Winner of the Bram Stoker Award, the International Horror Guild Award, and a Publishers Weekly Best Book of the Year.

    We can find darkness anywhere: in a strange green stone etched with mysterious symbols; at a small town's annual picnic; in a ghostly house that is easy to enter but not so easy to leave; behind the dumpster in the alley where a harpy lives; in The Nowhere, a place where car keys, toys, people disappear to; among Polar explorers; and, most definitely, within ourselves. Darkness flies from mysterious crates; surrounds children whose nightlights have vanished; and flickers between us at the movie theater. Darkness crawls from the past and is waiting in our future; and there's always a chance that Halloween really is a door opening directly into endless shadow. Welcome to the dark. You may never want to leave. This inaugural volume of the year's best dark fantasy and horror features more than 500 pages of dark tales from some of today's finest writers of the fantastique. Chosen from a variety of sources, these stories are as eclectic and varied as the genre itself.Contents 9 • What the Hell Do You Mean By "Dark Fantasy and Horror?" • essay by Paula Guran13 • The Horrid Glory of Its Wings • (2009) • shortstory by Elizabeth Bear23 • Lowland Sea • (2009) • novelette by Suzy McKee Charnas41 • Copping Squid • (2009) • novelette by Michael Shea56 • Monsters • (2009) • novelette by Stewart O'Nan73 • The Brink of Eternity • (2009) • shortstory by Barbara Roden85 • Frost Mountain Picnic Massacre • (2009) • shortstory by Seth Fried95 • Sea-Hearts • (2009) • novella by Margo Lanagan138 • A Haunted House of Her Own • (2009) • shortfiction by Kelley Armstrong153 • Headstone in Your Pocket • (2009) • shortstory by Paul G. Tremblay [as by Paul Tremblay ]166 • The Coldest Girl in Coldtown • (2009) • novelette by Holly Black182 • Strange Scenes from an Unfinished Film • (2009) • shortstory by Gary McMahon190 • A Delicate Architecture • (2009) • shortstory by Catherynne M. Valente196 • The Mystery • (2009) • shortfiction by Peter Atkins205 • Variations on a Theme from Seinfeld • (2009) • shortstory by Peter Straub211 • The Wide, Carnivorous Sky • (2009) • shortfiction by John Langan251 • Certain Death for a Known Person • (2009) • novelette by Steve Duffy267 • The Ones Who Got Away • (2009) • shortfiction by Stephen Graham Jones274 • Leng • (2009) • shortfiction by Marc Laidlaw292 • Torn Away • (2009) • shortfiction by Joe R. Lansdale301 • The Nowhere Man • (2009) • shortfiction by Sarah Pinborough314 • The Bone's Prayer • (2009) • shortstory by Caitlín R. Kiernan327 • The Water Tower • (2009) • shortstory by John Mantooth337 • In the Porches of My Ears • (2009) • shortstory by Norman Prentiss348 • The Cinderella Game • (2009) • shortstory by Kelly Link355 • The Jacaranda Smile • (2009) • shortstory by Gemma Files366 • The Other Box • (2009) • shortfiction by Gerard Houarner388 • White Charles • [Kyle Murchison Booth] • (2009) • novelette by Sarah Monette406 • Everything Dies, Baby • (2009) • shortstory by Nadia Bulkin414 • Bruise for Bruise • (2009) • shortstory by Robert Davies422 • Respects • (2009) • shortstory by Ramsey Campbell433 • Diamond Shell • (2009) • shortstory by Deborah Biancotti446 • Nub Hut • (2009) • shortstory by Kurt Dinan452 • The Cabinet Child • (2009) • shortfiction by Steve Rasnic Tem458 • Cherrystone & Shards of Ice • (2009) • shortstory by Ekaterina Sedia469 • The Crevasse • (2009) • shortstory by Nathan Ballingrud and Dale Bailey482 • Vic • (2009) • shortfiction by Maura McHugh490 • Halloween Town • (2009) • novella by Lucius Shepard543 • The Long, Cold Goodbye • (2009) • novelette by Holly Phillips562 • What Happens When You Wake Up in the Night • (2009) • shortstory by Michael Marshall Smith

    Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

    Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, a new Year's Best section, on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

