She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    This collection of classic vampire tales not only features three of the most important works in the genre, but also a historical analysis of vampire stories.

    When the supernatural caught her interest, the result was a group of short stories which combined domestic realism with supernaturalism and these have proved very influential. Her best known work was written in the 1880s and 1890s while she lived in Randolph. She produced more than two dozen volumes of published short stories and novels.Her stories deal mostly with New England life and are among the best of their kind.

    There is a secret held inside an Indian burial mound, only a few know the secret and they have been sworn to secrecy… until someone became greed, deciding that there must be treasure hidden in the mound…

    Included here are some of del Toro's favorites, from Mary Shelley's Frankenstein and Ray Russell's short story 'Sardonicus', considered by Stephen King to be 'perhaps the finest example of the modern Gothic ever written', to Shirley Jackson's The Haunting of Hill House and stories by Ray Bradbury, Joyce Carol Oates, Ted Klein, and Robert E. Howard. These stunningly creepy deluxe hardcovers will be perfect additions to the shelves of horror, sci-fi, fantasy, and paranormal aficionados everywhere.Haunted CastlesHaunted Castles is the definitive, complete collection of Ray Russell's masterful Gothic horror stories, including the famously terrifying novella trio of 'Sardonicus', 'Sanguinarius', and 'Sagittarius'. The characters that sprawl through Haunted Castles are frightful to the core: the heartless monster holding two lovers in limbo; the beautiful dame journeying down a damned road toward depravity (with the help of an evil gypsy); the man who must wear his fatal crimes on his face in the form of an awful smile. Engrossing, grotesque, perverted, and completely entrancing, Russell's Gothic tales are the best kind of dreadful.RAY RUSSELL was born in 1924 in Chicago, Illinois, and served in the United States Air Force during World War II in the South Pacific. After the war, he attended the Chicago Conservatory of Music and eventually joined the editorial staff at Playboy, where he published such writers as Ray Bradbury, Kurt Vonnegut, Richard Matheson, Jack Finney, Robert Bloch, and Charles Beaumont. His best-known work, 'Sardonicus', was called by Stephen King 'perhaps the finest example of the modern Gothic ever written'. He died in Los Angeles in 1999.GUILLERMO DEL TORO is a Mexican director, producer, screenwriter, novelist, and designer, most famous for his Academy Award-winning film,Pan's Labyrinth, and the Hellboy film franchise. He has received the Nebula, Hugo, and Bram Stoker awards and is an avid collector and student of arcane memorabilia and weird fiction.

    The story is very similar to that of the ancient German legend of Faust.

    Jekyll and Mr. HydeMedical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.

    A rationalist Victorian visits a haunted house in order to explain the nature of its ghostly inhabitants.First published in Blackwood's, August 1859.

    Republished in this new edition, this Victorian novel operates in the continuum of life and death. What has been can be again, though often terribly transformed. Energetically inventive and infused with a relish for the supernatural, especially the trappings of the dark, The House of the Vampire delivers a horror which we know does not - but none the less conceivably might - exist and threaten ourselves. Blurring the lines between fact and fiction, The House of the Vampire is considered a classic among Victorian Gothic stories."He felt the presence of the hand of Reginald Clarke - unmistakably - groping in his brain as if searching for something that had still escaped him. He tried to move, to cry out, but his limbs were paralysed. When, by a superhuman effort, he at last succeeded in shaking off the numbness that held him enchained, he awoke just in time to see a figure, that of a man, disappearing in the wall that separated Reginald's apartments from his room...."George Sylvester Viereck (1884 - 1962), remembered today chiefly for his contributions to fantasy literature, was born in Germany and emigrated to the United States with his family at age 11. He was editor of the magazine The Fatherland, and author of Confessions of a Barbarian and Glimpses of the Great.

    

    Reprinted many times since, often under alternative title of "The White Wolf of the Hartz Mountains," the tale chronicles the misfortunes of Krantz, A Hungarian nobleman's steward, who flees from Transylvania with his three children after murdering his unfaithful wife and lover.

    Beginning with the supposedly true accounts that captivated Byron and Shelley, the stories range from Edgar Allan Poe's "The Oval Portrait" and Sheridan Le Fanu's "Carmilla" to Guy de Maupassant's "The Horla" and Mary Elizabeth Braddon's "Good Lady Ducayne." Sims also includes a nineteenth-century travel tour of Transylvanian superstitions, and rounds out the collection with Stoker's own "Dracula's Guest"-a chapter omitted from his landmark novel.Vampires captivated the Victorians, as Sims reveals in his insightful introduction: In 1867, Karl Marx described capitalism as "dead labor, which, vampire-like, lives only by sucking living labor"; while in 1888 a London newspaper invoked vampires in trying to explain Jack the Ripper's predations. At a time when vampires have been re-created in a modern context, Dracula's Guest will remind readers young, old, and in between of why the undead won't let go of our imagination.

    One night a mysterious Turk asks him to attend his wife, who has cut her lip on a poisoned dagger. The Turk insists that amputation offers the only hope of recovery. Anxious to pocket the proffered gold, and impatient to get to his mistress, Stone dismisses his professional misgivings. He excises the lower lip of the veiled, drugged woman--only to find that he was tricked into disfiguring Lady Sannox herself. Lord Sannox (disguised as the "Turk") thus gains his revenge, with his wife morally chastised (and forever after in seclusion), and Stone's "great brain [thenceforth] about as valuable as a cap full of porridge."

    His son has trouble at school. And he has to keep his sharp teeth hidden.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.