightmare, fantasy of the highest order." The story of one of America's most dysfunctoinal families, it is a ferocious, uproarious attack on the substitution of artificial values for real values-a startling tale of murder and morality that rocks middle-class ethics to its complacent foundations.The Zoo Story is a harrowing depiction of a young man alienated from the human race-a searing story of loneliness and the desperate need for recognition that builds to a violent, shattering climax. Together, these plays show men and women at their most hilarious, heartbreaking, and above all, human-and demonstrate why Edward Albee continues to be one of our greatest living dramatists.

    A transvestite and celebrated antiques dealer who successfully navigated the two most oppressive regimes of the past century-the Nazis and the Communists--while openly gay and defiantly in drag, von Mahlsdorf was both hailed as a cultural hero and accused of colluding with the Stasi. In an attempt to discern the truth about Charlotte, Doug Wright has written "at once a vivid portrait of Germany in the second half of the twentieth century, a morally complex tale about what it can take to be a survivor, and an intriguing meditation on everything from the obsession with collecting to the passage of time" (Hedy Weiss, Chicago Sun-Times).

    Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household. In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter-and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone.This laugh out loud, provocative and touching play premiered at Berkely Rep and subsequently marked Sarah Ruhl's Broadway debut opening at the Lyceum Theatre on November 19th, 2009.

    It's an antebellum fever-dream, where fear and desire entwine in the looming shadow of the Master's House. Jim trembles as Kaneisha handles melons in the cottage, Alana perspires in time with the plucking of Phillip's fiddle in the boudoir, while Dustin cowers at the heel of Gary's big, black boot in the barn. Nothing is as it seems, and yet everything is as it seems.

    Now he returns to the stage with Lobby Hero, which has been praised as "smart, funny ... [a] drama that derives its strength from Lonergan's keen ear for dialogue. One powerful tale" (New York Daily News). Lobby Hero, nominated for the Outer Critics Circle Award for Outstanding Off-Broadway Play, tells the story of Jeff, a luckless young security guard trying to get his life together after being thrown out of the navy. But the lobby proves to be no sanctuary from the world, as Jeff is drawn into a local murder investigation involving his supervisor, a tightly wound young man called upon to bear witness against his troubled brother, and an overzealous rookie policewoman who is in over her head with her unscrupulous hero-cop partner. As Ben Brantley of The New York Times wrote, "motives come in every shade but black and white" in Lobby Hero, creating a "combustible brew of impulses."

    It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

    . . [Mart] Crowley's point is about how the humor is shaped and defined by the pain."-The New York TimesThe Boys in the Band was the first commercially successful play to reveal gay life to mainstream America. Alyson is proud to release a special fortieth anniversary edition of the play, which includes an original preface by acclaimed writer Tony Kushner (Angels in America), along with previously unpublished photographs of Mart Crowley and the cast of the play/film.Mart Crowley's other plays include the autobiographical A Breeze from the Gulf (1973) and The Men from the Boys (2002).

    Set in the bohemian art world of downtown New York, this vivid and challenging drama explores the spiritual and emotional isolation of Anna and Pale, two outcasts who meet in the wake of the accidental death by drowning of a mutual friend. Their determined struggle toward emotional honesty and liberation--by no means guaranteed at the play's ambiguous end--exemplifies the strength, humor, and complexity of all of Lanford Wilson's work and confirms his standing as one of America's greatest living playwrights.Lanford Wilson was born in Lebanon, Missouri, in 1938 and attended the University of Chicago. A founding member of the Circle Repertory Company in New York, he has seen many of his plays produced in theaters all over the United States and abroad. He is the recipient of many awards, including a Drama Desk Vernon Rice Award, the Pulitzer Prize, and two Obies.