But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone’s dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese-Canadian coming of age in this shifting world. Through June and her neighbours, Leung depicts the fine line where childhood meets the realities of adult life, and examines, with insight and sharp prose, how difficult it is to be true to ourselves at any age.

    A young girl suffers her first betrayal. A widow flirts with an elderly blind man against the wishes of her grown-up children. A neighborhood loan shark teaches o white social worker a lesson in responsibility. And there is more. Sharing the world of Toni Cade Bambara's "straight-up fiction" is a stunning experience.

    Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

    They stay with you like a significant memory.”—Roger Rosenblatt“Van Booy is a remarkable young writer. Taste, touch, smell, sight and sound, in spite of their evanescence, are frozen for a moment in these stories and celebrated, along with their subtle interconnection, in all the aspects of love.”—Fred VolkmerThe Secret Lives of People in Love is the first short story collection by award-winning writer Simon Van Booy. These stories, set in Kentucky, New York, Paris, Rome, and Greece, are a perfect synthesis of grace, intensity, atmosphere, and compassion. Love, loss, frailty, human contact, and isolation are Van Booy’s themes. In radiant prose he writes about the difficult choices we make in order to retain our humanity and about the redemptive power of love in a violent world.Born in London, Simon Van Booy grew up in Wales. A keen rugby player, he was recruited to play football for Campbellsville University in Kentucky. He eventually returned to England, where he graduated from Dartington College of Arts. Now a New Yorker, he teaches at the School of Visual Arts and in the Bard College Clemente Course. As a freelance journalist, he writes for several New York newspapers. He has won a first-place award for in-depth reporting from the New York Press Association.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    This selection includes ten of his best, bearing testimony to the author's remarkable range and his ability to create unforgettable characters out of everyday lives.

    A rich and emotionally resonant collection of twelve stories of hope, momentary joy, and powerful endurance.

    Set in politically charged Shillong, this interconnected collection of stories speaks of the coming-of-age of a young woman–and the city and community she calls home.

    In the heat of a hospital laundry room in New Jersey, a woman does her lover’s washing and thinks about his wife. In Boston, a man buys his love child, his only son, a first baseball bat and glove. At the heart of these stories is the irrepressible, irresistible Yunior, a young hardhead whose longing for love is equaled only by his recklessness—and by the extraordinary women he loves and loses: artistic Alma; the aging Miss Lora; Magdalena, who thinks all Dominican men are cheaters; and the love of his life, whose heartbreak ultimately becomes his own. In prose that is endlessly energetic, inventive, tender, and funny, the stories in This Is How You Lose Her lay bare the infinite longing and inevitable weakness of the human heart. They remind us that passion always triumphs over experience, and that “the half-life of love is forever.”

    A young PR man working at General Electric sold his first magazine piece. By the time he'd sold his third, he decided to quit his job and join the likes of Salinger, Hemingway, Fitzgerald and Faulkner, and make a living as a full-time writer. That young man was Kurt Vonnegut.Bagombo Snuff Box collects Vonnegut’s favourite stories from the postwar years that sharpened his dark, vaudevillian and quietly subversive voice. Here we see the mind-bending wit and central themes of his masterpiece, Slaughterhouse-Five. A must-read for Vonnegut aficionados new and old.

    From motel owners to rig workers, cross-dressers to exchange students, this book examines the rural immigrant experience -- and how identity is shaped by place.

    Because of who he is-an eighteen-year-old Asian living in London. Because of the gang he hangs out with. And because of the woman he fancies, Samira, who Jas shouldn't have taken a shining to because she is, as his pals point out, not one of his own. He's in trouble because his education, never mind his career, is going nowhere. And he's fallen into the schemes, games and prejudices of his friends on the streets of the big western city in which he lives. But Jas's main trouble is Jas himself, and he doesn't even know the trouble he's in, and try as hard as he does, he's failing to make sense of what it is to be young, male and what you might say is Indostani in a city that professes to be a melting pot but is a city of racial and religious exclusion zones. Without his parents' aspirations to assimilate, without the gifts of his more academically accomplished contemporaries, Jas is a young man without a survival plan to get by in the big city. He's out of touch, an anachronism posing as young man who's up-to-date, living free-style, making things up as he goes along in suburbs of West London. Gautam Malkani's extraordinary comic novel portrays the lives of young Muslim, Sikh, and Hindu men in the ethnically charged enclave of one of the biggest western cities, London. A world usually-but wrongly-portrayed as the breeding ground for Islamic militants is, in actuality, a world of money (sometimes), flash cars (usually), cell phones (all the time), rap music and MTV, as well as rivalries and feuds, and the small-time crooks who exploit them. In Malkani's hilarious depiction of multiculturalism, race is no more than a proxy for masculinity, or lack of masculinity, among young men struggling to get by in a remorseless city. Just as Martin Amis and Irving Welsh captured the mood and the ethos of the eighties and nighties, twenty-nine-year-old Gautam Malkani brilliantly evokes the life of immigrants who are not immigrants in Londonstani, bringing an entirely fresh perspective to contemporary fiction as he does so.

    One of India’s most original and audacious writers, Uday Prakash, weaves three tales of living and surviving in today’s globalized India. In his stories, Prakash portrays realities about caste and class with an authenticity absent in most English-language fiction about South Asia. Sharply political but free of heavy handedness.

    Born in Kerala, Maya spent the first four years of her life there, cared for mainly by her grandmother, Ammamma, until she was sent to live with her parents in New York. At 15, with her parents' marriage undergoing a rough patch, she is sent back to India to stay with her Aunt Reema and Uncle Sanjay, their 10-year-old daughter, Brindha, and Ammamma at their house in the tea hills above Coimbatore. It's been years since Maya came to visit, and this time she is keenly aware of cultural differences: the different spheres of men and women and the persistence of the caste system. She feels stifled by the attentions of Ammamma and resentful of the time she must spend with the old woman. When Maya suffers an accident while most of the family is away, she and Ammamma grow closer, and Maya learns a hidden family fact. But only when Ammamma falls ill and the entire family gathers, including Maya's parents from New York, does Maya begin to comprehend more deeply the complexities of relationships.

    Join Clara at the rat pit. Relax with Mr Bodley as he is lulled to sleep by Mrs Tremain and her girls. Find out what became of Sophie.Michel Faber revisits the world of his bestselling novel The Crimson Petal and the White, conjuring tantalising glimpses of its characters, their lives before we first met them and their intriguing futures. You'll be desperate for more by the time you reluctantly re-emerge into the twenty-first century.