It's on India's southwestern coast, bounded by the Arabian Sea to the west and the Kaliamma River to the south and east. It's blessed with rich soil and scenic beauty, and it's been around for centuries. Of its 193,432 residents, only 89 declare themselves to be without religion or caste. And if the characters in Between the Assassinations are any indication, Kittur is an extraordinary crossroads of the brightest minds and the poorest morals, the up-and-coming and the downtrodden, and the poets and the prophets of an India that modern literature has rarely addressed. A twelve-year-old boy named Ziauddin, a gofer at a tea shop near the railway station, is enticed into wrongdoing because a fair-skinned stranger treats him with dignity and warmth. George D'Souza, a mosquito-repellent sprayer, elevates himself to gardener and then chauffeur to the lovely, young Mrs. Gomes, and then loses it all when he attempts to be something more. A little girl's first act of love for her father is to beg on the street for money to support his drug habit. A factory owner is forced to choose between buying into underworld economics and blinding his staff or closing up shop. A privileged schoolboy, using his own ties to the Kittur underworld, sets off an explosive in a Jesuit-school classroom in protest against casteism. A childless couple takes refuge in a rapidly diminishing forest on the outskirts of town, feeding a group of "intimates" who visit only to mock them. And the loneliest member of the Marxist-Maoist Party of India falls in love with the one young woman, in the poorest part of town, whom he cannot afford to wed. Between the Assassinations showcases the most beloved aspects of Adiga's writing to brilliant effect: the class struggle rendered personal; the fury of the underdog and the fire of the iconoclast; and the prodigiously ambitious narrative talent that has earned Adiga acclaim around the world and comparisons to Gogol, Ellison, Kipling, and Palahniuk. In the words of The Guardian (London), "Between the Assassinations shows that Adiga...is one of the most important voices to emerge from India in recent years." A blinding, brilliant, and brave mosaic of Indian life as it is lived in a place called Kittur, Between the Assassinations, with all the humor, sympathy, and unflinching candor of The White Tiger, enlarges our understanding of the world we live in today.

    It relates the political development of that age with current geography in a very interesting way. It also brings out a new perspective on Ravana, his rise and his fall.

    The definitive one-volume Urdu text by Ghalib Lakhnavi and Abdullah Bilgrami appeared toward the end of the nineteenth century, but English translations of this text have always been censored and abridged-until now.In Musharraf Ali Farooqi's faithful rendition, "The Adventures of Amir Hamza" is captured with all its colorful action, ribaldry, and fantastic elements intact. Here is the spellbinding story of Amir Hamza, the adventurer who loves Mehr-Nigar, the daughter of the Persian emperor, Naushervan. Traveling to exotic lands in the service of his emperor, Amir Hamza defeats many enemies, loves many women, and converts hundreds of infidels to the True Faith of Islam before finding his way back to his first love. Guided by a Merlin-like clairvoyant called Buzurjmehr, protected by legendary prophets, and accompanied by his loyal friend, the ingenious trickster Amar Ayyar, Amir Hamza rides his devoted winged demon-steed, Ashqar, into combat against a marvelous array of opponents, from the deadly demon, Sufaid Dev, to his own rebellious sons.Appreciated as the seminal Islamic epic or enjoyed as a sweeping tale as rich and inventive as Homer's epic sagas, "The Adventures of Amir Hamza" is an extraordinary creation and a true literary treasure.

    In this novel, Wolf explodes the myth, offering modern readers a portrayal of a fiercely independent woman ensnared in a political battle.

    Also included are three related works by the nineteenth- and twentieth-century writers Edgar Allan Poe, Marcel Proust, and Taha Husayn."Criticism" collects eleven wide-ranging essays on The Arabian Nights' central themes by Hugo von Hofmannsthal, Josef Horovitz, Jorge Luis Borges, Francesco Gabrieli, Mia Irene Gerhardt, Tzvetan Todorov, Andras Hamori, Heinz Grotzfield, Jerome W. Clinton, Abdelfattah Kilito, and David Pinault.A Chronology of The Arabian Nights and a Selected Bibliography are also included.

    "A perfect work like no other. (Calasso) has re-created . . . the morning of our world."--Gore Vidal. 15 engravings.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    I shall release you -SAKUNTALA When?KING When?When, like a bee, I kiss the bud of your unbruised lipAnd flood my thirsting mouth with nectar.Kalidasa's play about the love of King Dusyanta and Sakuntala, a hermitage girl, their separation by a curse, and eventual reunion, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone, in peformance The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, akin to certain types of mystical experience.The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India.

