In May 1940, Captain James Barron who is serving as an intelligence officer with the BEF in Flanders, attends the wedding of a prosperous French wine merchant’s daughter in the city of Chartres. As he is greeted with an abundance of wealth and lavish hospitality, he finds comfort in the beauty of the three de Gruchy daughters. It is looking out to be a decadent weekend until he awakes to find out that the German army has crossed the frontier... As wars ensues, the Gruchy family is torn apart but James manages to make an escape to England via Dunkirk. His role soon moves into the newly formed Special Operations Executive, leaving him in charge of several agents in France, members of the De Gruchy family being amongst them. James’ job is made all the more difficult when he realises he has fallen hopelessly in love with one of the daughters. Resistance manages to evoke the terror and betrayal taking place in the 1940s, perfect for fans of an enticing war drama that leaves you wanting more. Praise for Christopher Nicole: “Fast-paced, entertaining, appealing!” – Library Journal Christopher Nicole’s novels have been read by millions all over the world. From Severn House, his McGann family chronicles concluded with Raging Sea, Searing Sky and The Passion and The Glory, whilst more recent publications have included The Triumph, Dragon’s Blood and The Command.

     Now, in his third-and finest-memoir, Knipfel looks unflinchingly at his soul, and comes to some surprising conclusions in this anti-spirituality spiritual manifesto.

    Big ol' softie Aaron Cometbus is back to tell us a tale about a group of crusty, grumpy and loveable New York City booksellers.

    In recent times the argument has evolved from one of constructive discussion to one of a refusal to engage - where the bomb speaks louder than the word. This volume collects pieces from Kureishi's work which respond to this change, providing a historical perspective for the times in which we live. 'Kureishi has a particular appreciation for the complexity of modern British Muslim identity that comes from having a mixed-race family . . . Here, Kureishi's experience turns to insight.' Observer

    A collection of humorous essays, accompanied by the author's own bizarre drawings, presenting Thurber's unremitting retort to the multitude of "self-help" books which were widespread in the 1930s and whose successors are still with us today.

    The ISBN for the set is 9780307595577.On Stieg Larsson, a previously unpublished collection of essays about and correspondence with the author.

    In a recent profile, The New York Times Magazine paid tribute to her amazing ability to combine the classical and the modern, the mundane and the surreal, in a body of work that is sure to endure.In Men in the Off Hours, Carson offers further proof of her tantalizing gifts. Reinventing figures as diverse as Oedipus, Emily Dickinson, and Audubon, Carson sets up startling juxtapositions: Lazarus among video paraphernalia, Virginia Woolf and Thucydides discussing war, Edward Hopper paintings illuminated by St. Augustine. And in a final prose poem, she meditates movingly on the recent death of her mother. With its quiet, acute spirituality and its fearless wit and sensuality, Men in the Off Hours shows us a fiercely individual poet at her best.

    But there is a kind of joy in theology's gratuity, there is a pleasure in its comedic machination, and ultimately-if the balloon pops, the hamster spins, the chain pulls, the bucket empties, the pulley lifts, and (voila ) the book's page is turned-some measurable kind of work is accomplished. But this work is a byproduct. The beauty of the machine, like all beauty, is for its own sake. Theology, maybe especially Mormon theology, requires this kind of modesty. The Church neither needs nor endorses our Rube Goldbergian flights. The comic aspect of the arrows we wing at cloudy skies must be kept firmly in mind. The comedy of it both saves us from theology and commends us to it. Engaged in this work, theology has only one definitive strength: it can make simple things difficult. Good theology forces detours that divert us from our stated goals and prompt us to visit places and include people that would otherwise be left aside. The measure of this strength is charity. Theological detours are worth only as much charity as they are able to show. They are worth only as many waylaid lives and lost objects as they are able to embrace. Rube Goldberg machines, models of inelegance, are willing to loop anything into the circuit-tax collectors, prostitutes, lepers, Democrats, whatever. In charity, the grace of a disinterested concern for others and the gratuity of an unnecessary complication coincide. Theology helps us to find religion by helping us to lose it. Theology makes the familiar strange. It ratchets uncomfortable questions into complementary shapes and helps recover the trouble that is charity's substance. This book is itself a Rube Goldberg machine, pieced together from a variety of essays written over the past ten years. They offer explicit reflections on what it means to practice theology as a modern Mormon scholar and they stake out substantial and original positions on the nature of the atonement, the soul, testimony, eternal marriage, humanism, and the historicity of the Book of Mormon.

