His poetry is marked by an almost limitless range of interest and extraordinary depth of feeling. Olson's themes are among the largest conceivable: empowering love, political responsibility, historical discovery and cultural reckoning, the wisdom of dreams and the transformation of consciousness—all carried in a voice both intimate and grand, American and timeless, impassioned and coolly demanding. Until recently, Olson's reputation as a major figure in American literature has rested primarily on his theoretical writings and his epic work, the Maximus Poems. With The Collected Poems an even more impressive Olson emerges. This volume brings together all of Olson's work and extends the poetic accomplishment that influenced a generation.Charles Olson was praised by his contemporaries and emulated by his successors. He was declared by William Carlos Williams to be "a major poet with a sweep of understanding of the world, a feeling for other men that staggers me." His indispensable essays, "Projective Verse" and "Human Universe," and his study of Melville, Call Me Ishmael, remain as fresh today as when they were written.

    She prefers breeches to dresses, and spends her time riding horses, fishing, and climbing trees. When Emily is fourteen, she meets Cameron, the Duke of Templeton’s grandson. Their friendship deepens over the years, until Cameron is called to fight against Napoleon. They express their devotion to each other and make love for the first time before Cameron heads off to war. When Emily’s father discovers she’s pregnant, he’s livid. He had no idea his tomboy daughter has fallen in love, and her predicament threatens to destroy their family’s honor. He sends Emily to live with Cameron's eccentric great aunt, and, to avoid shame, insists that she claims she is married. Upon return from the battlefield, Cameron hears that Emily has wed and was pregnant. She writes him to explain the situation, but the letters never arrive, and the misunderstanding sends Cameron into a spiral of rage and despair. Their paths will cross again, but will their love be enough to overcome the fates at work to keep them apart?

    It discloses how they met at a London hospital, and how, for the last two years of Diana's life, they managed to keep their affair largely secret. The details of how Diana deliberately orchestrated the photos and news stories of her romance with Dodi Fayed will interest many readers, but at the heart of the story is a sensitive portrait of a woman who wished to be loved for herself.

    "Rachel Glaser has written a game-changer. I have a couple of rules about things I allow myself to like. Rachel breaks all of them and her stories leave me hunting for my rule book. Where is my rule book? Damn her. Bless her. Say what you will. PEE ON WATER is a new way to breathe"--Giancarlo DiTrapano.

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    The Hands of Time: When a young American woman vanishes without a trace from a quaint fishing village on the coast of England only one person knows the truth, but he remains silent, safe in the knowledge that she will never be found. Meanwhile, Valerie Crane finds herself transported to the year 1605. Terrified and confused, she turns for help to the Whitfield brothers, who take her in and offer her a home. Both Alexander and Finlay Whitfield fall in love with the mysterious woman who shows up on their doorstep, creating a love triangle that threatens to consume them all. Valerie must make her choice, deciding between the brother who will lead her down the path of destruction and one who will give her the love she couldn’t find in her own time. A Leap of Faith: Alone and bereft, Valerie’s sister, Louisa, makes the fateful decision to follow her sister into the seventeenth century. But, the best laid plans often go awry, and she finds herself on the wrong continent, and in the wrong year. Louisa must cross the Atlantic to get to Virginia, hoping that Valerie is still there in 1620, and face the uncertainty of her situation as she makes the dangerous journey to the New World. Will the two sisters reunite, or will they pass like ships in the night, never knowing how close they came to finding each other? A World Apart: Reunited with her sister at last, Louisa settles in colonial Virginia, but an unexpected visitor throws life into turmoil once again by offering Valerie and Louisa an opportunity to return to the future. Before the sisters have a chance to make a decision, the unthinkable happens; ripping the family apart, and scattering them over continents and time itself. No one is spared as child is torn from parents, sister is parted from sister, and a devastating famine threatens the colony. The Whitfields and Sheridans must fight for survival and face challenges they never imagined as they are cast a world apart. A Game of Shadows: It’s 1624, and the Whitfields finally arrive in England, eager to spend time with Louisa and Kit, but their visit is not the happy reunion they’d hoped for. In the meantime in 1777, Abbie and Finn go behind enemy lines to spy for the Revolution, putting themselves in grave danger. The slightest mistake can mean the difference between life and death, and tear them apart forever. Even Finn’s knowledge of what’s to come is not enough to keep them safe from their own carelessness. Unexpected revelations, long-buried secrets, and unforeseen reunions threaten to destroy everything the Whitfields and Sheridans hold dear, throwing their lives into turmoil once again. Shattered Moments: Murder, blackmail, long buried secrets, and a tender new romance take center stage in Shattered Moments, the final installment of The Hands of Time Series as the Whitfields and Sheridans face their toughest challenges yet.

    In this massive compendium, editor Preston Peet brings together an all-star cast of contributors to question established wisdom about the history of the world and its civilizations. Peet and anthology contributors guide us through exciting archeological adventures and treasure hunts, ancient mysteries, lost or rediscovered technologies, and assorted "Forteana," using serious scientific studies and reports, scholarly research, and some plain old fringe material, as what is considered "fringe" today is often hard science tomorrow.Contributors include: Graham Hancock (Fingerprints of the Gods, Underworld), David Hatcher Childress (Lost Cities and Civilizations series), Colin Wilson (From Atlantis to the Sphinx), Michael Cremo (Forbidden Archeology), William Corliss (Ancient Infrastructures), Robert Schoch (Voyages of the Pyramid Builders), John Anthony West (Serpent in the Sky), Michael Arbuthnot (Team Atlantis), Erich Von Daniken (Chariots of the Gods), and many more.

