It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition.Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey."

    She intends to quickly tie up loose ends then return to her busy life and thriving antique shop in New Orleans. Instead, she learns Mags has willed The Hideaway to her and charged her with renovating it—no small task considering her grandmother’s best friends, a motley crew of senior citizens, still live there.Rather than hurrying back to New Orleans, Sara stays in Sweet Bay and begins the biggest house-rehabbing project of her career. Amid drywall dust, old memories, and a charming contractor, she discovers that slipping back into life at The Hideaway is easier than she expected.Then she discovers a box Mags left in the attic with clues to a life Sara never imagined for her grandmother. With help from Mags’s friends, Sara begins to piece together the mysterious life of bravery, passion, and choices that changed her grandmother’s destiny in both marvelous and devastating ways.When an opportunistic land developer threatens to seize The Hideaway, Sara is forced to make a choice—stay in Sweet Bay and fight for the house and the people she’s grown to love or leave again and return to her successful but solitary life in New Orleans.

    So when the guilt-ridden husband who abandoned her shows up and offers to take care of their kids for the summer, she accepts his offer and escapes rural Pennsylvania for New York City.Usually grounded and mild mannered, Amy finally lets her hair down in the city that never sleeps. She discovers a life filled with culture, sophistication, and—with a little encouragement from her friends—a few blind dates. When one man in particular makes quick work of Amy’s heart, she risks losing herself completely in the unexpected escape, and as the summer comes to an end, Amy realizes too late that she must make an impossible decision: stay in this exciting new chapter of her life, or return to the life she left behind.But before she can choose, a crisis forces the two worlds together, and Amy must stare down a future where she could lose both sides of herself, and every dream she’s ever nurtured, in the beat of a heart.

    But when she stumbled across her son Teddy’s old baby sling during a halfhearted basement cleaning, something in her snapped. So: the dog went into the sling, Judy felt connected to another living being, and she’s repeated the process every day since.Life hasn’t gone according to Judy’s plan. Her career as a children’s book author offered a glimpse of success before taking an embarrassing nose dive. Teddy, now a teenager, treats her with some combination of mortification and indifference. Her best friend is dying. And her husband, Gary, has become a pot-addled professional “snackologist” who she can’t afford to divorce. On top of it all, she has a painfully ironic job writing articles for a self-help website—a poor fit for someone seemingly incapable of helping herself.Wickedly funny and surprisingly tender, Separation Anxiety offers a frank portrait of middle-aged limbo, examining the ebb and flow of life’s most important relationships. Tapping into the insecurities and anxieties that most of us keep under wraps, and with a voice that is at once gleefully irreverent and genuinely touching, Laura Zigman has crafted a new classic for anyone taking fumbling steps toward happiness.

    And not just seen. In fact, the multi-talented deity has played a pivotal role in many major events, including the Creation of the universe, the entirety of world history, the life of every human being who has ever lived, and the successful transitioning of American Idol into the post–Simon Cowell era. Now, as the earth he has godded so magnificently draws to a Mayan-induced close, God breaks his 1,400-year literary silence with his final masterpiece, The Last Testament. As dictated to his mortal amanuensis, 11-time Emmy Award–winning comedy writer David Javerbaum, God looks back with unprecedented candor on his time in the public sector. He takes us behind the scenes of Genesis, setting the record (un)straight on the real first couple, Adam and Steve, and challenging long-held notions about the viability of containing a phylogenetically complete double bestiary within a 450,000-cubic-cubit watercraft. For the first time, he breaks his silence on Jesus Christ, shedding light on a father-son relationship as heartwarming as Will and Jaden Smith’s. And he reveals his true feelings about his third great faith, Islam, WHICH ARE NOTHING BUT POSITIVE AND RESPECTFUL. But The Last Testament doesn’t just look back. It also offers God’s perspectives on the perennial quagmires of love, marriage, and smiting. And he takes an 27.99 unfiltered look at contemporary society, addressing such hot-button topics as: • Why he loves America • What he listens for in a good prayer • Which sports teams he really roots for • Which celebrities are totally gay Sometimes preachy, sometimes holier-than-thou, but always lively, The Last Testament is a tale of courage, adversity, and triumph. It’s the ultimate celebrity autobiography, sure to appeal to not only hardcore God fans and “worshipers,” but to anyone who’s ever had total omnipotence. If you place complete faith in the literal truth of one book written by God, make it The Last Testament.

