He knows about chemical sludge the way he knows about evil -- all too intimately. And the toxic trail he follows leads to some high and foul places. Before long Taylor's house is bombed, his every move followed, he's adopted by reservation Indians, moves onto the FBI's most wanted list, makes up with his girlfriend, and plays a starring role in the near-assassination of a presidential candidate. Closing the case with the aid of his burnout roomate, his tofu-eating comrades, three major networks, and a range of unconventional weaponry, Sangamon Taylor pulls off the most startling caper in Boston Harbor since the Tea Party. As he navigates this ecological thriller with hardboiled wit and the biggest outboard motor he can get his hands on, Taylor reveals himself as one of the last of the white-hatted good guys in a very toxic world.

    He doesn't solve problems, enforce rules or arrest criminals. He knows that nobody in tiny Potts County actually wants to follow the law and he is perfectly content lazing about, eating five meals a day, and sleeping with all the eligible women.Still, Nick has some very complex problems to deal with. Two local pimps have been sassing him, ruining his already tattered reputation. His girlfriend Rose is being terrorized by her husband. And then, there's his wife and her brother Lenny who won't stop troubling Nick's already stressed mind. Are they a little too close for a brother and a sister? With an election coming up, Nick needs to fix his problems and fast. Because the one thing Nick does know is that he will do anything to stay sheriff. Because, as it turns out, Sheriff Nick Corey is not nearly as dumb as he seems.In Pop. 1280, widely regarded as a classic of mid-20th century crime, Thompson offers up one of his best, in a tale of lust, murder, and betrayal in the Deep South that was the basis for the critically acclaimed French film Coup de Torchon.

    To start anew. But it isn’t quite working out that way for Kugel…His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse.Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.

    A teenage girl has gone missing. Everyone is called upon to join the search. The villagers fan out across the moors as the police set up roadblocks and a crowd of news reporters descends on what is usually a place of peace. Meanwhile, there is work that must still be done: cows milked, fences repaired, stone cut, pints poured, beds made, sermons written, a pantomime rehearsed. As the seasons unfold and the search for the missing girl goes on, there are those who leave the village and those who are pulled back; those who come together and those who break apart. There are births and deaths; secrets kept and exposed; livelihoods made and lost; small kindnesses and unanticipated betrayals. An extraordinary novel of cumulative power and grace, Reservoir 13 explores the rhythms of the natural world and the repeated human gift for violence, unfolding over thirteen years as the aftershocks of a tragedy refuse to subside.

    The two disciplines collide in The Church of Dead Girls, a lyrical novel that inspired Stephen King to comment, "If ever there was a tale for a moonless night, a high wind and a creaking floor, this is it ... I don't expect to read a more frightening novel this year." Aurelius is a drowsy bedroom community in upstate New York that is rocked by a vicious, seemingly random killing. A woman is found murdered in her bed, her left hand missing. Just when the grisly details begin to fade, a young girl vanishes. The only clue: a bag with the girl's washed and folded clothes and a mannequin's left hand. Soon two more girls disappear, and when clues remain elusive, conjecture and rumour take over. The town awakens to a nightmare of suspicion and vigilantism. As the killer spirals in to kill again, the town spins out of control, and The Church of Dead Girls heads to a jolting conclusion. It'll give you goosebumps even if you read it at the beach.

    Times are harsh, and Barbara's bank account has seen better days. Stumped for ideas, Barbara draws inspiration from fellow residents of her quaint English village, writing a revealing novel that features the townsfolk as characters. The smashing bestseller is published under the pseudonym John Smith, which is a good thing because villagers recognize the truth. But what really turns her world around is when events in real life start mimicking events in the book. Funny, charming, and insightful, this novel reveals what happens when people see themselves through someone else's eyes.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    Yet, even as he matches wits with his seemingly clairvoyant opponent, Gurney’s tragedy-marred past rises up to haunt him, his marriage approaches a dangerous precipice, and finally, a dark, cold fear builds that he’s met an adversary who can’t be stopped.In the end, fighting to keep his bearings amid a whirlwind of menace and destruction, Gurney sees the truth of what he’s become – what we all become when guilty memories fester – and how his wife Madeleine’s clear-eyed advice may be the only answer that makes sense.A work that defies easy labels -- at once a propulsive masterpiece of suspense and an absorbing immersion in the lives of characters so real we seem to hear their heartbeats – Think of a Number is a novel you’ll not soon forget.

    and Mrs. Fang called it art.Their children called it mischief.Performance artists Caleb and Camille Fang dedicated themselves to making great art. But when an artist’s work lies in subverting normality, it can be difficult to raise well-adjusted children. Just ask Buster and Annie Fang. For as long as they can remember, they starred (unwillingly) in their parents’ madcap pieces. But now that they are grown up, the chaos of their childhood has made it difficult to cope with life outside the fishbowl of their parents’ strange world.When the lives they’ve built come crashing down, brother and sister have nowhere to go but home, where they discover that Caleb and Camille are planning one last performance -– their magnum opus -– whether the kids agree to participate or not. Soon, ambition breeds conflict, bringing the Fangs to face the difficult decision about what’s ultimately more important: their family or their art.

    . . . A powerful and affecting novel."--The New York TimesA tragic accident sets in motion a cycle of violence and retribution in John Burnham Schwartz's riveting novel Reservation Road. Two haunted men and their families are engulfed by the emotions surrounding an unexpected and horrendous death. Ethan, a respected professor of literature at a small New England college, is wracked by an obsession with revenge that threatens to tear his family apart. Dwight, a man at once fleeing his crime and hoping to get caught, wrestles with overwhelming guilt and his sense of obligation to his son. As these two men's lives unravel, Reservation Road moves to its startling conclusion. This is an astonishing tale of love and loss, rage and redemption, that is as suspenseful as it is emotionally compelling. "Thrums with suspense and moral ambiguity. . . . This is one of those rare--very rare--novels that you don't so much read as inhabit and that makes everyday life seem altogether mysterious." --Entertainment Weekly"A triumph . . . character-driven as it is, it reads like a thriller, swift and complete."--The New York Times Book Review

    Now Vicky Rai is dead, killed at his farmhouse at a party he had thrown to celebrate his acquittal. The police search each and every guest. Six of them are discovered with guns in their possession.In this elaborate murder mystery we join Arun Advani, India's best-known investigative journalist, as the lives of these six suspects unravel before our eyes: a corrupt bureaucrat; an American tourist; a stone-age tribesman; a Bollywood sex symbol; a mobile phone thief; and an ambitious politician. Each is equally likely to have pulled the trigger. Inspired by actual events, Vikas Swarup's eagerly awaited second novel is both a riveting page turner and an insightful peek into the heart and soul of contemporary India.

    David Lodge, portraying two American and British professors who replace one another at their respective institutions, gives greed, pettiness, and pretense full rein.

    A self-appointed revolutionary hero, Howard always comes out on top. And Malcolm Bradbury dissects him in this savagely funny novel that has been universally acclaimed as one of the masterpieces of the decade.

    Here is the incredible story of an imprisoned pedophile who is drawn into an erotically charged correspondence with a nineteen-year-old suburban coed. As the two reveal—and revel in—their obsessive desires, Homes creates in The End of Alice a novel that is part romance, part horror story, at once unnerving and seductive.

    The kind of spirituality he espouses is to all comers. . . . His readers often say that they see their own lives in his own books.” —New YorkerFrom the bestselling author of The Alchemist, Paulo Coelho, comes an absorbing new novel that holds a mirror up to our culture’s obsession with fame, glamour, and celebrity.