    K. Chesterton's Father Brown is not senile, nor easily rattled. In fact, this village priest wanders into challenges that pale in comparison to the things he has heard through the screen of the confessional. For to hear Father Brown tell it, crime is a manifestation of sin: the criminal must be caught, but he or she must also be saved; the culprit has to be locked up, but the spirit must be freed.G. K. Chesterton (1874-1936) was a larger-than-life writer who fascinates and perplexes us to this day. An art student who became a poet, and then by turns a journalist, playwright, biographer, novelist, storyteller, philosopher, and "Christian apologist," his fame rested on an uncanny ability to produce vast quantities of crystalline prose quickly and without apparent effort. His fiction--particularly the Father Brown stories and the delirious suspense novel The Man Who Was Thursday--remains his most widely read and entertaining works.

    A personal selection of the best interviews from eight classic books by America's much-loved pre-eminent oral historian, Studs Terkel.

    I love Spanish food, I've been going there since I was a young boy - but until quite recently I don't think people really took the food seriously. Thanks to a handful of really dedicated Spanish chefs and a growing enthusiasm for its rugged flavours, that has all begun to change. To me the underlying point of journeying to Spain would be to discover the 'duende' in the cooking. By that I mean a sense of soul, of authenticity. The word is normally used in flamenco but I think it could be equally applied to the art of Spanish cooking because to my mind, in really good food, there is a communication between the cook and diner that amounts to art.' Rick SteinIn his beautifully designed and illustrated cookbook to accompany a major BBC2, 4-part series, Rick has selected over 140 recipes that capture the authentic taste of Spain today. Spain is a country that tantalises every sense with its colourful sights, evocative music, vibrant traditions and bold cookery. Spanish cooking has a rich history, with flavours reflecting a broad range of cultural influences. Rick samples his way through the specialties and hidden treats of each region, taking in the changing landscape from the mountainous northern regions through the Spanish plains to Mediterranean beaches.With over 100 Spanish recipes and location photographs, this is an essential cookbook for food-lovers as well as a stunning culinary guide to a diverse country.

    . .''Teach me my God and King . . .'George Herbert wrote, but never published, some of the very greatest English poetry, recording in an astonishing variety of forms his inner experiences of grief, recovery, hope, despair, anger, fulfilment and - above all else - love.He was born in 1593 and died at the age of 39 in 1633, before the clouds of civil war gathered, his family aristocratic and his upbringing privileged. He showed worldly ambition and seemed sure of high public office and a career at court, but then for a time 'lost himself in a humble way', devoting himself to the restoration of the church at Leighton Bromswold in Buckinghamshire and then to his parish of Bemerton, three miles from Salisbury, whose cathedral music he called 'my heaven on earth'. When in the year of his death his friend Nicholas Ferrar, leader of the quasi-monastic community at Little Gidding, published Herbert's poems under the title The Temple, his fame was quickly established.Because he published no English poems during his lifetime, and dating most of them exactly is impossible, writing Herbert's biography is an unusual challenge. In this book John Drury sets the poetry in the whole context of the poet's life and times, so that the reader can understand the frame of mind and kind of society which produced it, and depth can be added to the narrative of Herbert's life. (T.S. Eliot: 'What we can confidently believe is that every poem in the book [The Temple] is in tune to the poet's experience.') His Herbert is not the saintly figure who has come down to us from John Aubrey, but a man torn for much of his life between worldly ambition and the spiritual life shown to us so clearly through his writings. The result is the most satisfying biography of this exceptional English poet yet written.

    Norman Shapiro's superb translations display Verlaine's ability to transform into timeless verse the essence of everyday life and make evident the reasons for his renown in France and throughout the Western world.

    Although she was acclaimed by John Buchan and by Rebecca West, who hailed her as a genius, and won the Prix Femina of La Vie Heureuse for Precious Bane (1924), she won little respect from the general public. It was only after her death that the Prime Minister of the United Kingdom, Stanley Baldwin, earned her posthumous success through his approbation, referring to her as a neglected genius at a Literary Fund dinner in 1928. Her writing is notable for its descriptions of nature, and of the human heart. She had a deep sympathy for all her characters and was able to see good and truth in all of them. Among her most famous works are: The Golden Arrow (1916), Gone to Earth (1917), and Seven for a Secret (1922).

    It brings together a unique combination of Keats's poetry and prose - all the major poems, complemented by a generous selection of Keats's letters - to give the essence of his work and thinking.In his tragically short life Keats wrote an astonishing number of superb poems; his stature as one of the foremost poets of the Romantic movement remains unassailable. This volume contains all the poetry published during his lifetime, including Endymion in its entirety, the Odes, Lamia, and both versions of Hyperion. The poetry is presented in chronological order, illustrating the staggering speed with which Keats's work matured. Further insight into his creative process is given by reproducing, in their original form, a number of poems that were published posthumously.Keats's letters are admired almost as much as his poetry and were described by T. S. Eliot as certainly the most notable and most important ever written by any English poet. They provide the best biographical detail available and shed invaluable light on Keats's poems.

    “[Sandburg’s poetry] is independent, honest, direct, lyric, and it endures, clamorous and muted, magical as life itself” (New York Times). Introduction by Mark Van Doren.