Heidi Holland's tireless investigation begins with her having dinner with Mugabe, the freedom fighter, and ends in a searching interview with Zimbabwe's president more than 30 years later. The author charts Mugabe's gradual self-destruction, and uncovers the complicity of some of the most respectable international players in the Zimbabwe tragedy. Probing the mystery of Africa's loyalty to one of its worst dictators, Holland explores the contradictions that cloud the life of a man who had embodied the continent's promise.

    In doing so they took control of their lives -- and those of other people -- and made the world do their will.Extremely accomplished, well-educated, and unusually literate, courtesans exerted an incredible influence as leaders of society. They were not received at court, but inhabited their own parallel world -- the demimonde -- complete with its own hierarchies, etiquette, and protocol. They were queens of fashion, linguists, musicians, accomplished at political intrigue, and, of course, possessors of great erotic gifts. Even to be seen in public with one of the great courtesans was a much-envied achievement.

    Isha Sesay’s indispensable and gripping account of the brutal abduction of Nigerian schoolgirls by Boko Haram terrorists provides a stark reminder of the great unfinished business of the 21st century: equality for girls and women around the world.”— Hillary Rodham ClintonThe first definitive account of the lost girls of Boko Haram and why their story still matters—by celebrated international journalist Isha Sesay.In the early morning of April 14, 2014, the militant Islamic group Boko Haram violently burst into the small town of Chibok, Nigeria, and abducted 276 girls from their school dorm rooms. From poor families, these girls were determined to make better lives for themselves, but pursuing an education made them targets, resulting in one of the most high-profile abductions in modern history. While the Chibok kidnapping made international headlines, and prompted the #BringBackOurGirls movement, many unanswered questions surrounding that fateful night remain about the girls’ experiences in captivity, and where many of them are today.In Beneath the Tamarind Tree, Isha Sesay tells this story as no one else can. Originally from Sierra Leone, Sesay led CNN’s Africa reporting for more than a decade, and she was on the front lines when this story broke. With unprecedented access to a group of girls who made it home, she follows the journeys of Priscilla, Saa, and Dorcas in an uplifting tale of sisterhood and survival.Sesay delves into the Nigerian government’s inadequate response to the kidnapping, exposes the hierarchy of how the news gets covered, and synthesizes crucial lessons about global national security. She also reminds us of the personal sacrifice required of journalists to bring us the truth at a time of growing mistrust of the media. Beneath the Tamarind Tree is a gripping read and a story of resilience with a soaring message of hope at its core, reminding us of the ever-present truth that progress for all of us hinges on unleashing the potential of women.

    Has this assistance improved the lives of Africans? No. In fact, across the continent, the recipients of this aid are not better off as a result of it, but worse—much worse.In Dead Aid, Dambisa Moyo describes the state of postwar development policy in Africa today and unflinchingly confronts one of the greatest myths of our time: that billions of dollars in aid sent from wealthy countries to developing African nations has helped to reduce poverty and increase growth. In fact, poverty levels continue to escalate and growth rates have steadily declined—and millions continue to suffer. Provocatively drawing a sharp contrast between African countries that have rejected the aid route and prospered and others that have become aid-dependent and seen poverty increase, Moyo illuminates the way in which overreliance on aid has trapped developing nations in a vicious circle of aid dependency, corruption, market distortion, and further poverty, leaving them with nothing but the “need” for more aid. Debunking the current model of international aid promoted by both Hollywood celebrities and policy makers, Moyo offers a bold new road map for financing development of the world’s poorest countries that guarantees economic growth and a significant decline in poverty—without reliance on foreign aid or aid-related assistance.Dead Aid is an unsettling yet optimistic work, a powerful challenge to the assumptions and arguments that support a profoundly misguided development policy in Africa. And it is a clarion call to a new, more hopeful vision of how to address the desperate poverty that plagues millions.

    And what if it could actually make you happy?Sounds too good to be true, right? Yet every woman can experience this makeover with the gift of motherhood. Along with your new bundle of joy, there are real rewards just waiting to be claimed.Motherhood is difficult--there's no getting around it. And yet, the challenges a woman faces when she becomes a mother don't have to be in vain. Instead of a series of frustrating, exhausting, or exasperating experiences, author Carrie Gress (a mother of four young children) sees daily life as an opportunity to grow gracefully as a woman, mother, wife, and friend.

