, xxviii, 480 pages including an index, with illustrations throughout mainly in black and white

    8-page color insert.

    Now, the bestselling author of the Beatles biography Shout! provides the definitive portrait of one of rock-and-roll's greatest and most enigmatic figures.

    Saint ... Lunatic ... Genius ... Muse .... Once described by Jack Kerouac as "more like Dostoevsky than anyone I know," Neal Cassady lived what others could only write about. Serving as the model for Kerouac's frenetic hero, the hip, Noble Savage Dean Moriarty in On the Road, and "N.C., the secret hero" of Allen Ginsberg's provocative poem "Howl," Cassady was a genius of life lived on the edge of the abyss. Now, William Plummer strips away the mystery surrounding this enigmatic figure. Plummer brings Cassady to life: his coming of age in a Denver flophouse, his hustling across America, the car thefts that landed him in jail, his meeting with Kerouac and their mad-cap cross-country adventures, his experiments with sex and drugs, his second marriage to Carolyn Cassady, his teaming with Ken Kesey and the Merry Pranksters on an epochal acid trip, and finally his bizarre death. Black-and-white photographs add to this engrossing biography of an outrageous but fascinating life.

    According to some, Robert Johnson learned guitar by trading his soul away to the Devil at a crossroads in rural Mississippi. When he died at age 27 of a mysterious poisoning, many superstitious fans came to believe that the Devil had returned to take his due. This diligent study of Johnson’s life debunks these myths, while emphasizing the effect that Johnson, said to be the greatest blues musician who ever lived, has had on modern musicians and fans of the blues.

    His surprising journey illuminates not only our understanding of this immensely troubled, misunderstood, and complicated soul genius but the ways in which our cultural heritage has been shaped by Brown’s legacy.  Kill ’Em and Leave is more than a book about James Brown. Brown’s rough-and-tumble life, through McBride’s lens, is an unsettling metaphor for American life: the tension between North and South, black and white, rich and poor. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history: the country town where Brown’s family and thousands of others were displaced by America’s largest nuclear power bomb-making facility; a South Carolina field where a long-forgotten cousin recounts, in the dead of night, a fuller history of Brown’s sharecropping childhood, which until now has been a mystery. McBride seeks out the American expatriate in England who co-created the James Brown sound, visits the trusted right-hand manager who worked with Brown for forty-one years, and interviews Brown’s most influential nonmusical creation, his “adopted son,” the Reverend Al Sharpton. He describes the stirring visit of Michael Jackson to the Augusta, Georgia, funeral home where the King of Pop sat up all night with the body of his musical godfather, spends hours talking with Brown’s first wife, and lays bare the Dickensian legal contest over James Brown’s estate, a fight that has consumed careers; prevented any money from reaching the poor schoolchildren in Georgia and South Carolina, as instructed in his will; cost Brown’s estate millions in legal fees; and left James Brown’s body to lie for more than eight years in a gilded coffin in his daughter’s yard in South Carolina.   James McBride is one of the most distinctive and electric literary voices in America today, and part of the pleasure of his narrative is being in his presence, coming to understand Brown through McBride’s own insights as a black musician with Southern roots. Kill ’Em and Leave is a song unearthing and celebrating James Brown’s great legacy: the cultural landscape of America today.Praise for Kill ’Em and Leave “The definitive look at one of the greatest, most important entertainers, The Godfather, Da Number One Soul Brother, Mr. Please, Please Himself—JAMES BROWN.”—Spike Lee “Please, please, please: Can anybody tell us who and what was James Brown? At last, the real deal: James McBride on James Brown is the matchup we’ve been waiting for, a musician who came up hard in Brooklyn with JB hooks lodged in his brain, a monster ear for the truth, and the chops to write it. This is no celeb bio but a compelling personal quest—so very timely, angry, hilarious, and as irresistible as any James Brown beat.”—Gerri Hirshey, author of Nowhere to Run: The Story of Soul Music “An unconventional and fascinating portrait of Soul Brother No. 1 and the significance of his rise and fall in American culture.” —Kirkus Reviews

    But few could have expected that a young Canadian would pen some of the most distinctively American songs, music that seems soaked in the mythology of the Old South. With songs like The Weight, The Night They Drove Old Dixie Down, and Up on Cripple Creek, Robertson and his partners in The Band fashioned a new popular music lexicon that has endured for decades, influencing countless musicians.In this captivating memoir of The Band's storied career, Robertson weaves together his half-Jewish, half-Mohawk upbringing on the Brantford Six Nations Reserve and in Toronto; his odyssey south at sixteen and rollicking early years on the road with rockabilly legend Ronnie Hawkins; the slow formation of The Band, their trial-by-fire with Bob Dylan on his 1966 world tour, and the forging of their unique sound. He recounts being catapulted to fame with the success of their groundbreaking debut, and takes us through the astonishing run of albums that culminated in one of history's most famous farewell concerts: the movie The Last Waltz, directed by Martin Scorcese. This is the story of a time and place--the moment when rock 'n' roll became life, when electric blues legends like Muddy Waters and Otis Rush criss-crossed the circuit of clubs and roadhouses from Texas to Toronto. It's the story of exciting change as the world tumbled into the '60s, and figures like Dylan and The Band redefined music and culture, with a little help from sex and drugs. And it's the moving story of the profound friendship between five young men who together created a new kind of popular music.

