They subtly merge the world of reason with the realm of the uncanny and exemplify the period's fascination with the strange and the grotesque. They were also the inspiration for Mizoguchi Kenji's brilliant 1953 film Ugetsu.The title Ugetsu monogatari (literally "rain-moon tales") alludes to the belief that mysterious beings appear on cloudy, rainy nights and in mornings with a lingering moon. In "Shiramine," the vengeful ghost of the former emperor Sutoku reassumes the role of king; in "The Chrysanthemum Vow," a faithful revenant fulfills a promise; "The Kibitsu Cauldron" tells a tale of spirit possession; and in "The Carp of My Dreams," a man straddles the boundaries between human and animal and between the waking world and the world of dreams. The remaining stories feature demons, fiends, goblins, strange dreams, and other manifestations beyond all logic and common sense.The eerie beauty of this masterpiece owes to Akinari's masterful combination of words and phrases from Japanese classics with creatures from Chinese and Japanese fiction and lore. Along with The Tale of Genji and The Tales of the Heike, Tales of Moonlight and Rain has become a timeless work of great significance. This new translation, by a noted translator and scholar, skillfully maintains the allure and complexity of Akinari's original prose.

    Martin is a giant in the field of fantasy literature and one of the most exciting storytellers of our time. Now he delivers a rare treat for readers: a compendium of his shorter works, collected into two stunning volumes, that offer fascinating insight into his journey from young writer to award-winning master.Gathered here in Volume I are the very best of George R.R. Martin's early works, including never-before-published fan pieces, his Hugo, Nebula, and Bram Stoker Award-winning stories plus the original novella The Ice Dragon, from which Martin's New York Times bestselling children's book of the same title originated. A dazzling array that features extensive author commentary, Dreamsongs, Volume I, is the perfect collection for both Martin devotees and a new generation of fans.Contents:- Introduction by Gardner Dozois One: A Four-Color Fanboy (2003)- Only Kids Are Afraid of the Dark (1967)- The Fortress (2003)- And Death His Legacy (2003)Two: The Filthy Pro (2003)- The Hero (1971)- The Exit to San Breta (1972)- The Second Kind of Loneliness (1972)- With Morning Comes Mistfall (1973)Three: The Light of Distant Stars (2003)- A Song for Lya (1974)- The Stone City (1977)- This Tower of Ashes (1976)- And Seven Times Never Kill Man (1975)- Bitterblooms (1977)- The Way of Cross and Dragon (1979)Four: The Heirs of Turtle Castle (2003)- The Lonely Songs of Laren Dorr (1976)- The Ice Dragon (1980)- In the Lost Lands (1982)Five: Hybrids and Horrors (2003)- Meathouse Man (1976)- Remembering Melody (1981)- Sandkings (1979)- Nightflyers (1980)- The Monkey Treatment (1983)- The Pear-Shaped Man (1987)

    Marion Crawford's supernatural pieces, including the rare story "The King's Messenger," as well as such classics as "The Upper Berth" (considered by many to be the finest ghost story ever written) and many more. Also features a new introduction written especially for this volume by horror scholar Lee Weinstein.

    Stories and storytelling have always been central to Irish folk culture, and this anthology of the best ghost stories from Ireland and Irish writers includes contributions from Sheridan Le Fanu, Bram Stoker, Patrick Kennedy, George Moore, and W. B. Yeats. The result is a collection of tingling tales of poltergeists, supernatural experiences, haunted houses, death warnings, and banshees that will chill the blood of readers and listeners alike.