    When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled Why Do They Hate Us it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend. A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.

    In one of the most miraculous events of the century, the oppressive system of apartheid was dismantled. Repressive laws mandating separation of the races were thrown out. The country, which had been carved into a crazy quilt that reserved the most prosperous areas for whites and the most desolate and backward for blacks, was reunited. The dreaded and dangerous security force, which for years had systematically tortured, spied upon, and harassed people of color and their white supporters, was dismantled. But how could this country--one of spectacular beauty and promise--come to terms with its ugly past? How could its people, whom the oppressive white government had pitted against one another, live side by side as friends and neighbors?To begin the healing process, Nelson Mandela created the Truth and Reconciliation Commission, headed by the renowned cleric Archbishop Desmond Tutu. Established in 1995, the commission faced the awesome task of hearing the testimony of the victims of apartheid as well as the oppressors. Amnesty was granted to those who offered a full confession of any crimes associated with apartheid. Since the commission began its work, it has been the central player in a drama that has riveted the country. In this book, Antjie Krog, a South African journalist and poet who has covered the work of the commission, recounts the drama, the horrors, the wrenching personal stories of the victims and their families. Through the testimonies of victims of abuse and violence, from the appearance of Winnie Mandela to former South African president P. W. Botha's extraordinary courthouse press conference, this award-winning poet leads us on an amazing journey.Country of My Skull captures the complexity of the Truth Commission's work. The narrative is often traumatic, vivid, and provocative. Krog's powerful prose lures the reader actively and inventively through a mosaic of insights, impressions, and secret themes. This compelling tale is Antjie Krog's profound literary account of the mending of a country that was in colossal need of change.

    But today’s conflict is only the latest in a long history of battles over Ukraine’s existence as a sovereign nation. As award-winning historian Serhii Plokhy argues in The Gates of Europe, we must examine Ukraine’s past in order to understand its fraught present and likely future.Situated between Europe, Russia, and the Asian East, Ukraine was shaped by the empires that have used it as a strategic gateway between East and West—from the Romans and Ottomans to the Third Reich and the Soviet Union, all have engaged in global fights for supremacy on Ukrainian soil. Each invading army left a lasting mark on the landscape and on the population, making modern Ukraine an amalgam of competing cultures.

    In the course of his epic and enlightening journey, he endures danger, delay, and dismaying circumstances.Gauging the state of affairs, he talks to Africans, aid workers, missionaries, and tourists. What results is an insightful mediation on the history, politics, and beauty of Africa and its people.In a new postscript, Theroux recounts the dramatic events of a return to Africa to visit Zimbabwe.

    His great-grandmother would tell him stories of her childhood in the ancient Romani language; the places her family stopped and worked, the ways they lived, the superstitions and lores of their people. But his own experience of life on the road was limited to Ford Transit journeys from West Sussex to Hampshire to sell flowers.In a bid to better understand his Gypsy heritage, the history of the Britain's Romanies and the rhythms of their life today, Damian sets out on a journey to discover the atchin tans, or stopping places – the old encampment sites known only to Travellers/ Damian lives on the road, somewhere between the romanticised Gypsies of old, and their much-maligned descendants of today.

    Some forget the names of their villages. The youngest may not know the names of their parents. But Gladys Kalibbala—part journalist, part detective, part Good Samaritan—does not hesitate to dive into difficult or even dangerous situations to aid a child. Author of a newspaper column called “Lost and Abandoned,” she is a resource that police and others turn to when they stumble across a stranded kid with a hidden history.  Jessica Yu delivers an acutely observed story of this hardnosed and warmhearted woman, the children she helps, and the twists of fate they experience together. The subplot of Gladys’s garden—her precarious dream of providing a home and livelihood for her vulnerable charges—adds fascinating depth. Garden of the Lost and Abandoned chronicles one woman’s altruism, both ordinary and extraordinary, in a way that is impossible to forget, and impossible not to take to heart.