    Lansdale, Tanith Lee, and Gene Wolfe, and bestsellers such as Holly Black, Neil Gaiman, and Sarah Langan. Includes a 36,000 word novella by George R.R. Martin set in his A Song of Fire and Ice universe.Contents How Bria Died • (2009) • shortstory by Michael AronovitzOaks Park • (2010) • shortfiction by M. K. HobsonHurt Me • (2010) • shortfiction by Daniel Abraham [as by M. L. N. Hanover ]He Said, Laughing • (2010) • shortstory by Simon R. GreenThe Thing About Cassandra • (2010) • shortfiction by Neil GaimanTragic Life Stories • (2010) • shortfiction by Steve DuffyThe Dog King • (2010) • shortstory by Holly BlackThimbleriggery and Fledglings • (2010) • shortfiction by Steve BermanThe Broadsword • (2010) • novella by Laird BarronFrumpy Little Beat Girl • shortfiction by Peter AtkinsCrawlspace • (2010) • shortfiction by Stephen Graham JonesAs Red as Red • (2010) • shortfiction by Caitlín R. KiernanMother Urban's Booke of Dayes • (2010) • shortstory by Jay LakeA Thousand Flowers • (2010) • novelette by Margo LanaganAre You Trying To Tell Me This Is Heaven? • (2010) • shortstory by Sarah LanganThe Stars Are Falling • (2010) • novelette by Joe R. LansdaleSea Warg • (2010) • shortfiction by Tanith LeeThe Mystery Knight: A Tale of the Seven Kingdoms • [Dunk and Egg • 3] • (2010) • novella by George R. R. MartinThe Naturalist • (2010) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Raise Your Hand If You're Dead • (2010) • shortstory by John ShirleyLesser Demons • (2010) • novelette by Norman PartridgeParallel Lines • (2010) • shortstory by Tim PowersThe Moon Will Look Strange • (2010) • shortstory by Lynda E. RuckerYou Dream • (2010) • shortstory by Ekaterina SediaRed Blues • (2010) • shortfiction by Michael SkeetBrisneyland by Night • (2010) • shortstory by Angela SlatterMalleus, Incus, Stapes • (2010) • shortfiction by Sarah TottonThe Return • (2010) • shortfiction by S. D. TullisThe Dire Wolf • (2010) • shortfiction by Genevieve ValentineThe Things • (2010) • shortstory by Peter WattsBloodsport • (2010) • shortfiction by Gene Wolfe

    Visit places where one might expect to find the dark — in a house where love was shared and lost, a milky-white pool in an Australian cave, the trenches of World War I, the deep woods. You would not be surprised to find the dark in a cheap apartment on the wrong side of town, down mean streets, under a gallows-tree, along dank passageways, trapped underground, in the near future, or among the mysteries of old New Orleans. Dunes, lakes, isolated cabins, old books, and Old West saloons — well, the darkness might easily be there. But we've also found locales you thought were safe from shadows — a rib joint with good blues playing, inside an old wardrobe, on a baseball diamond, the Beverly Wilshire Hotel...Travel into the best dark fantasy and horror from 2011 with more than five-hundred pages of tales from some of today's best-known writers of the fantastique as well as new talents — stories that will take you to a diverse assortment of dark placesContents Hair • (2011) • shortstory by Joan AikenRakshasi • (2011) • shortfiction by Kelley ArmstrongWalls of Paper, Soft as Skin • (2011) • shortstory by Adam CallawayThe Lake • (2011) • shortfiction by Tananarive DueTell Me I'll See You Again • (2011) • shortstory by Dennis EtchisonKing Death • (2011) • shortfiction by Paul FinchThe Last Triangle • (2011) • shortfiction by Jeffrey FordNear Zennor • (2011) • novella by Elizabeth HandCrossroads • (2011) • shortstory by Laura Anne GilmanAfter-Words • (2011) • novelette by Glen HirshbergRocket Man • (2011) • shortfiction by Stephen Graham JonesThe Maltese Unicorn • (2011) • shortfiction by Caitlín R. KiernanThe Dune • (2011) • shortfiction by Stephen KingCatastrophic Disruption of the Head • (2011) • shortfiction by Margo LanaganThe Bleeding Shadow • (2011) • shortfiction by Joe R. LansdaleWhy Light? • (2011) • novelette by Tanith LeeConservation of Shadows • (2011) • shortstory by Yoon Ha LeeA Tangle of Green Men • [Chronicles of the Borderlands] • (2011) • novella by Charles de LintAfter the Apocalypse • (2012) • shortfiction by Maureen F. McHugh [as by Maureen McHugh ]Why Do You Linger? • (2011) • shortfiction by Sarah MonetteLord Dunsany's Teapot • (2011) • shortstory by Naomi NovikMysteries of the Old Quarter • (2011) • novelette by Paul ParkVampire Lake • (2011) • shortfiction by Norman PartridgeA Journey of Only Two Paces • (2011) • shortstory by Tim PowersFour Legs in the Morning • (2011) • shortfiction by Norman PrentissThe Fox Maiden • (2011) • shortfiction by Priya SharmaTime and Tide • (2011) • shortstory by Alan Ryan [as by Alan Peter Ryan ]Sun Falls • (2011) • shortstory by Angela SlatterStill • (2011) • shortfiction by Tia V. TravisObjects in Dreams May Be Closer Than They Appear • (2011) • shortstory by Lisa TuttleThe Bread We Eat in Dreams • (2011) • shortstory by Catherynne M. ValenteAll You Can Do Is Breathe • (2011) • shortstory by Kaaron WarrenJosh • (2011) • shortfiction by Gene Wolfe