    This edition includes extensive notes on Indian myths, religion, social customs, and the Independence movement which fill out the background for the American reader's more complete understanding and enjoyment.

    At the time, only the most prescient would have predicted the events that led to her extraordinary final novel Suite Française and her death at Auschwitz. Yet the clues are there in this astonishingly mature story of an elderly Jewish businessman who has sold his soul.Golder is a superb creation. Born into poverty on the Black Sea, he has clawed his way to fabulous wealth by speculating on gold and oil. When the novel opens, he is at work in his magnificent Parisian apartment while his wife and beloved daughter, Joy, spend his money at their villa in Biarritz. But Golder’s security is fragile. For years he has defended his business interests from cut-throat competitors. Now his health is beginning to show the strain. As his body betrays him, so too do his wife and child, leaving him to decide which to pursue: revenge or altruism?Available for the first time since 1930, David Golder is a page-turningly chilling and brilliant portrait of the frenzied capitalism of the 1920s and a universal parable about the mirage of wealth.

    Shivaji has been a legendary figure in the Indian history.Shivaji was one of the major influences on the revival of nationalism and Hindu culture during a period when centuries of rule by Muslim invaders had induced a condition of apathy and indifference in the people.Over the years, many legends have been added to Shivaji’s life, and it is hard to filter out these embellishments and just focus on the facts.The author has done his best to build this book just on facts. And the facts alone are interesting enough to highlight the achievements of this legendary king.Shivaji was a man who built a dynasty starting from nothing. His motivations were always immense pride in his culture and love for his motherland. However, he was not a bigot and treated all his subjects equally well, irrespective of their religion and other divisions. His battles were mostly with Muslim rulers, but he never showed any animosity towards the Muslim inhabitants of his kingdom.The author has presented Shivaji as he really was, with no embellishments. Shivaji was a dynamic leader, a warrior, and a nobleman. He was religious without being fanatic, he was a believer, but not superstitious, he was courageous but not foolish. He was a visionary who dreamt of building a Hindu kingdom in a region that was surrounded by Muslim dynasties. Yet, he was extremely practical.Shivaji was a courageous warrior and a great tactician. At the same time, he was also a very good administrator and the kingdom he was building up became stronger under his rule. He suffered many defeats too, but he never gave up his vision, and ultimately, he did succeed in making his dream a reality.The author, in this book, has captured all the different facets of Shivaji’s personality that contributed towards this legacy, and thus gives the reader a sense of involvement in the events taking place in the story.

    Other tellings can be found under "all editions," each credited to its respective storyteller.

    Gathering works from the previously published Monday or Tuesday, as well as stories published in American and British magazines, this book compiles some of the best shorter fiction of one of the most important writers of our time.

    The men blow the glass, and the women decorate and pack it. But when Joost Steinmann passes away unexpectedly one September night, his three daughters must learn to fend for themselves. While feisty Johanna takes a practical approach to looking for work, Ruth follows her heart, aiming to catch the eye of a handsome young villager. But it is dreamy, quiet Marie who has always been the most captivated by the magic—and sparkling possibilities—of the craft of glassblowing. As the spirited sisters work together to forge a brighter future for themselves on their own terms, they learn not only how to thrive in a man’s world, but how to remain true to themselves—and their hearts—in the process.

    The adolescent Elie and his family, among hundreds of thousands of Jews from all parts of Eastern Europe, are cruelly deported from their hometown to the horrors of Auschwitz and Buchenwald. Wiesel writes of their battle for survival, and of his battle with God for a way to understand the wanton cruelty he witnesses each day.In the short novel Dawn (1961), Elisha - the sole survivor of his family, whose immolation he witnessed at Auschwitz - has survived the Second World War and settled in Palestine. Apprenticed to a Jewish terrorist gang, he is commanded to execute a British officer who has been taken hostage. During the lonely hours before dawn, he meditates on the act of murder he is waiting to commit.In The Accident, (1962), Wiesel's second novel, Elisha, now a journalist living in New York, is the victim of a nearly fatal automobile accident. This fiction questions the limits of the spirit and the self: Can Holocaust survivors forge a new life without the memories of the old? As the author writes in his introduction, "In Night it is the 'I' who speaks; in the other two [narratives], it is the 'I' who listens and questions." Wiesel's trilogy offers meditations on mankind's attraction to violence and on the temptation of self-destruction.