And to Burt, his parents and teachers seem to be speaking a language he cannot understand. This is Burt's story as written in pencil on the walls of Quiet Room in the Children's Trust Residence Center, where he lands after expressing his ardent feelings for a classmate. It begins: When I was five I killed myself....In this rediscovered modern classic from "one of France's best-loved temporary writers" (Time), Howard Buten renders with astounding insight and wry language the tale of a troubled -- or perhaps just perfectly normal -- young boy testing the boundaries of love and life.

    Until she meets Owen Armstrong.Tall, dark, and music-obsessed, Owen is a reformed bad boy with a commitment to truth-telling. With Owen's help, maybe Annabel can face what happened the night she and Sophie stopped being friends.

    And then what?In this groundbreaking new book, science journalist Trisha Gura, Ph.D., explodes the myth that those who suffer from eating disorders, including anorexia nervosa and bulimia nervosa, are primarily teenage girls. In reality, these diseases linger from adolescence or emerge anew in the lives of adult women in ways that we are only starting to recognize.Millions of American women twenty-five and older suffer from serious food issues, from obsessions with calorie counting to compulsions to starve then overeat. Because of the assumption that age provides eating-disordered immunity, the medical and mental health communities have long overlooked these women and minimized their dangerous habits. Yet the number of women in their thirties, forties, and older now seeking treatment is double and triple that of five years ago. The growing awareness of this understudied population is raising relevant questions: How does an adult woman's eating disorder affect her choice of a husband—or his choice of her? How does she cope with her expanding body during pregnancy? How does she feed her children when she cannot properly feed herself? And how does she weather aging in a culture that informs all women that they can never be too old to be too thin?Drawing on her own experience with anorexia, the most up-to-date research, and extensive interviews with clinicians and sufferers, Gura addresses these concerns and concludes that eating disorders, at least some vestigeof them, tend to lie dormant throughout a woman's life. Eating disorders in adults may not replicate those of adolescents and tend to emerge at the most vulnerable periods in a woman's life—marriage, the birth of a child, stress from child rearing, marital difficulties, depression, and menopause. Though the media may tell us that the girl with an eating disorder overcomes her demons with age and hard work, the reality is that she often doesn't. A girl with an eating disorder is a woman prone to relapse.Lying in Weight is a startling, timely, and imperative investigation of eating disorders "all grown up." Women are suffering from a hidden, horrid, and life-threatening epidemic. This book is a shot across the bow to confront the problem and address the real issues. Isn't it time to end the suffering?

    Their differences have brought them closer, but as she turns sixteen Caddy begins to wish she could be a bit more like Rosie – confident, funny and interesting. Then Suzanne comes into their lives: beautiful, damaged, exciting and mysterious, and things get a whole lot more complicated. As Suzanne’s past is revealed and her present begins to unravel, Caddy begins to see how much fun a little trouble can be. But the course of both friendship and recovery is rougher than either girl realises, and Caddy is about to learn that downward spirals have a momentum of their own.

    Please go away.This book is for the rest of us. These comics document the wasting of entire beautiful weekends on the internet, the unbearable agony of holding hands on the street with a gorgeous guy, dreaming all day of getting home and back into pajamas, and wondering when, exactly, this adulthood thing begins. In other words, the horrors and awkwardnesses of young modern life.

    After all, her much older sister, Hannah, left home eight years ago, and Caro barely remembers her. So when Caro’s parents drop the bombshell news that Hannah is returning to live with them, Caro feels as if an interloper is crashing her family. To her, Hannah’s a total stranger, someone who haunts their home with her meek and withdrawn presence, and who refuses to talk about her life and why she went away. Caro can’t understand why her parents cut her sister so much slack, and why they’re not pushing for answers.Unable to understand Hannah, Caro resorts to telling lies about her mysterious reappearance. But when those lies alienate Caro’s new boyfriend and put her on the outs with her friends and her parents, she seeks solace from an unexpected source. And when she unearths a clue about Hannah’s past — one that could save Hannah from the dark secret that possesses her — Caro begins to see her sister in a whole new light.

    Shoshana—a cheerleader on a hit reality TV show—was admitted for starving herself to ensure her growth spurt didn’t ruin her infamous tumbling skills. Rowan, on the other hand, has known anorexia her entire life, thanks to her mother’s “chew and spit” guidance. Through the drudgery and drama of treatment life, Shoshana and Rowan develop a fierce intimacy—and for Rowan, a budding infatuation, that neither girl expects.As “Gray Girls,” patients in the center’s Gray plan, Shoshana and Rowan are constantly under the nurses’ watchful eyes. They dream of being Blue, when they will enjoy more freedom and the knowledge that their days at the center are numbered. But going home means separating and returning to all the challenges they left behind. The closer Shoshana and Rowan become, the more they cling to each other—and their destructive patterns. Ultimately, the girls will have to choose: their recovery or their relationship.

