It's about Narmada Parikrama done by the author.On the Hindu pilgrimages along the banks of Narmada River; impressions of a Hindu, of his travel along the banks of the river.

    Nakul, who lost his beloved wife after only a month of their marriage in a serial bombing attack, found it impossible to continue with his life.He takes a journey in which he interacts with people like him, who have also lost their loved ones in those blasts and decides to help them. Though he didn't realize that in the process of helping them, he was helping himself. This is his journey through the five stages of grief - DENIAL, ANGER, BARGAINING, DEPRESSION and ACCEPTANCE, and how he comes out of them with the help of his family and his "Grief-Mates".He thought that he had forever of togetherness with his wife, but he didn't, none of us does. And before it is too late, we should better go out there to our loved ones and tell them how much we love them. Have any of you said it lately to your wife, your husband, your children, your brother, sister or your parents, that "You mean the world to me. You have changed my life. I cannot live without you. I love you..."

    Set in Aligarh in the early 1960s, after the dust of Partition had ostensibly settled, Topi Shukla is an intriguing story about two friends--one Hindu and one Muslim.

    His collection brings together the best of Kalki’s short stories, which contain some of his most colourful and enduring characters and themes of Tamil popular fiction of the nineteen thirties and forties. There is in these stories the heady urgency of the freedom struggle, the piquant humour of the parodied Tamil gothic and devastating social satire. In her sensitive translations, Gowri Ramnarayan has succeeded in capturing the nuances of the gently mordant wit that made Kalki’s stories the highlight of the magazines they were originally published in, creating for themselves a dedicated following that flourishes undiminished to this day.Coinciding with the centenary of Kalki’s birth, this volume is a well-deserved tribute to a writer whose breadth of vision and genius imagined and served a new India.

    Life ... Separation? Love implies three words smiles, tears, and endings. Endings are not always happy ... yet they leave a mark in our lives in some way.Me N Her A Strange Feeling is an involving and intriguing love story of two young people, of strangers, whose paths cross and lead to strange feelings, later discovered as love. Harsh is passionate and ambitious, but forgets his ambition when he meets Janvi. Janvi ... loves to dream, but is lost in life ... reasons unknown.At the height of their celebration ... a strange twist in life happens, that changes everything forever ... Love is what brings them close ... and love is what ... separates them. Does love change with time? Is it possible to fall in love repeatedly with the same person? Harsh and Janvi give you every answer ... their love story will remind you of your first love ... its unexpected ending will bring tears and smiles.

    Even in this nondescript settlement, people receive money via mobile transfer from family members working in distant cities. There are computer training centres offering diploma courses in Bhojpuri, Hindi and English. Here is an example of India's numerous remote towns that have skipped the stage of basic learning and landed straight into digital literacy as they strive to keep up with the times.In his last book, A.P.J. Abdul Kalam, writing with Srijan Pal Singh, draws upon examples ranging from entrepreneurship in places like Badshahpur to a sophisticated missile programme like Agni to show how it can be 'Advantage India' in the final lap of the journey to 2020--the landmark year by which he had envisioned the country could transform into an economic power. How can the new initiatives--such as Make in India, Swachh Bharat, smart cities and skill development for the youth--be used to unleash the country's vast potential?Advantage India offers the answer--a movement driven by every home and school to educate the new generation and give a fresh meaning to citizenship.

               Told with Clive James's trademark dry wit, The      Silver Castle is a tragicomic morality tale for our time. Part Candide, part Oliver Twist, part Huckleberry Finn, The Silver Castle defies its reader to remain aloof from the suffering of the world's swarming poor while it inspires laughter over the human condition generally. It is a novel of wonder despite its unrelenting realism--      indeed, only wonderment is possible in the face of Sanjay's knack for survival and more than occasional good fortune.           In his astonishing odyssey from the gutter to the soundstages and salons of Bollywood, Sanjay meets up with every variant of sinner and would-be savior, and along the way he trades on his "heart-breaking" physical beauty and canny lingual facility to grab at luck wherever it may be had--in the pocket of a tourist, as a guide for the Western news crews who regularly descend on Bombay to update their stock footage of grinding poverty, or in the bed of an older male protector or a past-her-prime cinema princess.           Throughout, Sanjay's spirit is sustained by the movies, and by his first behind-the-scenes glimpse, as a young trespasser on the set of the Silver Castle, of the magical artifice of filmmaking. It is a true vision of an utterly false reality, the source of Sanjay's subsequent triumphs and of his ultimate misfortune. But what happens to Sanjay in the end is not a singular event. As this deeply humane novel convincingly argues, Sanjay's fate is the world's.Back Ad:Perhaps it would have been better for [Sanjay] if he had never seen the Silver Castle, never felt a guiding hand, never blinked at an unstained smile. Then he would not have missed these things. It is just possible, however, that the memory of his first visit to Long Ago sustained him. Imagination and energy are part of each other, and few of us, even though we live in circumstances far more favourable, would ever get to where we are going unless a picture of it, however inaccurate, was already in our minds. If we had to, we too would have to dodge the rain between rubbish dumps, on the long journey back to the taste of a cheese roll, the tang of sparkling water, trumpets that crackle and toe-nails stained with plums. We don't have to, but Sanjay did.

