This edition brings together some of the best horror writers from the last few decades. Featuring stories from Ray Garton, Kelley Armstrong, Simon Clark, Gord Rollo, Chad Lutzke, Mike Duke, Christina Bergling, David Owain Hughes, P. Mattern & Kevin J. Kennedy.

    Wild magic, unexpected allies, a conflagration of sorcery and shifter magic the likes of which has not been seen in centuries... That's what awaits the peaceful town of Grizzly Cove. That, and love...lots and lots of love. This anthology contains books 4 thru 6 of the Grizzly Cove series. Book 4 is novel-length, while books 5 and 6 are slightly shorter. The titles are: Alpha Bear What’s a bear to do when he learns the woman he wants is a witch, and already knows he’s a shifter? Can a town full of bear shifters deal with having a mage in their midst? And when evil attacks from the sea, can they afford not to have a witch willing to give of herself to protect them? Or will the Alpha have to give up Grizzly Cove in order to keep the woman he loves? Saving Grace Jack never expected to find a badly injured mermaid washed up on shore. Grace never expected to live through her encounter with the leviathan. When she wakes up in Jack’s care, she finds herself drawn to the handsome grizzly shifter, though the sea, and the leviathan, calls to her. Can she resist the allure of the ocean? Can she stay with her bear, on land, or will she break both their hearts? Bearliest Catch Drew spends his days fishing in the Pacific, far from Grizzly Cove, seeking the peace of the ocean. Jetty lives in the ocean, part of a hunting party of mer folk, in near-constant danger now from the evil creature that roams the deep. When they meet, sparks fly and the ocean comes alive with danger. Can they get her people to safety?

    

    It includes Contemplation, a collection of his earlier short studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America; and an eyewitness account of an air display. Together, these stories, fragments and miniature gems reveal the breadth of his vision, his sense of the absurd, and above all his acute, uncanny wit. Translated with an introduction by Michael Hofmann

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

    6, Sankarea, and Until The Full Moon.

    

    

    The Ironclads are 100-foot-long (30 m) machines with remote controlled guns and accommodation for 42 soldiers, including 7 officers.The story is one of those responsible for Wells' reputation as a "prophet of the future", as the eponymous machines seem to anticipate the tanks of World War I. His rather sketchy battle between countrymen and townsmen also carries echoes of the Boer War and his 1898 novel The War of the Worlds, which also features a struggle between technologically uneven protagonists.***The story opens with a war correspondent and a young lieutenant surveying the calm of the battlefield and reflecting upon the war. The two opposing sides are dug into trenches, each waiting for the other to attack, and the men on the war correspondent's side are confident in their coming victory. They believe that they will win because they are all strong outdoor-types - men who know how to use a rifle and fight - while their enemies are towns people ... "a crowd of devitalized townsmen ... They're clerks, they're factory hands, they're students, they're civilized men. They can write, they can talk, they can make and do all sorts of things, but they're poor amateurs at war." The men agree that their "open air life" produces men better suited to war than their opponents' "decent civilization".In the end, however, it is shown that the "decent civilization", with its men of science and engineers, triumphs over the "better soldiers" who, instead of developing land ironclads of their own, had been practicing shooting their rifles from horseback, a tactic which became obsolete the second the land ironclads appeared on the battlefield. The story ends with the entire army captured by a dozen or so of the land ironclads, and the last scene is of the correspondent comparing his countrymen's "sturdy proportions with those of their lightly built captors", and thinking of the story he is going to write about the experience, noting both that the captured officers are thinking of ways they will defeat what they call the enemy's "ironmongery" with their already-existing weaponry, rather than developing their own land ironclads to counter the new threat, and also noting that the "half-dozen comparatively slender young men in blue pajamas who were standing about their victorious land ironclad, drinking coffee and eating biscuits, had also in their eyes and carriage something not altogether degraded below the level of a man."

    The Light That Shines in the Darkness -- the last of Tolstoy's plays, was left unfinished. In Russia it is prohibited on account of its allusions to the refusal of military service. Yet it is in some ways the most interesting of Tolstoy's posthumous works. It is obviously not strictly autobiographical, for Tolstoy was not assassinated as the hero of the piece is, nor was his daughter engaged to be married to a young prince who refused military service. But like some of his other writings, the play is semi-autobiographical. In it, not only has Tolstoy utilised personal experiences, but more than that, he answers the question so often asked: Why, holding his views, did he not free himself from property before he grew old?

