In The Tale of Murasaki, Liza Dalby has created a breathtaking fictionalized narrative of the life of this timeless poet–a lonely girl who becomes such a compelling storyteller that she is invited to regale the empress with her tales. The Tale of Murasaki is the story of an enchanting time and an exotic place. Whether writing about mystical rice fields in the rainy mountains or the politics and intrigue of the royal court, Dalby breathes astonishing life into ancient Japan.

    Now, following an accident on the grounds of the middle school where she teaches, Yuko has given up and tendered her resignation. But first she has one last lecture to deliver. She tells a story that upends everything her students ever thought they knew about two of their peers, and sets in motion a maniacal plot for revenge. Narrated in alternating voices, with twists you'll never see coming, Confessions explores the limits of punishment, despair, and tragic love, culminating in a harrowing confrontation between teacher and student that will place the occupants of an entire school in danger. You'll never look at a classroom the same way again.

    Masako's own search for a way out of the straitjacket of a dead-end life leads her, too, to take drastic action.The complex yet riveting narrative seamlessly combines a convincing glimpse into the grimy world of Japan's yakuza with a brilliant portrayal of the psychology of a violent crime and the ensuing game of cat-and-mouse between seasoned detectives and a group of determined but inexperienced criminals. Kirino has mastered a Thelma and Louise kind of graveyard humor that illuminates her stunning evocation of the pressures and prejudices that drive women to extreme deeds and the friendship that bolsters them in the aftermath.

    All signs being auspicious, the villagers triumphantly assured Sampath's proud parents that their son was destined for greatness. Twenty years of failure later, that unfortunately does not appear to be the case. A sullen government worker, Sampath is inspired only when in search of a quiet place to take his nap. "But the world is round," his grandmother says. "Wait and see Even if it appears he is going downhill, he will come up the other side. Yes, on top of the world. He is just taking a longer route." No one believes her until, one day, Sampath climbs into a guava tree and becomes unintentionally famous as a holy man, setting off a series of events that spin increasingly out of control. A delightfully sweet comic novel that ends in a raucous bang, Hullabaloo in the Guava Orchard is as surprising and entertaining as it is beautifully wrought.

    Where the Wild Ladies Are is populated by these and many other spirited women—who also happen to be ghosts. This is a realm in which jealousy, stubbornness, and other excessive "feminine" passions are not to be feared or suppressed, but rather cultivated; and, chances are, a man named Mr. Tei will notice your talents and recruit you, dead or alive (preferably dead), to join his mysterious company.In this witty and exuberant collection of linked stories, Aoko Matsuda takes the rich, millennia-old tradition of Japanese folktales—shapeshifting wives and foxes, magical trees and wells—and wholly reinvents them, presenting a world in which humans are consoled, guided, challenged, and transformed by the only sometimes visible forces that surround them.

    Osamu Dazai’s The Setting Sun takes this milieu as its background to tell the story of the decline of a minor aristocratic family.The story is told through the eyes of Kazuko, the unmarried daughter of a widowed aristocrat. Her search for self meaning in a society devoid of use for her forms the crux of Dazai’s novel. It is a sad story, and structurally is a novel very much within the confines of the Japanese take on the novel in a way reminiscent of authors such as Nobel Prize winner Yasunari Kawabata – the social interactions are peripheral and understated, nuances must be drawn, and for readers more used to Western novelistic forms this comes across as being rather wishy-washy.Kazuko’s mother falls ill, and due to their financial circumstances they are forced to take a cottage in the countryside. Her brother, who became addicted to opium during the war is missing. When he returns, Kazuko attempts to form a liaison with the novelist Uehara. This romantic displacement only furthers to deepen her alienation from society.

    Now even his teenage son Shige has suggested he think about remarrying. So when his best friend Yoshikawa comes up with a plan to hold fake film auditions so that Aoyama can choose a new bride, he decides to go along with the idea

    But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese—as his name might indicate.Torn between a chance at self-discovery that he’s ready to seize and the prejudices of others that he can’t control, Sugihara must decide who he wants to be and where he wants to go next. Will Sakurai be able to confront her own bias and accompany him on his journey?