    After being a hard-as-nails reporter who covered crime stories of the goriest kind, Mythili is now just a ‘dependent’. On top of that, unemployment, encounters with expat-wives and culture shock leave her feeling like she has fallen down a rabbit hole. Will their love survive, or will she become just another unhappily married expatriate wife?Will this real life Alice ever embrace her Wonderland?

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    It presents the historical battle that progressed between the Maratha army and the army of Ahmad Shah Abdali, the founder of the Afghan Empire.The book initially follows the battle that takes place between the army of Najib-ud-Daulah, an ethnic Pashtun, and the Scindias. It then proceeds to cover the northward progress of the massive Maratha forces to counter the threat of Najib-ud-Daulah. Eventually, the Maratha infantry and cavalry succeed in entering the Mughal stronghold of Panipat. Here, they are surrounded by a huge force of Shia Muslim and Afghan soldiers who block their source of ration. The resulting frustration and malnutrition takes its toll on the Maratha army.The book speaks of the valiant efforts of men like Jankoji Shinde, Nanasaheb Peshwa, and many other Maratha compatriots. The author has also countered the common negative portrayal of Sadashivrao Bhau, one of the Maratha leaders, with strong appreciation of his war tactics.The book highlights the myriad experiences that cast their shadows on the battleground, including bloodshed, depression, disease, desolation, martyrdom, betrayal, death, fear, victory, loss, hatred, ignorance, and vengeance.It also focuses on certain key points pertaining to India as a federal nation. Some of these points include the role of religion, the battle for supremacy between the North and the South, the detrimental influence of regional politics, the role of language, and the importance of unity. At the end of the book, the author has provided insights into his research efforts, which included several trips to Panipat. Panipat was originally written in Marathi and first published on October 20, 1988. Since then, it been translated to English and several other Indian languages, including Hindi. Panipat has received thirty-eight awards since its release in 1988, and sold more than 200,000 copies.

    Debt-ridden and marked by the mafia, this is the only way he can secure his family's future and atone for all the rotten choices he has made in his life. This extraordinary situation comes by way of his grandfather Fali's last Will that states Rustom shall inherit the family fortune if he kills himself in a public place with the former's eponymous gun.Before he has a chance to shoot himself his best friend Mani convinces him to meet an unlikely saviour in the Himalayan town of Almora - a drugged-out godman belting out strange visions through cryptic stories of love, power and loyalty. Will the last storyteller give Rustom a reason to live, or will his tales push Rustom further into an abyss of unimaginable loss?By turns, dark and humorous, quirky and dead serious, Rustom and the Last Storyteller of Almora is a scintillating debut about a man ready to embrace death to redeem his life.

    One awakens the sorrow and one brings cheerfulness. Patil never wrote for the sake of humour, but his stories have many unseen sown seeds of laughter. They are full of the contrast in life, the contrast is the central theme of his stories. Patil must get the credit for adding this caricature type stories to Marathi literature. The humorists are the wise men of the world because the most forcible way to impart truth is through laugh. Yes, Patil proves to this test. He is a very clever, astute, ingenious, naughty and mischievous writer. This book is a proof of his qualities.

    She is accompanied by Prakash, a boisterous twelve year old, and Sonu, her excitable younger brother. Together, they have many adventures-from helping old Mr Mani save his potatoes from porcupines to visiting the town of Tehri; and from escaping a landslide to encountering a leopard in the jungle.A touching and warm story by Ruskin Bond, this beautifully illustrated book showcases life in the hills and the wonders of friendship and bravery.

    And it does, once again, in the lawless Bihar of the 1990s...When journalist Shruti Ranjan, newly-wed wife of the Deputy Commissioner of Kishanganj in the lawless Bihar of the 1990s, is brutally raped by a ‘politically sheltered local goon’ all of her attempts at getting justice are crushed by a corrupt and complicit state government. That’s when the charismatic Sharad Malviya, a leading member of the Opposition party, offers her an unlikely solution: his party’s ticket to contest the Lok Sabha elections. Left with little to choose from, Shruti agrees, only to realize that being catapulted to an enviable position of power in an all-man’s world comes at a price. Caught between her mentor and her spouse – both upright but ultimately flawed men – and a host of envious others who continue to cast aspersions on her character, she struggles to address the larger problems of the country.Taunted for being a 'Draupadi' she makes the curse her identity and resolutely fights her fate...

    The Solar tribes are without a ruler, and the return to Aryavarta has resulted in a confederation where hitherto there was a united clan-hood. Rakshasas, Gandharvas and Yakshas threaten the nascent cities of Aryavarta, and if their rise is not checked the Solar tribes may lose all they have gained.And thus rises Ikshvaku, the son of Manu and descendant of Surya. He forms Aryavarta’s first Kingdom and unites the Solar strength against the Anaryas- Rakshasas, Gandharvas and Yakshas.But the Seal of Surya is still missing, and Ikshvaku will need to find it to put his claim and authority beyond all doubt. This is the tale of Aryavarta’s first dynasty, the Suryavansha, and its first King- Ikshvaku Manava.