    Mackenzie’s sister, Sunna’s best friend, and Maude’s fiancé—all gone with no explanation.So when a mangled, near-indecipherable letter arrives in their shared mailbox—hinting at long-awaited answers—each tenant assumes it’s for her. The mismatched trio decides to stake out the coffee shop named in the letter—the only clue they have—and in the process, a bizarre kinship forms. But the more they learn about each other, the more questions (and suspicions) they begin to have. All the while, creepy sounds and strange happenings around the property suggest that the ghosts from their pasts might not be all that’s haunting them…Will any of the housemates find the closure they are looking for? Or are some doors meant to remain closed?Quirky, humorous, and utterly original, Sorry I Missed You is the perfect read for anyone who has ever felt haunted by their past (or by anything else).

    But when a routine throw goes disastrously off course, the fates of five people are upended. Henry's fight against self-doubt threatens to ruin his future. College president Guert Affenlight, a longtime bachelor, has fallen unexpectedly and helplessly in love. Owen Dunne, Henry's gay roommate and teammate, becomes caught up in a dangerous affair. Mike Schwartz, the Harpooners' team captain and Henry's best friend, realizes he has guided Henry's career at the expense of his own. And Pella Affenlight, Guert's daughter, returns to Westish after escaping an ill-fated marriage, determined to start a new life. As the season counts down to its climactic final game, these five are forced to confront their deepest hopes, anxieties, and secrets. In the process they forge new bonds, and help one another find their true paths. Written with boundless intelligence and filled with the tenderness of youth, The Art of Fielding is an expansive, warmhearted novel about ambition and its limits, about family and friendship and love, and about commitment - to oneself and to others.

    While visiting his parents' stately home as a paying guest, Edith meets Charles, Earl Broughton, and heir to the Marquess of Uckfield, who runs the family estates in East Sussex and Norfolk. To the gossip columns he is one of the most eligible young aristocrats around.When he proposes. Edith accepts. But is she really in love with Charles? Or with his title, his position, and all that goes with it?One inescapable part of life at Broughton Hall is Charles's mother, the shrewd Lady Uckfield, known to her friends as "Googie" and described by the narrator---an actor who moves comfortably among the upper classes while chronicling their foibles---"as the most socially expert individual I have ever known at all well. She combined a watchmaker's eye for detail with a madam's knowledge of the world." Lady Uckfield is convinced that Edith is more interested in becoming a countess than in being a good wife to her son. And when a television company, complete with a gorgeous leading man, descends on Broughton Hall to film a period drama, "Googie's" worst fears seem fully justified.

    With courage and caution, Pete slowly earns a measure of trust from this paranoid survivalist itching for a final conflict that will signal the coming End Times.But as Pete's own family spins out of control, Benjamin's activities spark the full-blown interest of the F.B.I., putting Pete at the center of a massive manhunt from which no one will emerge unscathed.

    His cronies have all traded in the mothers of their children—who they promised to love and cherish 'til death did them part—for tanned and toned young Barbie brides.If losing the social life and close friends she adored wasn't painful enough, a series of setbacks has shaken Les up and she's had enough of playing the good wife. Now, she's going to take some time for herself—in the familiar comforts and stunning beauty of Charleston, her beloved hometown. In her brother's historic home, she will reclaim the carefree girl who spent lazy summers sharing steamy kisses with her first love on Sullivans Island. Along Charleston's cobblestone streets, under the Lowcountry's dazzling blue sky, Les will indulge herself with icy cocktails, warm laughter and bittersweet memories. Daring to listen to her inner voice, she will realize what she wants . . . and find the life of which she's always dreamed.

