He transports us back to the street where he was born “early in the final industrial century” to help us envision an America he’s known from the 1930s to the present. His subjects include his brothers, a great-uncle who gave up on America and returned to czarist Russia, a father who survived unspeakable losses, the artists and musicians who inspired him, and fellow workers at the factory who shared the best and worst of his coming of age. Throughout the collection Levine rejoices in song–Dinah Washington wailing from a jukebox in midtown Manhattan; Della Daubien hymning on the crosstown streetcar; Max Roach and Clifford Brown at a forgotten Detroit jazz palace; the prayers offered to God by an immigrant uncle dreaming of the Judean hills; the hoarse notes of a factory worker who, completing another late shift, serenades the sleeping streets. Like all of Levine’s poems, these are a testament to the durability of love, the strength of the human spirit, the persistence of life in the presence of the coming dark.

     KITCHEN BOY is the story of Andy Harrison, a working-class Maine boy, who spends every July and August working for the summer people and tourists on the Maine Coast, while dreaming of his own escape from Downeast. That escape proves at once dramatic and very humorous.The novel also is the story of a small, exclusive summer hotel and its eccentric and unforgettable female proprietors who help their young kitchen boy grow up. Through the course of six summers from 1959 to 1964, the "Kennedy years," Andy has many adventures, his loss of innocence paralleling that of his country.Stephen King on KITCHEN BOY: "If you love Maine, you will love this book." Carolyn Chute on KITCHEN BOY: "KITCHEN BOY is great. It is THICK and FLESHY and full of splendor. Sandy Phippen is a wonderful writer, one of the world's masters at character and voice." Janwillem van de Wetering on KITCHEN BOY: "To know Maine one has to live here but to really know Maine one has to meet with the sly and splendid work of Sanford Phippen."John A. Williams on KITCHEN BOY: “KITCHEN BOY is a reflective, often funny and always perceptive analysis of Maine and the people who think they have escape to it, and of the ‘Mainiacs’ who serve them. Both, in fact, have been captured forever by Sanford Phippen’s internal camera, registering drudgery, sadness, joy and, in the end, the quiet triumph of the human spirit through learning and growing into understanding.”Leo Connellan on KITCHEN BOY: “Phippen, like Erskin Caldwell and Will Rodgers, has his ear and humor universal, for people everywhere. KITCHEN BOY is that summer-people book we’ve yearned for: ‘the folk’ working for the foolish rich who take advantage of the poor, but Phippen breaks us up in the way his ‘disadvantaged’ take advantage, win our hearts, carry on, never change. Phippen has us splitting our sides laughing if we’re not crying. KITCHEN BOY IS A MUST READ!”

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    However there comes a time in every writer’s life when the need to have one’s work appreciated by others overcomes the reticence of their nature. With this book, I have reached the point where I can let you, the reader, enter. See me. Maybe some of the poems here will resonate with you, and that understanding, that secret “yes, I know what she means”, from a stranger, is what I seek.

    It is considered to be his last book, first published in 1977 after his death.

    

    

    But before the day is out that peace is shattered due to a war being fought in a country not their own.Summer 1940: London is at war, and for the first time in the history of combat a civilian population is under attack from the air. As a consequence - also for the first time - a generation of young men is called upon to face the enemy not from within an organised force on land or on sea but in individual and lethal combat in the skies above the green, fertile and until now peaceful fields of southern England… The war was not of their making but the Jordan family will do whatever it takes to save all that they hold dear. The perfect family saga of love, war and hope for fans of Josephine Cox, Lily Graham and Natasha Lester.