    Ellen Datlow and Terri Windling continue their critically acclaimed and award-winning tradition with another stunning collection of stories. The fiction and poetry here is culled from an exhaustive survey of the field, nearly four dozen stories ranging from fairy tales to gothic horror, from magical realism to dark tales in the Grand Guignol style. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, new Year's Best sections on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.The critically acclaimed and award-winning tradition continues with another stunning collection, including stories by Kelly Link, Kim Newman, Corey Marks, Eric Schaller, M. Shayne Bell, Helga M. Novak, Terry Dowling, Michael Libling, Zoran Zivkovic, Bentley Little, Carlton Mellick III, Brian Hodge, Conrad Williams, Tom Disch, Melissa Hardy, Joel Lane, Nicholas Royle, Tracina Jackson-Adams, Karen Joy Fowler, Jackie Bartley, Peter Dickerman, Ramsey Campbell, Adam Roberts, Robert Phillips, Jay Russell, Luis Alberto Urrea, Margaret Lloyd, Stephen Gallagher, Robin McKinley, Haruki Murakami, Theodora Goss, Kathy Koja, Lucy Taylor, Elizabeth Hand, Kevin Brickmeier, Sharon McCartney, Susan Power, Don Tumasonis, Nan Fry.Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, Year's Best sections on comics, by Charles Vess, and on anime and manga, by Joan D. Vinge, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

    Datlow has produced a collection filled with some of the most powerful voices in the field: Pat Cadigan, Terry Dowling, Jeffrey Ford, Christopher Fowler, Glen Hirshberg, K. W. Jeter, Joyce Carol Oates, and Lucius Shepard, to name a few. Each author approaches fear in a different way, but all of the stories' characters toil within their own hell. An aptly titled anthology, Inferno will scare the pants off readers and further secure Ellen Datlow's standing as a preeminent editor of modern horror.

    Collecting the creme de la creme of the horror and fantasy fields, this third volume amasses the best from 1989, including works by Scott Baker, Pat Cadigan, Joe Haldeman, Tanith Lee, Jonah Carroll, Robert McCammon and Bruce Sterling, as well as extensive overviews of the year in horror and fantasy, and Ed Bryant's survey of the year's movies.

    Collins. Dead Man's Hand collects the novellas "Walking Wolf" and "Lynch," the short stories "Calaverada" and "The Tortuga Hill Gang's Last Ride," and completes the five-card draw with the all-new vampire Western novella "Hell Come Sundown." The West has never been better or weirder. About the Author Nancy A. Collins is the author of Sunglasses After Dark , Darkest Heart and Dead Roses for a Blue Lady . She is a past recipient of the Bram Stoker and British Fantasy Iecarus Awards, and a nominee for the 2003 Stoker and International Horror Guild Awards.