    Following her mom's death, she's been picking up the pieces in the privacy of her home, dealing with her heartbroken father and her own grief. Now, Libby's ready: for high school, for new friends, for love, and for every possibility life has to offer. In that moment, I know the part I want to play here at MVB High. I want to be the girl who can do anything. Everyone thinks they know Jack Masselin, too. Yes, he's got swagger, but he's also mastered the impossible art of giving people what they want, of fitting in. What no one knows is that Jack has a newly acquired secret: he can't recognize faces. Even his own brothers are strangers to him. He's the guy who can re-engineer and rebuild anything, but he can't understand what's going on with the inner workings of his brain. So he tells himself to play it cool: Be charming. Be hilarious. Don't get too close to anyone.Until he meets Libby. When the two get tangled up in a cruel high school game—which lands them in group counseling and community service—Libby and Jack are both pissed, and then surprised. Because the more time they spend together, the less alone they feel. Because sometimes when you meet someone, it changes the world, theirs and yours.

    The horror of becoming an adult, and leaving her childhood behind, has broken her heart.Faerie, a novel for young people, is the fierce yet gently unfolding story of a hyper- imaginative girl who is on a collision course to womanhood. She likens herself to a half-human fairy creature who does not belong in the earthly world; but in the cold light of day she is a psychiatric patient at a hospital, where she is being treated for anorexia―her sickness driven by the irrational need to undo nature and thwart the passage of time.Lila tells the story of how she ended up on the Four East wing: we flashback to her childhood in the '80s, growing up in a small town as an overweight brown kid to Punjabi immigrant parents: her father, a literary scholar whom she idolizes, and her mother, a housewife―"the most female of all females who found comfort in cooking." Faerie weaves these passages with Lila's downward spiral into life-threatening illness, her budding sexuality, and her complicated recovery in hospital that comes with a price. Written with candour and heartbreaking lyricism, Faerie is a plaintive love letter to the bold, flawed splendour that is childhood.My mother saw herself in me, but I wanted to hold up a very different mirror. I was going to slim myself into my wings and take a leap of faith into the faerie world where I spent every waking daydream. The circumstances were ripe, summer was on its way, and no time like yesterday to start something new. Or shall I say, to recover something old.

    The exits are sealed shut. Their phones are gone. And their captors are on a killing spree.Riley and Max know that if they can’t get out, they’ll be next—but they’re about to discover that even escape doesn’t equal freedom.

    From the spark of possibility and jolt of creativity in High Summer, to the need for release from anxiety and pressure during Monsoon, to the desolation and numbness of Winter, Thapp implores us to consider the seasons of our own emotional journeys.Articulating and validating the range of feelings we all experience, this is a book that allows us to feel connected and comforted by the experiences that make us human.

    Her mother died by suicide five years ago, and her father left their small town before Toby was born. Now a teenager living on her grandparents’ dairy farm, Toby has trouble letting people in. She keeps even her closest friend, the brash but endearing Trisha, at arms’ length, and recently ended her first relationship, with Trisha’s burnout brother, Mike. Convinced that she is destined to follow her mother’s path, Toby creates a plan to escape her pain.But with the news that her father is coming home and finally wants to meet her, Toby must face the truth of her family’s story. Not only is her father gay, but he’s also a world-famous female impersonator—and a self-absorbed, temperamental man-child who is ill-prepared to be a real parent.When Toby’s careful plans go awry, she is forced to rebuild the life she thought she knew from the ground up. While she may not follow an expected path, through the support of a quirky but lovable circle of friends and family, Toby may finally put together the many different pieces that make up her past, her present, and her future.

    Beauty pageant winner, homecoming queen--Lara has the world at her feet.  Until she gets fat.Despite a strict diet and workout schedule, Lara is soon a nameless, faceless, 200-pound-plus teenage blimp.  She's desperate to get her to-die-for body back--and to find an explanation for her rapid weight gain.When she's diagnosed with a mysterious metabolic disorder that has no known cure, Lara fears she'll spend the rest of her life trapped in a fat suit.  Who will stand by her?  Her image-conscious family?  Her shallow friends?  Her handsome boyfriend?  Or will she be left alone in the land of the fat girls?

    However, she soon finds herself on an increasingly frightening spiral of drug use, self-harm, and mental illness that lands her in a remote therapeutic boarding school, where she must ultimately find the inner strength, and determination, to survive.

    That's all Jessie said. A one-week break to get some perspective before graduation, before she and her boyfriend, Chris, would have to make all the big, scary decisions about their future--decisions they had been fighting about for weeks.Then, Chris vanishes. The police think he's run away, but Jessie doesn't believe it. Chris is popular and good-looking, about to head off to college on a full-ride baseball scholarship. And he disappeared while going for a run along the river--the same place where some boys from the rival high school beat him up just three weeks ago. Chris is one of the only black kids in a depressed paper mill town, and Jessie is terrified of what might have happened.As the police are spurred to reluctant action, Jessie speaks up about the harassment Chris kept quiet about and the danger he could be in. But there are people in Jessie's town who don't like the story she tells, who are infuriated by the idea that a boy like Chris would be a target of violence. They smear Chris’s character and Jessie begins receiving frightening threats.Every Friday since they started dating, Chris has written Jessie a love letter. Now Jessie is writing Chris a letter of her own to tell him everything that’s happening while he’s gone. As Jessie searches for answers, she must face her fears, her guilt, and a past more complicated than she would like to admit.