This cultural history of Japan explains the diverse cultural traditions that underlie modern Japan and offers readers real insights into Japanese manners and etiquette. Davies begins with an investigation of the origins of the Japanese, followed by an analysis of the most relevant approaches used by scholars to describe the essential elements of Japanese culture. From there, each chapter focuses on one of the formative aspects: Shintoism, Buddhism, Taoism, Zen, Confucianism, and Western influences in the modern era. Each chapter is concluded with extensive endnotes along with thought-provoking discussion activities, making this volume ideal for individual readers and classroom instruction. Anyone interested in pursuing a deeper understanding of this complex and fascinating nation will find Davies's work an invaluable resource.

    The Way of the Warrior presents a remarkably faithful mirror of many of the characteristics and habits of modern Japanese civilization, as it represents a tradition that enjoyed great power and prestige for centuries. This work was written to provide practical and moral instruction for warriors, and to outline the parameters of personal, social, and professional conduct characteristic of Bushido, or Way of the Warrior, the Japanese chivalric tradition.Personal responsibilities, family relationships, public duties, education, finances and ethics are treated in this text from the perspective of the spirit of Japanese gentlemen. Even the forms of political incompetence and corruption that Japan currently struggles with are accurately described in this more than 400-year-old book; So deep did the feudal and military modes of government that generated them take their roots in Japanese society. This manual is therefore an essential resource for anyone who wishes to understand Japan and the Japanese people in a realistic way.

    He taught that Zen is not about achieving a goal, but about acting spontaneously from "don't-know mind." It is from this "before-thinking" nature, he taught, that true compassion and the desire to serve others naturally arises. This collection of teaching stories, talks, and spontaneous dialogues with students offers readers a fresh and immediate encounter with one of the great Zen masters of the twentieth century.

    His works are both richly poetic and deeply insightful and philosophical, pointing to the endless depths of Zen exploration. And almost precisely because of these facts, Dogen is often difficult for readers to understand and fully appreciate. Realizing Genjokoan is a comprehensive introduction to the teachings and approach of this great thinker, taking us on a thorough guided tour of the most important essay-Genjokoan-in Dogen's seminal work, the Shobogenzo. Indeed, the Genjokoan is regarded as the pinnacle of Dogen's writings, encompassing and encapsulating the essence of all the rest of his work. Our tour guide for this journey is Shohaku Okumura, a prominent teacher in his own right, who has dedicated his life to translating and teaching Dogen. This volume also includes an introduction to Dogen's life from Hee-Jin Kim's classic, Eihei Dogen: Mystical Realist, with updated annotations by Okumura.

    Asian American Studies. Is there a relationship between the population density of Tokyo and the pinkest part of a hamburger? Can one touch the inside of a noun to learn the difference between one bicycle and a field of bicycles? How close is yellow to need? How far are human fears from the fears of insects? Through a sequence of prose investigations, directions, theoretical performances, and character sketches, Sawako Nakayasu's TEXTURE NOTES presses itself against everything. Here is a book of liminal cartography, where textures are percolated by thought and propelled by feeling, where intellectual frottage meets sunlight, moonlight, the pain of seeing something beautiful and an entire town enamored by a simple rock. Once again, Nakayasu's writing explodes with genre-bending fury and fine-tuned improvisation, leaving in its wake a largess of feeling for the things of the world.