    In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of a world-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampire fiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange—the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!" Now, in Blood Thirst; One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt;male and female, human and non-human, humorous and heroic;all of them kin to the dreadful bat. From Lafcadio Hearn, Mary E. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium of vampire stories. Wolf organizes the collection into six categories;The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire;which allows readers to see the many guises Dracula's descendants have assumed and the many ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevant in the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to draw into itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it. Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd,Blood Thirst gives us all something to sink our teeth into.

    They symbolize freedom, eternal life, the soul.There’s definitely a dark side to the avian. Birds of prey sometimes kill other birds (the shrike), destroy other birds’ eggs (blue jays), and even have been known to kill small animals (the kea sometimes eats live lambs). And who isn’t disgusted by birds that eat the dead—vultures awaiting their next meal as the life blood flows from the dying. One of our greatest fears is of being eaten by vultures before we’re quite dead.Is it any wonder that with so many interpretations of the avian, that the contributors herein are eager to be transformed or influenced by them? Included in Black Feathers are those obsessed by birds of one type or another. Do they want to become birds or just take on some of the “power” of birds? The presence or absence of birds portends the future. A grieving widow takes comfort in her majestic winged neighbors, who enable her to cope with a predatory relative. An isolated society of women relies on a bird to tell their fortunes. A silent young girl and her pet bird might be the only hope a detective has of tracking down a serial killer in a tourist town. A chatty parrot makes illegal deals with the dying. A troubled man lives in isolation with only one friend for company—a jackdaw.In each of these fictions, you will encounter the dark resonance between the human and avian. You see in yourself the savagery of a predator, the shrewd stalking of a hunter, and you are lured by birds that speak human language, that make beautiful music, that cypher numbers, and seem to have a moral center. You wade into this feathered nightmare, and brave the horror of death, trading your safety and sanity for that which we all seek—the promise of flight.

    Yet the fiction books in the Borealis imprint certainly belong to a world other than our own. This line encompasses our science fiction, fantasy and horror novels and anthologies.

    A hundred pages of dark fiction, featuring T.L. Morganfield, David Niall Wilson, Jennifer Pelland, Kurt Newton, Don D’Ammassa, Mercedes M. Yardley, and more. Conversations with William Ollie, Alan Robert (Life of Agony, Spoiler NYC), and the legendary John Skipp.

    With contributions from such favorites as Ramsey Campbell and Kim Newman, along with the talented likes of Neil Gaiman, China Mieville, Graham Joyce, Paul McCauley, Stephen Gallagher, Caitlin R. Kiernan, Jay Russell, Glen Hirshberg and many more, the hairraising tales in this edition hold nightmares for travelers in alien lands, unveil the mystery and menace lurking in our everyday reality, explore the terrors of the supernatural, and honor horror's classic tradition. As always, editor Stephen Jones provides an illuminating and engaging overview of the past year in horror fiction, as well as an affecting necrology and a guide to contacts among publishers, organizations, booksellers, and magazines in the eerier fields of fiction.Contents:AcknowledgementsIntroduction: Horror in 2002 by Stephen JonesOctober in the Chair by Neil GaimanDetails by China MiévilleThe Wretched Thicket of Thorn by Don TumasonisThe Absolute Last of the Ultra-Spooky, Super-Scary Hallowe'en Horror Nights by David J. SchowStandard Gauge by Nicholas RoyleLittle Dead Girl Singing by Stephen GallagherNesting Instincts by Brian HodgeThe Two Sams by Glen HirshbergHides by Jay RussellThe Unbeheld by Ramsey CampbellIll Met By Daylight by Basil CopperCatskin by Kelly Link20th Century Ghost by Joe HillEgyptian Avenue by Kim NewmanThe Boy Behind the Gate by James Van PeltNor the Demons Down Under the Sea by Caitlín R. KiernanThe Coventry Boy by Graham JoyceThe Prospect Cards by Don TumasonisThe Cage by Jeff VanderMeerDr. Pretorius and the Lost Temple by Paul J. McAuley (as by Paul McAuley)Necrology: 2002 (essay) by Stephen Jones and Kim NewmanUseful Addresses (essay) by Stephen Jones