He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun.Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art.Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.

    By the time he was ten years old he knew he wanted to be an artist, and after leaving school he went on to study at Bradford Art College and later at the Royal College of Art in London. Bursting onto the scene at the Young Contemporaries exhibition, Hockney was quickly heralded as the golden boy of postwar British art and a leading proponent of pop art. It was during the swinging 60s in London that he befriended many of the seminal cultural figures of the generation and throughout these years Hockney's career grew. Always absorbed in his work, he drew, painted and etched for long hours each day, but it was a scholarship that led him to California, where he painted his iconic series of swimming pools. Since then, the most prestigious galleries across the world have devoted countless shows to his extraordinary work.In the seventies he expanded his range of projects, including set and costume design for operas and experiments with photography, lithography, and even photocopying. Most recently he has been at the forefront the art world's digital revolution, producing incredible sketches on his iPhone and iPad, and it is this progressive thinking which has highlighted his genius, vigor and versatility as an artist approaching his 75th birthday.In this, the first volume of Hockney’s biography, detailing his life and work from 1937 - 1975, Sykes explores the fascinating world of the beloved and controversial artist whose career has spanned and epitomized the art movements of the last five decades."The timing couldn't be better for this enjoyable and well-sourced book, which — like Hockney's own work — is both conversational and perceptive." —Los Angeles Times"To read Christopher Simon Sykes' David Hockney is to marvel at the artistic gifts of the eccentric Yorkshireman who rose from a sometimes pinched childhood to hobnob with poet Stephen Spender and novelist Christopher Isherwood, to party with Mick Jagger and Manolo Blahnik." —The Plain Dealer"Prodigiously entertaining." —Financial Times“A chatty, knowledgeable, insider's biography, full of anecdotes.” —The Guardian

    100 million people viewed those videos, turning Bo into an online sensation with a huge and dedicated following. Bo taped his first of two Comedy Central specials four days after his 18th birthday, making him the youngest to do so in the channel's history. Now Bo is a rising star in the comedy world, revered for his utterly original and intelligent voice. And, he can SIIIIIIIIING!In EGGHEAD, Bo brings his brand of brainy, emotional comedy to the page in the form of off-kilter poems, thoughts, and more. Teaming up with his longtime friend, artist, and illustrator Chance Bone, Bo takes on everything from death to farts in this weird book that will make you think, laugh and think, "why did I just laugh?"

    20 pages of photos.

    Allan Brown describes the filming and distribution of the cult masterpiece as a 'textbook example of How Things Should Never Be Done'. The omens were bad from the start, and proceeded to get much, much worse, with fake blossom on trees to simulate spring, actors chomping on ice-cubes to prevent their breath showing on film, and verbal and physical confrontations involving both cast and crew. The studio hated it and hardly bothered to distribute it, but today it finds favour with critics and fans alike, as a serious—if flawed—piece of cinema. Brown expertly guides readers through the film's convoluted history, attempting along the way to explain its enduring fascination, and providing interviews with the key figures—many of whom still have an axe to grind, and some of whom still harbour plans for a sequel.

    GuRu is packed with more than 80 beautiful photographs that illustrate the concept of building the life you want from the outside in and the inside out."You’re born naked and the rest is drag."As someone who has deconstructed life’s hilarious facade, RuPaul has broken "the fourth wall" to expand on the concept of mind, body, and spirit. This unique perspective has allowed RuPaul to break the shackles of self-imposed limitations, but reader beware, this is a daily practice that requires diligence and touchstones to keep you walking in the sunshine of the spirit. Once you’re willing to look beyond the identity that was given to you, a hidden world of possibilities will open its doors.Throughout the history of humans on this planet, there’ve always been shaman, seers, and mediums who are able to interpret both high and low frequencies and remind humans to look beyond the surface for the truth of who we really are. And who we really are is an extension of the power that created the universe (aka: God in drag). FYI: most people are not willing to hear or accept that.That is RuPaul’s secret for success, not only in show business, but in all aspects of life, especially in navigating the emotional landmines that inhibit most sweet, sensitive souls.If you think this book is just about "doing drag," you are sorely mistaken because for RuPaul, drag is merely a device to deactivate the identity-based ego and allow space for the unlimited.

    Yet this very public figure, undoubtedly the twentieth century's most revered journalist, was a remarkably private man; few know the full story of his life. Drawing on unprecedented access to Cronkite's private papers as well as interviews with his family and friends, Douglas Brinkley now brings this American icon into focus as never before.Brinkley traces Cronkite's story from his roots in Missouri and Texas through the Great Depression, during which he began his career, to World War II, when he gained notice reporting with Allied troops from North Africa, D-day, and the Battle of the Bulge. In 1950, Edward R. Murrow recruited him to work for CBS, where he covered presidential elections, the space program, Vietnam, and the first televised broadcasts of the Olympic Games, as both a reporter and later as an anchor for the evening news. Cronkite was also witness to—and the nation's voice for—many of the most profound moments in modern American history, including the Kennedy assassination, Apollos 11 and 13, Watergate, the Vietnam War, and the Iran hostage crisis.Epic, intimate, and masterfully written, Cronkite is the much-anticipated biography of an extraordinary American life, told by one of our most brilliant and respected historians.