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    Brave New Worlds brings together the best dystopian fiction of the last 30 years, demonstrating the diversity that flourishes in this compelling subgenre. This landmark tome contains stories by Ursula K. Le Guin, Cory Doctorow, M. Rickert, Paolo Bacigalupi, Orson Scott Card, Neil Gaiman, Ray Bradbury, and many others.Table of ContentsIntroduction / John Joseph Adams --Lottery / Shirley Jackson --Red card / S.L. Gilbow --Ten with a flag / Joseph Paul Haines --Ones who walk away from Omelas / Ursula K. Le. Guin --Evidence of love in a case of abandonment / M. Rickert --The Funeral / Kate Wilhelm --O happy day! / Geoff Ryman --Pervert / Charles Coleman Finlay --From homogeneous to honey / Neil Gaiman & Bryan Talbot --Billennium / J.G. Ballard --Amaryllis / Carrie Vaughn --Pop squad / Paolo Bacigalupi --Auspicious eggs / James Morrow --Peter Skilling / Alex Irvine --The Pedestrian / Ray Bradbury --Things that make me weak and strange get engineered away / Cory Doctorow --Pearl diver / Caitlin R. Kiernan --Dead space for the unexpected / Geoff Ryman --"Repent harlequin!", said the Ticktockman / Harlan Ellison --Is this your day to join the revolution? / Genevieve Valentine --Independence day / Sarah Langan --Lunatics / Kim Stanley Robinson --Sacrament / Matt Williamson --Minority report / Philip K. Dick --Just do it / Heather Lindsley --Harrison Bergeron / Kurt Vonnegut Jr. --Caught in the organ draft / Robert Silverberg --Geriatric ward / Orson Scott Card --Arties aren't stupid / Jeremiah Tolbert --Jordan's waterhammer / Joe Mastroianni --Of a sweet slow dance in the wake of temporary dogs / Adam-Troy Castro --Resistance / Tobias S. Buckell --Civilization / Vylar Kaftan.

    Wodehouse, John Steinbeck, and Ian Rankin

    Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.

    With their elegant prose, witty wordplay and subtle charm, the 104 stories in this selection reveal a world in which nothing is as it seems.

    . . ." The best stories pull readers in and keep them turning the pages, eager to discover more—to find the answer to the question: "And then what happened?" The true hallmark of great literature is great imagination, and as Neil Gaiman and Al Sarrantonio prove with this outstanding collection, when it comes to great fiction, all genres are equal. Stories is a groundbreaking anthology that reinvigorates, expands, and redefines the limits of imaginative fiction and affords some of the best writers in the world—from Peter Straub and Chuck Palahniuk to Roddy Doyle and Diana Wynne Jones, Stewart O'Nan and Joyce Carol Oates to Walter Mosley and Jodi Picoult—the opportunity to work together, defend their craft, and realign misconceptions. Gaiman, a literary magician whose acclaimed work defies easy categorization and transcends all boundaries, and "master anthologist" (Booklist) Sarrantonio personally invited, read, and selected all the stories in this collection, and their standard for this "new literature of the imagination" is high. "We wanted to read stories that used a lightning-flash of magic as a way of showing us something we have already seen a thousand times as if we have never seen it at all." Joe Hill boldly aligns theme and form in his disturbing tale of a man's descent into evil in "Devil on the Staircase." In "Catch and Release," Lawrence Block tells of a seasoned fisherman with a talent for catching a bite of another sort. Carolyn Parkhurst adds a dark twist to sibling rivalry in "Unwell." Joanne Harris weaves a tale of ancient gods in modern New York in "Wildfire in Manhattan." Vengeance is the heart of Richard Adams's "The Knife." Jeffery Deaver introduces a dedicated psychologist whose mission in life is to save people in "The Therapist." A chilling punishment befitting an unspeakable crime is at the dark heart of Neil Gaiman's novelette "The Truth Is a Cave in the Black Mountains." As it transforms your view of the world, this brilliant and visionary volume—sure to become a classic—will ignite a new appreciation for the limitless realm of exceptional fiction.

    In the pared-down style that has since become his hallmark, Carver showed us how humour and tragedy dwelt in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of stories, poems and essays that appeared in the last eleven years of his life.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.” Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    Gogol's works remain popular with both writers and readers, who prize his originality, imaginative gifts, and sheer exuberance.This collection offers an excellent introduction to the author's works. Opening a door to his bizarre world of broad comedy, fantasy, and social commentary, the title story portrays a petty official's mental disintegration as he struggles for the attention of the woman he loves. Set during the repressive rule of Nicholas I, it satirizes the bureaucratic excesses of the era. Additional tales include "The Nevski Prospect," a portrayal of the feverish pace of St. Petersburg street life, and "The Portrait," a gripping depiction of a soul's perdition.