    It follows him during the year he plunged to rock bottom and his courageous decision to pick himself up and start living again."

    Traces the long career of the popular rock guitarist, discusses the influences of his music, and assesses each of his albums.

    Laura Jackson has interviewed members of Queen, many of their close friends, and several of the world's leading rock musicians to turn the spotlight on the private lives, professional struggles and personal triumphs of the band.

    A NATURAL WOMAN chronicles King's extraordinary life, drawing readers into her musical world, including her phenomenally successful #1 album Tapestry, and into her journey as a performer, mother, wife and present-day activist. Deeply personal, King's long-awaited memoir offers readers a front-row seat to the woman behind the legend. The book will include dozens of photos from King's childhood, her own family, and behind-the-scenes images from her performances.

    INXS singer/songwriter Michael Hutchence was the celebrated frontman of a band that was the biggest in the world. Michael's big sister, Tina, adored him from the start. From a twelve-year-old holding him in her arms as a newborn, to being his teenage nanny, Tina remained Michael's trusted confidant until his sudden death. Tina's intimate and detailed telling of her brother's story-from faltering teenager with a lisp to raging rock star-blazes with love and adventure, and includes the acquired brain injury that changed everything for Michael; the risky schemes that saw him named in the Paradise Papers expose of 2017; his secret philanthropy in support of East Timor; and his bliss at the birth of his only child, Heavenly Hiraani Tiger Lily. 'My brother roamed the world with a book in his hand and one in his suitcase,' Tina writes, and throughout Michael a paper trail of the literature he loved gives clues to the man many see as an enigma. A cry from the heart celebrating the 'lost boy of INXS', Michael Hutchence, this personal and heartfelt biography reveals the incredible, rollercoaster life of Australia's most enduring superstar and shares the private moments of an adored brother, son and father.'Lost boy Michael, who was my dear friend, and who is very much missed. All respect and thanks to Tina for sharing these stories and keeping the memory alive.' Simon le Bon, songwriter / singer, Duran Duran

    Her artistic curiosity blossomed early, and she and her siblings began performing their own music for anyone who would listen. Now, twelve Grammy Awards later, Ronstadt tells the story of her wide-ranging and utterly unique musical journey.Ronstadt arrived in Los Angeles just as the folk-rock movement was beginning to bloom, setting the stage for the development of country-rock. After the dissolution of her first band, the Stone Poneys, Linda went out on her own and quickly found success. As part of the coterie of like-minded artists who played at the Troubadour club in West Hollywood, she helped define the musical style that dominated American music in the 1970s. One of her early back-up bands went on to become the Eagles, and Linda would become the most successful female artist of the decade. She has sold more than 100 million records, won numerous awards, and toured all over the world. Linda has collaborated with legends such as Emmylou Harris, Dolly Parton, Aaron Neville, J.D. Souther, Randy Newman, Neil Young, Bette Midler, and Frank Sinatra, as well as Homer Simpson and Kermit the Frog. By the time she retired in 2009, Ronstadt had spent four decades as one of the most popular singers in the world, becoming the first female artist in popular music to release four consecutive platinum albums.In Simple Dreams, Ronstadt reveals the eclectic and fascinating journey that led to her long-lasting success. And she describes it all in a voice as beautiful as the one that sang “Heart Like a Wheel”—longing, graceful, and authentic.

    Highly acclaimed music critic Peter Carlin tracks the Boss's dazzling ascent to fame, whilst painting a vivid portrait of the real Springsteen: an insistently private man who nevertheless would do anything for his fans.Recently, in response to his mother's failing health, Springsteen decided he wanted to tell his story, and that he wanted Carlin to tell it. He gave Carlin many hours of interview time, including a trip to his family home, and lett him preview his unreleased album. With unprecedented access to Springsteen, his family, friends and management, Carlin presents a riveting and highly personal account of Springsteen's life.

    In this new biography, the first since the poet’s death in 1997 and the only one to cover his entire life, Bill Morgan creates the most complete portrait to date of Ginsberg. Drawing on his unparalleled access to Ginsberg’s inner circle as well as on the poet’s journals and correspondence, Morgan offers a revealing portrait of a complicated and flamboyant character. Ginsberg was a tenacious man who was driven by ambition and curiosity; he was plagued by self-doubt and always longed for acceptance and recognition. He also had a genius for living and networking and for expressing himself candidly; his love for freedom and equality was uncompromising. Morgan examines Ginsberg’s life and his tremendous impact on society from many different angles: his political views, his battles with censorship, and his approach to drugs. He also provides a more accurate picture than previously told of Ginsberg’s search for love (including his complex relationship with his lifelong partner, Peter Orlovsky) and of his involvement with Tibetan Buddhism. This definitive and engaging life of Ginsberg also includes a unique feature—it lists the titles of Ginsberg’s poems in the margins so that the reader can see exactly what he was writing at any point in his life.