    It is full of startling revelations, exploding the myth of the Long March, and showing a completely unknown Mao: he was not driven by idealism or ideology; his intimate and intricate relationship with Stalin went back to the 1920s, ultimately bringing him to power; he welcomed Japanese occupation of much of China; and he schemed, poisoned, and blackmailed to get his way. After Mao conquered China in 1949, his secret goal was to dominate the world. In chasing this dream he caused the deaths of 38 million people in the greatest famine in history. In all, well over 70 million Chinese perished under Mao's rule -- in peacetime.

    Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary."how to be interesting, line after line."Contents:Charles DickensBoys' WeekliesInside the WhaleDrama Reviews: The Tempest, The Peaceful InnFilm Review: The Great DictatorWells, Hitler and the World StateThe Art of Donald McGillNo, Not OneRudyard KiplingT.S. EliotCan Socialists Be Happy?Benefit of Clergy: Some Notes on Salvador DaliPropaganda and Demotic SpeechRaffles and Miss BlandishGood Bad BooksThe Prevention of LiteraturePolitics and the English LanguageConfessions of a Book ReviewerPolitics vs. Literature: An Examination of Gulliver's TravelsLear, Tolstoy and the FoolWriters and LeviathanReview of The Heart of the Matter by Graham GreeneReflections on Gandhi

    First published in this English translation in 1913.

    This is what country people call a blackthorn winter. For Claudia Barron, the blackthorn winter of that particular April is like a metaphor for her whole life: for the end of glamour, financial security and marriage. Her rich and powerful husband has been sent to prison, leaving her homeless and virtually penniless. Hopeless to cling to the remnants of her old life, pointless to stand by a man who has betrayed her in almost every way a man can betray a woman. Instead she goes into hiding, buys the only house she can afford in the Dorset village of Court Barton - a hideous bungalow built in an old kitchen garden - and changes her name. Under a cloak of anonymity she sets out to get herself a job in the local school. But villages don't much like anonymity and before very long Claudia finds herself drawn into the gossip and the grumbling, the lives and loves and quarrels of Court Barton in a way that she had never expected. Blackthorn winters do always give way to spring in the end.

    You will have fun reading, learn a lot of new words, and understand English better!- Short chapters, so you can finish each story easily and not get frustrated!- Carefully chosen vocabulary that is not too hard for you. Most books have too many difficult words, but this book is perfect for intermediate level! You do not have to use the dictionary all the time - instead, you can keep reading and enjoy the stories.- Grammar at the right level for intermediate level learners, so you can learn new grammar without feeling frustrated.- Real, spoken English in each story, so you can learn English that native speakers really use.- Helpful exercises at the end of each chapter to help you understand the stories.- A six-step plan for reading the stories and improving your reading in English.English Short Stories for Intermediate Learners has been written especially for students at intermediate level; B1-B2 on the Common European Framework of Reference (CEFR). The eight exciting stories are designed to make reading fun, and to help you say: "I understand everything I'm reading!" If you find reading English hard, these stories are perfect! You will be able to enjoy reading English, learn more vocabulary in a natural way, and native speakers!So what are you waiting for? Scroll up and grab your copy now!

    Bound up in the laws of Einstein’s theories, these lessons will ultimately influence Jake’s own career as an astronomer. Out on the creek, both father and son conquer their greatest challenges: marital infidelity, professional setbacks, and Jake’s long term, passionate obsession with his childhood crush.The Constant Heart is a potent, and moving book that utilizes the laws of nature and science to illuminate what it means to be a man today. It is an inspiring book that most immediately celebrates the bonds of father and son while exploring the beauty and intensity of love and the profound attachments between human beings, even in the face of great disease and danger.

    However, R.E.M. – being R.E.M. – were disinclined to reveal this at the time the book was first published in 1989 and Tony was thus obliged to keep this under his hat. All such restrictions have since been lifted for newer editions, of which there have been several, and this latest incarnation of the book – now retitled Perfect Circle – brings the story to its natural conclusion with R.E.M.’s decision to disband in September, 2011. Discussing fame, fortune and sexuality with the same keen eye he casts on the group's astonishing musical catalogue, Perfect Circle is neither blind fan worship nor jaundiced critical cynicism, but a balanced and thorough telling of one of the most compelling rock stories of our time. Drawing on dozens of interviews with friends, associates and the band members themselves, this is not just the story of one group's rise through cult status, but the story of American alternative rock.

    The smallest objects were endowed with beating hearts . . .Having recalled his life through the story of his physical self in Winter Journal, internationally acclaimed novelist Paul Auster now remembers the experience of his development from within through the encounters of his interior self with the outer world in Report from the Interior.From his baby's-eye view of the man in the moon, to his childhood worship of the movie cowboy Buster Crabbe, to the composition of his first poem at the age of nine, to his dawning awareness of the injustices of American life, Report from the Interior charts Auster's moral, political, and intellectual journey as he inches his way toward adulthood through the postwar 1950s and into the turbulent 1960s. Auster evokes the sounds, smells, and tactile sensations that marked his early life—and the many images that came at him, including moving images (he adored cartoons, he was in love with films), until, at its unique climax, the book breaks away from prose into pure imagery: The final section of Report from the Interior recapitulates the first three parts, told in an album of pictures. At once a story of the times—which makes it everyone's story—and the story of the emerging consciousness of a renowned literary artist, this four-part work answers the challenge of autobiography in ways rarely, if ever, seen before. A Kirkus Reviews Best Nonfiction Book of 2013