    As Suzanne rushes her to the hospital, she never imagines how the encounter will change her—a change she both fears and desperately needs.Suzanne has the perfect house, a successful husband, and a thriving family. But beneath the veneer of an ideal life, her daughter is rebelling, her son is withdrawing, her husband is oblivious to it all, and Suzanne is increasingly unsure of her place in the world. After her discovery of the ethereal sixteen-year-old who has never experienced civilization, Suzanne is compelled to invite Iris into her family’s life and all its apparent privileges.But Iris has an independence, a love of solitude, and a discomfort with materialism that contrasts with everything the Blakemores stand for—qualities that awaken in Suzanne first a fascination, then a longing. Now Suzanne can’t help but wonder: Is she destined to save Iris, or is Iris the one who will save her?

    “F. Scott Fitzgerald said that there are no second acts in American lives. I have no idea what that means but I believe that in quoting him I appear far more intelligent than I am. I don’t know about second acts, but I do think we get second chances, fifth chances, eighteenth chances. Every day we get a fresh chance to live the way we want.” FINBAR DOLAN is lost and lonely. Except he doesn’t know it. Despite escaping his blue-collar Boston upbringing to carve out a mildly successful career at a Madison Avenue ad agency, he’s a bit of a mess and closing in on forty. He’s recently called off a wedding. Now, a few days before Christmas, he’s forced to cancel a long-postponed vacation in order to write, produce, and edit a Super Bowl commercial for his diaper account in record time. Fortunately, it gets worse. Fin learns that his long-estranged and once-abusive father has fallen ill. And that neither of his brothers or his sister intend to visit. It’s a wake-up call for Fin to reevaluate the choices he’s made, admit that he’s falling for his coworker Phoebe, question the importance of diapers in his life, and finally tell the truth about his past. Truth in Advertising is debut novelist John Kenney’s wickedly funny, honest, at times sardonic, and ultimately moving story about the absurdity of corporate life, the complications of love, and the meaning of family.

    . .The Humans is a funny, compulsively readable novel about alien abduction, mathematics, and that most interesting subject of all: ourselves. Combine Douglas Adams’s irreverent take on life, the universe, and everything with a genuinely moving love story, and you have some idea of the humor, originality, and poignancy of Matt Haig’s latest novel.Our hero, Professor Andrew Martin, is dead before the book even begins. As it turns out, though, he wasn’t a very nice man--as the alien imposter who now occupies his body discovers. Sent to Earth to destroy evidence that Andrew had solved a major mathematical problem, the alien soon finds himself learning more about the professor, his family, and “the humans” than he ever expected. When he begins to fall for his own wife and son--who have no idea he’s not the real Andrew--the alien must choose between completing his mission and returning home or finding a new home right here on Earth.

    Her mother, Polly, is a cantankerous, take-no-prisoners Southern woman who lives to shoot varmints, drink margaritas, and antagonize the neighbors and she sticks out like a sore thumb among the young modern mothers of their small conventional Texas town. She was in her late fifties when Willow was born, so Willow knows she's here by accident, a late-life afterthought. Willow's father died before she was born, her much older brother and sister are long grown and gone and failing elsewhere. It's just her and bigger-than-life Polly.Willow is desperately hungry for clues to the family life that preceded her, and especially Polly's life pre-Willow. Why did she leave her hometown of Bethel, Louisiana, fifty years ago and vow never to return? Who is Garland Jones, her long-ago suitor who possibly killed a man? And will Polly be able to outrun the Bear, the illness that finally puts her on a collision course with her past?

    Two childhood friends from Scotland and two illegitimate half-brothers from the American South suffer and enjoy all manner of bizarre experiences which, as it turns out, are somehow interconnected and, surprisingly enough, meaningful. An eclectic cast of characters includes Carl Jung, Fatty Arbuckle, Virgil, Marat, Socrates, and Tony Randall. Love, greed, hope, revenge, organized religion, and Hollywood are alternately tickled and throttled. Impossible to summarize and impossible to stop reading, this is a romantic comic odyssey that actually delivers and rewards.