    Bringing an Asian American perspective to this almostimplausible story, Huang depicts the twins, arriving in Bostonin 1829, first as museum exhibits but later as financially savvyshowmen who gained their freedom and traveled the backroadsof rural America to bring “entertainment” to the Jacksonianmobs. Their rise from subhuman, freak-show celebrities to richsouthern gentry; their marriage to two white sisters, resulting intwenty-one children; and their owning of slaves, is here not justanother sensational biography but a Hawthorne-like excavationof America’s historical penchant for finding feast in the abnormal,for tyrannizing the “other”—a tradition that, as Huangreveals, becomes inseparable from American history itself.

    Their world was an insulated, close-knit community of grass-roofed cottages, cattle herders, and tribal councils. The lions and pythons that prowled beyond the village fences were the greatest threat they knew. All that changed the night the government-armed Murahiliin began attacking their villages.Amid the chaos, screams, conflagration, and gunfire, 5-year-old Benson and 7-year-old Benjamin fled into the dark night. Two years later, Alepho, age 7, was forced to do the same. Across the Southern Sudan, over the next 5 years, thousands of other boys did likewise, joining this stream of child refugees that became known as the Lost Boys. Their journey would take them more than 1000 miles across a war-ravaged country, through landmine-sown paths, crocodile-infested waters, and grotesque extremes of hunger, thirst, and disease. The refugee camps they eventually filtered through offered little respite from the brutality they were fleeing.In They Poured Fire on Us From the Sky, Alepho, Benson, and Benjamin, by turn, recount their experiences along this unthinkable journey. They vividly recall the family, friends, and tribal world they left far behind them and their desperate efforts to keep track of one another. This is a captivating memoir of Sudan and a powerful portrait of war as seen through the eyes of children. And it is, in the end, an inspiring and unforgettable tribute to the tenacity of even the youngest human spirits.

    The secret marriage between Bess and the Queen’s beloved Sir Walter Ralegh cost both of them their fortunes, their freedom, and very nearly their lives. Yet it was Bess, resilient, passionate, and politically shrewd, who would live to restore their name and reclaim her political influence. In this dazzling biography, Bess Ralegh finally emerges from her husband’s shadow to stand as a complex, commanding figure in her own right.Writing with grace and drama, Anna Beer brings Bess to life as a woman, a wife and mother, an intimate friend of poets and courtiers, and a skilled political infighter in Europe’s most powerful and most dangerous court. The only daughter of an ambitious aristocratic family, Bess was thrust at a tender age into the very epicenter of royal power when her parents secured her the position of Elizabeth’s Gentlewoman of the Privy Chamber. Bess proved to be a natural player on this stage of extravagant mythmaking and covert sexual politics, until she fell in love with the Queen’s Captain of the Guard, the handsome, virile, meteorically rising Ralegh. But their secret marriage, swiftly followed by the birth of their son, would have grave consequences for both of them.Brooking the Queen’s wrath and her husband’s refusal to acknowledge their marriage, Bess brilliantly stage-managed her social and political rehabilitation and emerged from prison as the leader of a brilliant, fast-living aristocratic set. She survived personal tragedy, the ruinous global voyages launched by her husband, and the vicious plots of high-placed enemies. Though Raleigh in the end fell afoul of court intrigue, Bess lived on into the reign of James I as a woman of hard-won wisdom and formidable power.With compelling historical insight, Anna Beer recreates here the vibrant pageant of Elizabethan England—the brilliant wit and vicious betrayals, the new discoveries and old rivalries, the violence and fierce sexuality of life at court. Peopled by poets and princes, spanning the reigns of two monarchs, moving between the palaces of London and the manor house outside the capital, My Just Desire is the portrait of a remarkable woman who lived at the center of an extraordinary time.

    Vengeful spirits are the main attraction at a carnival of the damned. And a woman is stalked by evil she can never escape…Scare Street is proud to present the best in bone-chilling supernatural horror. This volume contains three macabre morsels for your reading pleasure. Each tale is a bone-chilling glimpse into a shadowy abyss of fear and terror.But don’t stare for too long. Because it’s only a matter of time before you feel a presence longing for your soul…