    The only surviving links to what might have happened are a cryptic verse that could be the killer's, and the physician's bewitching blind daughter, Hisako, the only person spared injury. The youth who emerges as the prime suspect commits suicide that October, effectively sealing his guilt while consigning his motives to mystery. The police are convinced Hisako had a role in the crime, as are many in the town, including the author of a bestselling book about the murders written a decade after the incident, who was herself a childhood friend of Hisako’s and witness to the discovery of the killings. The truth is revealed through a skillful juggling of testimony by different voices: family members, witnesses and neighbors, police investigators and of course the mesmerizing Hisako herself.

    Ueno is now living with her protegée and a jealous lover, Keiko Sakami, and the unfolding relationships between Oki, Otoko, and Keiko form the plot of the novel. Keiko states several times that she will avenge Otoko for Oki's abandonment, and the story coalesces into a climactic ending.

    Yui struggles to continue on, alone with her pain. Then, one day she hears about a man who has an old disused telephone booth in his garden. There, those who have lost loved ones find the strength to speak to them and begin to come to terms with their grief. As news of the phone booth spreads, people travel to it from miles around. Soon Yui makes her own pilgrimage to the phone booth, too. But once there she cannot bring herself to speak into the receiver. Instead she finds Takeshi, a bereaved husband whose own daughter has stopped talking in the wake of her mother’s death. Simultaneously heartbreaking and heartwarming, The Phone Booth at the Edge of the World is the signpost pointing to the healing that can come after.

    Kyoko Kuonji is said to be with child for the last twenty months, and her husband Makio disappeared a few months prior to her pregnancy. The odd circumstances have left the family with no one to turn to for help, until a freelance writer asks his exorcist friend to take on the case. The catch-the exorcist does not believe in ghosts. To Akihiko "Kyogokudo" Chuzenji, the supernatural is as much metaphysical and mental as it is unearthly.The Summer of the Ubume was the debut work by the Neil Gaiman of Japanese mystery fiction - Natsuhiko Kyogoku. Weaving together intrigue and Kyogoku's passion for Japanese folklore, particularly the paranormal and preternatural, this Summer gives birth to a new form of Japanese fiction.

    The Swedish Academy lauded Ōe for his "poetic force [that] creates an imagined world where life and myth condense to form a disconcerting picture of the human predicament today."His most personal book, A Personal Matter, is the story of Bird, a frustrated intellectual in a failing marriage whose utopian dream is shattered when his wife gives birth to a brain-damaged child.

    Exactly one week after watching the tape, four teenagers die one after another of heart failure. Asakawa, a hardworking journalist, is intrigued by his niece's inexplicable death. His investigation leads him from a metropolitan tokyo teeming with modern society's fears to a rural Japan--a mountain resort, a volcanic island, and a countryside clinic--haunted by the past. His attempt to solve the tape's mystery before it's too late--for everyone--assumes an increasingly deadly urgency. Ring is a chillingly told horror story, a masterfully suspenseful mystery, and post-modern trip.

    Thrust into the closed society that is seventeenth-century Japan, a land where the line between life and death is razor-thin, Blackthorne must negotiate not only a foreign people, with unknown customs and language, but also his own definitions of morality, truth, and freedom. As internal political strife and a clash of cultures lead to seemingly inevitable conflict, Blackthorne's loyalty and strength of character are tested by both passion and loss, and he is torn between two worlds that will each be forever changed.Powerful and engrossing, capturing both the rich pageantry and stark realities of life in feudal Japan, Shōgun is a critically acclaimed powerhouse of a book. Heart-stopping, edge-of-your-seat action melds seamlessly with intricate historical detail and raw human emotion. Endlessly compelling, this sweeping saga captivated the world to become not only one of the best-selling novels of all time but also one of the highest-rated television miniseries, as well as inspiring a nationwide surge of interest in the culture of Japan. Shakespearean in both scope and depth, Shōgun is, as the New York Times put it, "...not only something you read--you live it." Provocative, absorbing, and endlessly fascinating, there is only one: Shōgun.