     “The life of a man is like a ball in the river— no matter what our will wants or desires, we are swept along by an invisible current that finally delivers us to the limitless expanse of the black sea.” So reflects the elderly Buddhist priest Seido Oda as he considers the life that brought him from an idyllic mountainside village in Japan to the bustling streets of Brooklyn, New York— a touching and humorous journey richly depicted in Buddhaland Brooklyn. Oda’s boyhood is spent fishing in clear mountain streams, picking plums, and helping his parents run the family’s village inn on the slopes of Mount Nagata. But at age eleven, his parents hand him over to the monks at the nearby Buddhist monastery. Separated from his family and deeply lonely, the acolyte adjusts to monastic life by devoting himself to painting, poetry, and prayer—and avoiding human contact. This safe and quiet existence is unexpectedly upended, however, when he reaches middle age and is ordered by his superior to open a temple in Brooklyn. New York is a shock to the introverted Oda. A shy, socially inept Japanese priest who hides his true feelings behind a severe manner, Reverend Oda must spiritually lead the ragtag army of eccentric New Yorkers who make up the local Buddhist community. This motley crew and their misguided practices provide for a host of hilarious cultural misunderstandings and mishaps. But when tragedy strikes, Oda’s rigid worldview is shattered and his eyes are finally opened to the long-buried sadness and personal shortcomings in his own life. It is only when he comes to appreciate the Americans, flaws and all, that Oda finds in Brooklyn the home he has always sought. A lively, vivid novel, Buddhaland Brooklyn stirs from the very first page. This is an entertaining and edifying meditation on the meaning and rewards of true acceptance.

    It continues to be the most authoritative work on samurai life and warfare published outside Japan. Set against the background of Japan's social and political history, the book records the rise and rise of Japan's extraordinary warrior class from earliest times to the culmination of their culture, prowess and skills as manifested in the last great battle they were ever to fight - that of Osaka Castle in 1615.

    An outgrowth of a doctoral dissertation submitted to Stanford University in December 1965.

    The sayings in this book have been written, not to teach, but to remind the reader of what they already know.

    Henderson was, from 1927 to 1929, the Assistant to the Curator of Far Eastern Art at the Metropolitan Musuem of Art. In 1930 he went to Japan, where he lived the following three years. On his return to this country he joined the faculty at Columbia University, where he taught Japanese and initiated a course in the history of Japanese art. He retired in 1955. His published works include The Bamboo Broom, Surviving Works of Sharaku (with Louis V. Ledoux), and A Handbook of Japanese Grammar. He has also translated H. Minamoto's Illustrated History of Japanese Art, etc. Mr. Henderson lives in New York City.

    So taught the great Morihei Ueshiba (1883–1969), founder of the Japanese martial art of Aikido. Aikido is a disciple Ueshiba called the “Art of Peace.” It offers a nonviolent way to victory in the face of conflict, and he believed that Aikido principles could be applied to all the challenges we face in life—in personal and business relationships, as well as in our interactions with society. These succinct and pithy teachings are drawn from his talks and writings. The collection is compiled by the renowned modern Aikidoist John Stevens, a disciple of Ueshiba.

    Alternative cover edition here.These three short stories, The Counterfeiter, Obasute, and The Full Moon, explore the roles of loneliness, compassion, beauty, and forgiveness in day-to-day life in Japan, all within the context of the Buddhist-influenced notion of inescapable predestination.

    In these two novellas, brilliantly translated by Anthony H. Chambers and appearing in paperback for the first time, Tanizaki probes the translucent screen that separates idealized yearning from humiliating obsession in a society of impenetrable decorum.

    Tsuyoshi Manase learned his first geology lesson from a dying soldier in a cave at the end of World War II. The soldier, a corporal, is skeletal, his eyes swarming with maggots, but his voice is low and steady, as he tells Manase of how a small pebble contains the Earth's history in its ephemeral matter. When the war ends, Manase returns home and opens a bookstore. He marries, and becomes the father of two sons. But what consoles him the most is the collecting of stones, and he enjoys his quiet life. That is until horrible violence visits his family and Manase must face his past in order to survive the nightmares of the present. A darkly compelling tale of one man's struggle against his own memories, The Stones Cry Out is a formidable debut novel from an international writer with an unusually penetrating voice.

    Practitioners of the art, known as ninja, were masters of exotic weapons, martial skills, and techniques of stealth and concealment. Their ability to move swiftly and silently, and to strike at will with deadly force, made them seemingly invincible opponents, giving rise to stories of amazing exploits and supernatural powers.