Experience the horror of Tade Thompson's The Murders of Molly Southbourne.The rule is simple: don't bleed.For as long as Molly Southbourne can remember, she's been watching herself die. Whenever she bleeds, another molly is born, identical to her in every way and intent on her destruction.Molly knows every way to kill herself, but she also knows that as long as she survives she'll be hunted. No matter how well she follows the rules, eventually the mollys will find her. Can Molly find a way to stop the tide of blood, or will she meet her end at the hand of a girl who looks just like her?

    His traps and machinations are the stuff of legends. His faces are legion. No matter what face the devil wears, Sympathy for the Devil has them all. Edited by Tim Pratt, Sympathy for the Devil collects the best Satanic short stories by Neil Gaiman, Holly Black, Stephen King, Kage Baker, Charles Stross, Elizabeth Bear, Jay Lake, Kelly Link, China Mieville, Michael Chabon, and many others, revealing His Grand Infernal Majesty, in all his forms. Thirty-five stories, from classics to the cutting edge, exploring the many sides of Satan, Lucifer, the Lord of the Flies, the Father of Lies, the Prince of the Powers of the Air and Darkness, the First of the Fallen... and a Man of Wealth and Taste. Sit down and spend a little time with the Devil.

    In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

    Gifted with a supple and mellifluous prose style, an imagination that can conjure up clutching terrors with seeming effortlessness, and a thorough knowledge of the rich heritage of weird fiction, Langan has already garnered his share of accolades. This new collection of nine substantial stories includes such masterworks as “Technicolor,” an ingenious riff on Poe’s “Masque of the Red Death”; “How the Day Runs Down,” a gripping tale of the undead; and “The Shallows,” a powerful tale of the Cthulhu Mythos. The capstone to the collection is a previously unpublished novella of supernatural terror, “Mother of Stone.” With an introduction by Jeffrey Ford and an afterword by Laird Barron.Table of ContentsIntroduction: Reading Langan, by Jeffrey FordKidsHow the Day Runs DownTechnicolor The Wide, Carnivorous SkyCity of the DogThe ShallowsThe Revel June, 1987. Hitchhiking. Mr. Norris. Mother of Stone Story Notes Afterword: Note Found in a Glenfiddich Bottle, by Laird BarronAcknowledgments

    Every other man, woman, and child on Earth has become a vampire, and they are all hungry for Neville's blood.By day, he is the hunter, stalking the sleeping undead through the abandoned ruins of civilization. By night, he barricades himself in his home and prays for dawn.How long can one man survive in a world of vampires?I am legend --Buried talents --The near departed --Prey --Witch war --Dance of the dead --Dress of white silk --Mad house --The funeral --From shadowed places --Person to person.

    From The Wizard of Oz to The Dark Tower, from Philip Pullman's The Golden Compass to C. S. Lewis's The Chronicles of Narnia, there is a rich tradition of this kind of fiction, but never before have the best parallel world stories and portal fantasies been collected in a single volume—until now.

    From Sir Edmund Spenser's "The Faerie Queene" to E. M. Forster's "The Machine Stops", literature is filled with sexy, deadly, and downright twisted tales. In this collection, today's most acclaimed award-winning and bestselling authors reimagine their favorite classic stories and use their own unique styles to rebuild these timeless stories, the ones that have inspired, awed, and enraged them, the ones that have become ingrained in modern culture, and the ones that have been too long overlooked. They take these twelve stories and boil them down to their bones, and reassemble them for a new generation of readers. Written from a twenty-first century perspective and set within the realms of science fiction, dystopian fiction, fantasy, and realistic fiction, these short stories are as moving and thought provoking as their originators. They pay homage to groundbreaking literary achievements of the past while celebrating each author's unique perception and innovative style.Contents:Introduction: Rags & Bones: New Twists on Timeless Tales (2013) • essay by Tim Pratt and Melissa MarrThat the Machine May Progress Eternally (2013) / shortfiction by Carrie Ryan, inspired by E.M. Forster's The Machine StopsThe King of Elfland's Daughter (2013) • interior artwork by Charles VessLosing Her Divinity [Sir Hereward and Mister Fitz] (2013) / shortfiction by Garth Nix, inspired by The Man Who Would Be KingThe Sleeper and the Spindle (2013) / novelette by Neil Gaiman, inspired by Sleeping BeautyKai Lung's Golden Hours (2013) • interior artwork by Charles VessThe Cold Corner (2013) / shortfiction by Tim Pratt, inspired by Henry James' The Jolly CornerMillcara (2013) / shortfiction by Holly Black, inspired by Joseph Sheridan Le Fanu's CarmillaFigures of Earth (2013) • interior artwork by Charles VessWhen First We Were Gods (2013) / shortfiction by Rick Yancey, inspired by Nathaniel Hawthorne's The BirthmarkSirocco (2013) / shortfiction by Margaret Stohl, inspired by Horace Walpole's The Castle of OtrantoThe Shaving of Shagpat (2013) • interior artwork by Charles VessAwakened (2013) / shortfiction by Melissa Marr, inspired by Kate Chopin's The AwakeningNew Chicago (2013) / shortfiction by Kelley Armstrong, inspired by W. W. Jacob's The Monkey's PawThe Wood Beyond the World (2013) • interior artwork by Charles VessThe Soul Collector (2013) / shortfiction by Kami Garcia, inspired by the Brothers Grimm's RumpelstiltskinWithout Faith, Without Law, Without Joy (2013) / shortfiction by Saladin Ahmed, inspired by Sir Edmund Spenser's Faerie QueeneGoblin Market (2013) • interior artwork by Charles VessUncaged (2013) / shortfiction by Gene Wolf, inspired by William Seabrook's The Caged White Werewolf..

