Fate and fortune. Power and passion. What does it take to be the queen of a kingdom when you're only seventeen?Maya is cursed. With a horoscope that promises a marriage of Death and Destruction, she has earned only the scorn and fear of her father's kingdom. Content to follow more scholarly pursuits, her whole world is torn apart when her father, the Raja, arranges a wedding of political convenience to quell outside rebellions. Soon Maya becomes the queen of Akaran and wife of Amar. Neither roles are what she expected: As Akaran's queen, she finds her voice and power. As Amar's wife, she finds something else entirely: Compassion. Protection. Desire...But Akaran has its own secrets -- thousands of locked doors, gardens of glass, and a tree that bears memories instead of fruit. Soon, Maya suspects her life is in danger. Yet who, besides her husband, can she trust? With the fate of the human and Otherworldly realms hanging in the balance, Maya must unravel an ancient mystery that spans reincarnated lives to save those she loves the most. . .including herself.A lush and vivid story that is steeped in Indian folklore and mythology. The Star-Touched Queen is a novel that no reader will soon forget.

    It will be fun, they said."Casey Halbach's life was perfectly adequate. Good friends, loving boyfriend, decent job: she had it all. So why did she feel like she was missing something? And was that something actually a part of her life she'd already given up?When Casey finds herself back at the stable where she learned to ride as a child, she impulsively decides a fresh riding lesson is exactly what she needs to liven up her life. She never could have expected just how lively her life was about to become.For anyone who has ever loved a horse, dreamed about their very own pony, or simply clock-watched their way through another boring day at the office, Grabbing Mane is our story. Testing the boundaries of who we think we are, adjusting to strange new realities, and (hopefully) bringing our partners along for the ride.

    . . even more ambitious than Vogel's "How I Learned to Drive" . . . it covers more ground and is bolder in its storytelling. Vogel's language is at its most poetic, eloquent and elegiac. In fact, its vivid imagery rivals the prose style of any great American short story writer. The play sounds like it might have been adapted from a beautiful, undiscovered novella."-"New Haven Register""One of the most absorbing evenings of theatre to come along in some time."-"Variety"Past and present collide on a snowy Christmas Eve for a troubled family of five. Humorous and heart-wrenching, this beautifully written play proves that magic can be found in the simplest breaths of life. Combining the elements of No theatre and Bunraku with contemporary Western sensibilities, Vogel's "Ride" is a mesmerizing homage to the works of Thornton Wilder, including "Our Town." A moving and memorable study of the American family careening near the edge of oblivion.Paula Vogel's plays include "The Baltimore Waltz," "Mineola Twins," "Hot 'n' Throbbing," "Desdemona," "And Baby Makes Seven," among others. Ms. Vogel will be the resident playwright during the Signature Theatre's 2004?05 season dedicated to her works. She has taught at Brown University in the MFA playwriting program since 1985.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

    Set in and around a large pool of water onstage, Metamorphoses juxtaposes the ancient and the contemporary in both language and image to reflect the variety and persistence of narrative in the face of inevitable change. Nominated for three 2002 Tony Awards, including "Best Play," Metamorphoses earned Zimmerman a Tony for "Best Direction of a Play."

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    There, he hopes to find a miracle. As the Brotherhood of Beggars informed him that a Thaumaturge may live there, in the form of the true Magietrois. However, Smoke's quest for his friends' resurrection is on constrained time. Duke Burmistrz of Centzo City plans to attack Verbrannt within a year's time.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Josh is trapped. Born and raised in the Fundamental Faith in God — a cult started by his mother — all Josh knows is abuse, neglect, and life in a house bursting with angry adults and lonely children. His only friend is his oldest brother, Malachi. He and Malachi have spent countless hours in the woods, building a rough cabin and planning to escape together. But when Malachi finally snaps and gets away, he leaves Josh behind. Betrayed, more isolated than ever, and finding solace only in his books, Josh starts planning his own escape. Then tragedy strikes and Josh spirals — with nothing to catch him — and a grim, abused future all he has left.That all changes when Josh finally talks to one of the other cult kids, Mary, and a friendship blooms from their shared love of books. As his relationship with Mary deepens into something that might save both of them, Josh's eyes are opened to the plight of the other children and he feels something new: fury. These children need his protection — even though Josh still yearns for freedom. But is escape an act of betrayal? And when the time comes for Josh to face his abuser, will the battle destroy any hope for peace and freedom?Beyond the Cabin is a tale of a young man seeking connection, love, and freedom while coming of age in a real-life, infamous Scientology splinter cult. Based on and inspired by the author's life in The Process Church of the Final Judgment.

    Amy and Craig never should've gotten together. Craig is an awkward, Dungeons & Dragons-playing geek, and Amy is the beautiful, fiercely intelligent student-body president of their high school.Yet somehow they did. Until Amy dumped him. Then got back together with him. Then dumped him again. Then got back together with him again. Over and over and over.Unfolding during their senior year, Amy and Craig's exhilarating, tumultuous relationship is a kaleidoscope of joy, pain, and laughter as an uncertain future-and adult responsibility-loom on the horizon.Craig fights for his dream of escaping Janesville and finding his place at a quirky college, while Amy's quest to uncover her true self sometimes involves being Craig's girlfriend?and sometimes doesn't.Seven heartbreaks. Seven joys.Told nonsequentially, acclaimed playwright Don Zolidis's debut novel is a brutally funny, bittersweet taste of the utterly unique and utterly universal experience of first love.

    Life wouldn’t be so bad if he didn’t have to deal with the school bully who’s on a mission to make his life and that of his gang a living hell. ***** As new leader of the Boneseeker tribe, Kurdan has risen to power by killing the previous orc chieftain, but his position is fragile. With enemies lurking in every corner, who’s to say how long he’ll be able to hold onto the mantle before someone else challenges him and robs him of his reckless ambitions? ***** When Isiah stumbles upon a strange necklace at the flea market, he accidentally triggers a spell that ties his spirit to Kurdan’s. From now on, the destiny of the young man and the orc will be intertwined. Every time one of them will go to sleep, he will find himself transported into the head of the other where he will experience a world totally alien to him. If, at first, they will resist this intrusion into their mind, they will quickly learn that they have much to gain from helping each other out…

    Forcibly sent there by a mother intent on keeping up appearances, Mary has to cope with both the shame and with the dawning realization that she will have to give the baby up for adoption.

    Their hopes for a life more suited to their cultivated tastes and sensibilities provide a touching counterpoint to the relentless flow of compromising events in the real world.In this powerful play, a landmark of modern drama, Chekhov masterfully interweaves character and theme in subtle ways that make the work's finale seem as inevitable as it is deeply moving. It is reprinted here from a standard text with updated transliteration of character names and additional explanatory footnotes.