    Le Guin redrew the map of modern science fiction. In such visionary masterworks as the Nebula and Hugo Award winners The Left Hand of Darkness and The Dispossessed, she imagined a galactic confederation of human colonies founded by the planet Hain—an array of worlds whose divergent societies, the result of both evolution and genetic engineering, afford a rich field for literary explorations of “the nature of human nature,” as Margaret Atwood has described Le Guin’s subject. Now, for the first time, the complete Hainish novels and stories are collected in a definitive two-volume Library of America edition, with new introductions by the author.Le Guin first conceived her League of All Worlds in three early novels of daring inventiveness. In Rocannon’s World (1966), Hainish scientist Gaverel Rocannon ventures to an unnamed planet to conduct a peaceful ethnological survey only to discover a secret outpost of the League’s deadly enemy. In Planet of Exile (1966), the fate of colonists from Earth stranded on distant Werel depends on working together with the planet’s indigenous peoples if they are to survive the oncoming fifteen-year winter. City of Illusions (1967), set far in the future on a sparsely populated Earth that has lost contact with all other planets and is ruled by the mysterious, mind-lying Shing, turns on the appearance of an amnesiac with yellow eyes who may hold the key to humanity’s freedom.In The Left Hand of Darkness (1969) Earth-born Genly Ai travels to wintery Gethen to convince its nations to join the Ekumen, the confederation of known worlds. To do so he must navigate the subtleties of politics and culture on a planet populated by an ambisexual people who have never known war. This is the novel that inspired Harold Bloom to observe that “Le Guin, more than Tolkien, has raised fantasy into high literature.”The Dispossessed (1974), a philosophical adventure story in which a physicist strives to complete a theory of simultaneity that will for the first time allow instantaneous communication between all the planets of humanity, is set against the backdrop of Le Guin’s richly textured vision of what an anarchist society might look like in practice.Also included are four short stories and six essays about the novels, plus the surprising original 1969 version of the story “Winter’s King.” The endpaper map of Gethen has been colorized from a drawing by Le Guin herself.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    A brilliant example of the most accessible writing by the towering genius who set the standard for the Modern period of English literature, "The Dead" features the rich interior monologues for which Joyce is known-an especially rewarding experience in the audio medium. 2 cassettes.

    The curvy, plus-sized waitress is his mate, yet he still hasn’t figured out how to tell her about his bear. When Kate is put in danger, all bets are off, and nothing can stop the grizzly from claiming and protecting his mate. BROTHER BEAR (Book 2) Ana Smith has been on the run for nearly two months when she stops in Bear Mountain looking for work and meets sexy, muscle bound Seth. Too bad gorgeous, tall, perfect guys don’t go for curvy women like her. Seth knows Ana is hiding something, but he won’t push her for answers no matter how long it takes. He’s chosen her and he’s not letting go. When Ana’s past rolls into town, she finds out nothing will stop a grizzly determined to protect his mate. DOUBLE BEAR (Book 3) Samantha Hastings has lived in Bear Mountain her entire life and doesn’t want to leave, but she longs for a man to call her own and accept her, curves included. When she falls for both Cade and Collin, she vows to stay away from the gorgeous twins. After years of searching for the perfect woman to share for eternity, the two men have other ideas for their curvy mate. Sam’s about to find out that loving two men might seem wrong, but her mates will never let her go. IDLE BEAR (Book 4) Sara Henley has resigned herself to a life alone. Though she wants nothing more than a husband and a family, she knows she won’t find him in Bear Mountain, and she’s not willing to leave the small town. Aaron Williams hasn’t shifted into his bear form in almost a hundred years, and considers his shifter side a curse, but he can’t resist the pull to Bear Mountain. When he meets Sara, Aaron is forced to reconsider his past choices, but he still can’t reconcile with his bear—until Sara is put in danger. Now all he has to do is convince his mate to give him another chance. LOST BEAR (Book 5) Dave Yeager is the deputy in Bear Mountain, and the only human in town who knows about the shifting abilities of the sheriff and his friends. After watching yet another couple mate, he’s reminded of his loneliness. Emma has been living in her bear form for the past ten years, but she can’t ignore the call to Bear Mountain. Sparks fly when she meets Dave, but she’s unwilling to be cheated on again, and creates a plan to satisfy them both. It’s perfect until she realizes an alpha always gets what he wants. (Each book is also sold separately!)

     The story is set in 2158 A.D., after the invention of a medicine called Anti-Gerasone, which is made from mud and dandelions and is thus inexpensive and widely available. Anti-Gerasone halts the aging process and prevents people from dying of old age as long as they keep taking it; as a result, America now suffers from severe overpopulation and shortages of food and resources. With the exception of the very wealthy, most of the population appears to survive on a diet of foods made from processed seaweed and sawdust. The title "Tomorrow and Tomorrow and Tomorrow" comes from a famous line from Shakespeare's play "Macbeth". The soliloquy in the play paints life as a succession of useless moments, lots of "sound and fury" that amount to "nothing." Through the allusion, Vonnegut comments upon the lives of characters who live in a world where everyone has the comfort of life, but no duty or pressure to contribute anything good or positive.