    As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared.An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever.Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.

     "PAPERCLIP" by Kenneth Hite. "A Spider With Barbed-Wire Legs" by Davide Mana. "Le Pain Maudit" by Jeff C. Carter. "Cracks in the Door" by Jason Mical. "Ganzfeld Gate" by Cody Goodfellow. "Utopia" by David Farnell. "The Perplexing Demise of Stooge Wilson" by David J. Fielding. "Dark" by Daniel Harms."Morning in America" by James Lowder. "Boxes Inside Boxes" and "The Mirror Maze" by Dennis Detwiller. "A Question of Memory" by Greg Stolze. "Pluperfect" by Ray Winninger. "Friendly Advice" by Gareth Ryder-Hanrahan. "Passing the Torch" by Adam Scott Glancy. "The Lucky Ones" by John Scott Tynes. "Syndemic" and an introduction by Shane Ivey. These stories are recommended for mature readers. Excerpted from the introduction: We know a program called Delta Green really existed. You can find a couple of references to it in documents uncovered by Freedom of Information Act requests. Delta Green was a psychological operations unit in World War II, created to take advantage of the bizarre occult beliefs of Axis leaders. The public documents, which may have been released with the name unredacted by mistake, don’t say whether it had any success. The OSS was shut down after the war. Many of its people helped launch the CIA in 1947. We can only speculate whether the OSS’s lessons from Delta Green informed the CIA’s notorious psychological operations in the coming decades.  Conspiracy theorists have done more than speculate. Delta Green came back as a secret project to track down Nazis after the war, they say. Delta Green brought federal agents, spies, and special forces together for missions too secret even for the CIA. Delta Green was the precursor and rival to Majestic-12, the U.S. government conspiracy that allied itself with aliens after Roswell. Delta Green fights otherworldly monsters and evil sorcerers under the cover of the Global War on Terror. Once you climb into the rabbit hole, the fall never ends. In this book we turn up tales from the rabbit hole: Delta Green case histories rendered as short stories. They begin in the Dust Bowl, with a Naval intelligence unit supposedly called “P4” and memories of the abandoned New England town of Innsmouth (another bottomless well of conspiracy theories). They look at the days after World War II when secret agents pursued Nazis all over Europe, the early CIA attempted its first infamous schemes, and anticommunist witch-hunts seized on American terrors back home. They bring us through the Cold War desperation of the Seventies and Eighties, when America was shocked by its own crimes and Delta Green allegedly went underground again. And they come to the present day, and a Delta Green divided after it rebuilt itself in the secret government—but many old outlaws refused to trust the new order.

    Pray they are hungry.Kara finds these words in the mysterious bunker that she’s discovered behind a hole in the wall of her uncle’s house. Freshly divorced and living back at home, Kara now becomes obsessed with these cryptic words and starts exploring the peculiar bunker—only to discover that it holds portals to countless alternate realities. But these places are haunted by creatures that seem to hear thoughts…and the more you fear them, the stronger they become.

    These brave men and women stand up to the darkness, stare it right in the eye, and give it the finger. These are the stories of those who rage against the night, stories of triumph, sacrifice, and bravery in the face of overwhelming evil. Rage Against the Night features the megastars of dark fantasy and horror—including Stephen King, Ramsey Campbell, Peter Straub, Chelsea Quinn Yarbro, F. Paul Wilson, Jonathan Maberry, Scott Nicholson, Nancy Holder, Sarah Langan, and many, many more.

    "Power and haunting," and "nights of unrest" were typical reader responses. This collection, the only one to appear during Shirley Jackson's lifetime, unites "The Lottery:" with twenty-four equally unusual stories. Together they demonstrate Jackson's remarkable range--from the hilarious to the truly horrible--and power as a storyteller.

     Fiction: Bad Seed (Broken Empire) by Mark Lawrence Shadow Hunter (Shadows of the Apt) by Adrian Tchaikovsky The Woman I Used to Be by Gerri Leen The Neutral by Anatoly Belilovsky (translator) and Mike Gelprin (author) The Red Wraith by Nick Wisseman Non-Fiction: An interview with Joe Abercrombie An interview with Graham McNeill Book Review: Joe Abercrombie's Half a King - review by Kyle Massa Article: Grimdark is Here to Stay by Layla Cummins

    It causes people to forget—small things at first, like where they left their keys…then the not-so-small things like how to drive, or the letters of the alphabet. Then their bodies forget how to function involuntarily…and there is no cure. But now, far below the surface of the Pacific Ocean, deep in the Marianas Trench, an heretofore unknown substance hailed as “ambrosia” has been discovered—a universal healer, from initial reports. It may just be the key to a universal cure. In order to study this phenomenon, a special research lab, the Trieste, has been built eight miles under the sea’s surface. But now the station is incommunicado, and it’s up to a brave few to descend through the lightless fathoms in hopes of unraveling the mysteries lurking at those crushing depths…and perhaps to encounter an evil blacker than anything one could possibly imagine.

    A version of the story was published in the magazine Whirlwind in 1890, and Machen revised and extended it for its book publication (together with another story, "The Inmost Light") in 1894. On publication it was widely denounced by the press as degenerate and horrific because of its decadent style and sexual content, although it has since garnered a reputation as a classic of horror. Machen’s story was only one of many at the time to focus on Pan as a useful symbol for the power of nature and paganism. The title was taken from the poem "A Musical Instrument" published in 1862 by Elizabeth Barrett Browning, in which the first line of every stanza ends "... the great god Pan.