Edwards tells how a curly haired moppet captured America, single-handedly kept a major studio alive, and outearned the U.S. president. 24 pages of photos.

    But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium, at least artistically: color photography. Laboring away as a virtually anonymous pioneer in this field, some 20 years before William Eggleston's watershed show at the Museum of Modern Art, Herzog was quietly documenting in rich Kodachrome the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does marvelous justice to his rich oeuvre.

    A thoughtful son-in-law counted the delicious sannas his mother-in-law made before gobbling them up. But what if he counted wrong? Read this hilarious story in He Counted before Eating.When a king starts losing his hair, he is desperate to seek a remedy. Will he succeed in his quest? Read The Remedy for Baldness to find out!A village is desperate for rain and they turn to a fraud astrologer to guidance. What yarn will the astrologer spin now? Find out in The Rain-Maker.

    You were a lot of things but you were never deliberately cruel to anyone. Tum kya ho? Kaun ho? Meri chulbuli toh tum ho nahi. She was like a waterfall and you…you are some still silent lake and I don't even know how deep that lake is! Woh kahaan chaligayi? These are the questions that plague Nisha and Manav when they meet after 10 years. Have Manav and Nisha truly changed so much from their former selves that they seemingly appear to be strangers to each other? Once very close friends, in spite of being 15 years apart, these two are separated because of events that impact Manav and everyone around him leaving him feeling embittered, disillusioned and betrayed by all and one among them dead. One stroke of fate has left him devoid of all his friends, his love and even the life that he knew till then. This is the story of Manav and Nisha aka Tiger and Chulbuli who come face to face after 10 years. Fate, which separated them once, brings them in front of each other again. How will they come to terms with the past? Will the murderer be caught? Will Manav manage to forgive and rebuild his former life among his family and friends? What the truth reveals forms the rest of the story, where murder and intrigue are cleverly woven with love, anger, deceit and friendship.

    The legwork is done for you. The chapter-by-chapter guides incorporate research-based, high-order reading, writing and thinking activities. (This is NOT the paperback novel.)

    

    has never seen rage like that of ShaniQua “NiQue” Watkins. After taking out her entire family she has decided to settle in on being a mother to her newborn daughter, YaSheema Nicole, and soon-to-be wife to her rapper fiancé’, Ronald “Dread” Evans. Just when she thought her life was headed in the right direction, the demon Pajay who lives within her resurfaces to wreak havoc on the remaining family members of the Clayton-Reynolds clan.NiQue tries desperately to suppress the darkness from taking hold of not only her last surviving sibling, Neko Reynolds, and his girlfriend Pinky York but any and everyone who won’t cooperate.NiQue battles with her own past while trying to survive long enough to have a future worth living for. Will she be able to tame the beast that lies in the darkest part of her soul? Or will Pajay reign supreme and demolish the rest of the surviving members of the notorious Reynolds-Clayton family once and for all?

    

    For $10,000, Jane and Don optioned Natural Born Killers and set off on a two-year roller coaster ride no classroom could have prepared them for. With an outrageous cast of real-life characters including Oliver Stone, Woody Harrelson, Robert Downey, Jr., and Juliette Lewis--along with a slew of film-crew leeches and behind-the-scenes studio pitbulls--Killer Instinct rivals the most mesmerizing, gut-wrenching movie scenes. A wild joyride like no other, Hamsher's tale provides a fresh, insider's perspective on stardom and the real balance of power in Hollywood.

    Now, in The View From The Studio Door, Orland turns his attention to broader issues that stand to either side of that artistic moment of truth.In a text marked by grace, brevity and humor, Orland argues that when it comes to art making, theory and practice are always intertwined. There are timeless philosophical questions (How do we make sense of the world?) that address the very nature of art making, as well as gritty real-world questions (Is there art after graduation?) that artists encounter the moment they’re off the starting blocks and producing work on a regular basis.Simply put, this is a book of practical philosophy. As a teacher and working artist himself, Orland brings authentic insight and encouragement to all those who face the challenge of making art in an uncertain world. The breadth of material covered is reflected in chapters that include Making Sense of the World, Art & Society, The Education of the Artist, Surviving Graduation, Making Art That Matters, The Artistic Community, and more.The View From The Studio Door is the perfect companion piece to Art & Fear, and will appeal to a similar (and already-established) audience of students, working artists, teachers and professionals. For students’ benefit, The View is also modestly priced, with wide page margins for easy note-taking and annotation.