    A return to the timeless wisdom that has made his first bestseller, Harvey Penick's Little Red Book, a modern classic, The Game for a Lifetime does not contain the technical swing tips and stance aids of today's instructional guides, but dispenses a philosophy on golf, and on life. Harvey Penick knew that the teachings in his book would stand the test of time, and he spent his lifetime pursuing and enjoying all that the game has to offer—physically, emotionally, and spiritually. The Game for a Lifetime, the final book by Harvey Penick, stands as a wonderful testimonial to this legendary career, his celebrated teaching style, and his ability to affect the lives of the people who had the good fortune to know him.

    Agoraphobia, the challenges of parenting a child with special needs, and the legacy of a formidable father all shaped that journey. In these deeply personal and instructive essays, the author of the internationally acclaimed If I loved you, I would tell you this and Life Drawing explores the making of art through the experiences of building a life. Engaging, challenging, and moving, Crash Course is full of insight into how to write—and why.From "Autumn, 1972, A Moment at Which I Became a Writer":I sense, even now, the reverberations of a kind of shattering of my foundation and a quick rebuild, a change at a molecular level of who I understood myself to be. No longer someone who could look at another person without wondering what their life was like, but someone with a new curiosity about what people's stories might actually be.Robin Black is the author of the story collection, If I loved you, I would tell you this and the novel Life Drawing, both critically acclaimed, and both published in multiple languages. She has developed a loyal, enthusiastic following for her essays on life and writing, online and in such publications as the New York Times, the Chicago Tribune, and O Magazine. She lives with her husband in Philadelphia, Pennsylvania, where the house is always open for their three grown children.

    Employing an accessible, example-rich approach, Wonderbook energizes and motivates while also providing practical, nuts-and-bolts information needed to improve as a writer. Aimed at aspiring and intermediate-level writers, Wonderbook includes helpful sidebars and essays from some of the biggest names in fantasy today, such as George R. R. Martin, Lev Grossman, Neil Gaiman, Michael Moorcock, Catherynne M. Valente, and Karen Joy Fowler, to name a few.Praise for Wonderbook: “Jammed with storytelling wisdom.” —Fast Company’s Co.Create blog“This is the kind of book you leave sitting out for all to see . . . and the kind of book you will find yourself picking up again and again.” —Kirkus Reviews online“If you’re looking for a handy guide to not just crafting imaginative fiction like sci-fi, fantasy, and horror, but to writing in general, be sure to pick up a copy of Steampunk Bible author Jeff Vandermeer’s lovingly compiled Wonderbook."  —Flavorwire“Jeff Vandermeer and Jeremy Zerfoss have created a kaleidoscopically rich and beautiful book about fiction writing.”  —Star Tribune“Because it is so layered and filled with text, tips, and links to online extras, this book can be read again and again by both those who want to learn the craft of writing and those interested in the process of others.” —Library Journal

    This autobiography is the story of his descent into madness and his attempts to find his way out again.

    The book confronts the reader with unaccustomed perspectives and ideas, in an attempt to set the mind free, to see how things really are. As the book's foreword states, 'Do you imagine that fables exist only to amuse or to instruct, and are based upon fiction? The best ones are delineations of what happens in real life, in the community and in the individual's mental processes'.

    This book explores the universal heroine's journey as she quests through world myth. Numerous stories from cultures as varied as Chile and Vietnam reveal heroines who battle for safety and identity, thereby upsetting popular notions of the passive, gentle heroine. Only after she has defeated her dark side and reintegrated can the heroine become the bestower of wisdom, the protecting queen and arch-crone.

    The science-fiction television series Battlestar Galactica is known for raising thought-provoking questions concerning martial law, artificial intelligence, power and corruption, and ultimately what it means to be human. What ethical complexities come into play when one mistake could mean the anihilation of the human race? How do you maintain faith in the Gods when you're involved in an Armageddon of your own creation? What is the distinction between a terrorist and a freedom fighter? These questions are given an intelligent and insightful examination in this engaging collection of essays.