    Theirs is a relationship of trust, harmony, and respect born of a way of life that is all but lost. One man puts it within our grasp again. In this book, GaWaNi Pony Boy illustrates the traditional training methods - methods that are steeped in common sense and age-old wisdom - of his ancestors, America's first great horsemen. The full-color photographs and simple eloquence takes us back to the days when horse training was not merely about getting results but about creating a bond for life. An inspiration for riders and a feast for horse and Native American culture enthusiasts, Horse, Follow Closely: Native American Horsemanship forges a relationship with readers that few books can ever hope to achieve.

    By the time he was ten years old he knew he wanted to be an artist, and after leaving school he went on to study at Bradford Art College and later at the Royal College of Art in London. Bursting onto the scene at the Young Contemporaries exhibition, Hockney was quickly heralded as the golden boy of postwar British art and a leading proponent of pop art. It was during the swinging 60s in London that he befriended many of the seminal cultural figures of the generation and throughout these years Hockney's career grew. Always absorbed in his work, he drew, painted and etched for long hours each day, but it was a scholarship that led him to California, where he painted his iconic series of swimming pools. Since then, the most prestigious galleries across the world have devoted countless shows to his extraordinary work.In the seventies he expanded his range of projects, including set and costume design for operas and experiments with photography, lithography, and even photocopying. Most recently he has been at the forefront the art world's digital revolution, producing incredible sketches on his iPhone and iPad, and it is this progressive thinking which has highlighted his genius, vigor and versatility as an artist approaching his 75th birthday.In this, the first volume of Hockney’s biography, detailing his life and work from 1937 - 1975, Sykes explores the fascinating world of the beloved and controversial artist whose career has spanned and epitomized the art movements of the last five decades."The timing couldn't be better for this enjoyable and well-sourced book, which — like Hockney's own work — is both conversational and perceptive." —Los Angeles Times"To read Christopher Simon Sykes' David Hockney is to marvel at the artistic gifts of the eccentric Yorkshireman who rose from a sometimes pinched childhood to hobnob with poet Stephen Spender and novelist Christopher Isherwood, to party with Mick Jagger and Manolo Blahnik." —The Plain Dealer"Prodigiously entertaining." —Financial Times“A chatty, knowledgeable, insider's biography, full of anecdotes.” —The Guardian

    

    You'll learn how to explore the use of color theory in abstraction and to use underpainting to bring structure and depth to your art. In addition you'll begin to understand how to work in a series and how this can help you develop your own personal style. A sampling of what you'll add to your creative toolbox: Pastel and acrylic techniques to use to complete your own paintings The benefits of expressing your ideas abstractly How to loosen up by using your nondominant hand and drawing to music Ways to express emotions through mark-making Using color and symbolism for expression Working with photos for inspiration Tips for using color studies Step into your own abstract frame of mind today!

    I have done so self-consciously and self-critically and have tried to do the same on reconstructing myself. But what justifies this memoir is how my own personal experience, from Ireland to America, from priest to professor, from monastery to university, and ... from celibacy to marriage, may have influenced that reconstruction. Where has it helped me see what others have not, and where has it made invisible to me what others find obvious?-from A Long Way from TipperaryFrom his upbringing in Ireland to front-page coverage in the New York Times and mention in cover stories in Time, Newsweek, and U.S. News & World Report, John Dominic Crossan-who has courageously pioneered the contemporary quest for the historical Jesus-has dared to go his own way. In this candid and engaging memoir, the world's foremost Jesus scholar reveals what he has discovered over a lifetime of open-eyed, fearless exploration of God, Jesus, Christianity, and himself. Crossan shares his provocative thinking on such issues as how one can be a Christian without going to church; whether God is vengeful, or just, or both; and why Jesus is more like Gandhi or Martin Luther King Jr. than like the Pope or Jerry Falwell.Raised in the traditional Irish Catholic Church, Crossan inherited a faith that was "accepted fully and internalized completely but undiscussed, uninvestigated, and uncriticized." A dauntless spirit whose imagination was ignited not by piety but by the lure and challenge of adventure, he became a monk to travel and explore the world, unaware that his most thrilling quests would be scholarly and spiritual. "God had going the best adventure around," Crossan confesses.Because he could never subject his theological convictions and historical findings to the restrictions of the Church, Crossan chose to leave the monastery and priesthood. Speaking of this time in his life, Crossan writes, "Not even a vow of obedience could make me sing a song I did not hear." But he never abandoned the Roman Catholic community or tradition and never lost his faith. He has devoted his life and career to a reexamination of what he calls "necessary open-heart surgery on Christianity itself."