It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    It reassures people that their responses which may seem frightening and painful are an integral part of this difficult time but can become manageable with compassionate support and the right information. This valuable aid helps the grieving understand their emotions and enables friends and family to offer support and comfort where and when it is most needed.

    This new volume of three of Euripides' most celebrated plays offers graceful, economical, metrical translations that convey the wide range of effects of the playwright's verse, from the idiomatic speech of its dialogue to the high formality of its choral odes.

    Yes, she is old. Yes, she sometimes forgets where she put her glasses, or her heart medication. But doesn't everyone? That doesn't give workers--paid to assist her, mind you--the right to rifle through her personal belongings, or "accidentally" forget something of hers in their pocket. It definitely does not give them the right to embezzle thousands of dollars from her family trust.Just when she is most desperate, a young neighbor takes her by surprise. Bonding over their shared love of soap operas, Jo and Toby engage in old-school reconnaissance to find answers. Together, they brave roller skates, walks along uneven ground, and even downtown parking on what may be Jo's most exciting adventure in forty years."Yes, And" is a feel-good story that explores the hearts of two misunderstood, kindred spirits, connected just when they need each other most.

    Bring a blanket, huddle around the fire, and try to keep warm as you encounter psychotic abductors, deadly spirits and demons of the woods. When They Come Alone - One man's Halloween ritual is far more vicious than it seems. His playful prank is a mask for something more. A Monster in his Closet - A boy is troubled by something in his closet. But, as we will soon see, there is no monster in his closet. Eat Your Heart Out - A quarreling lesbian couple's camping trip goes awry. They may not survive the night when something intrudes in the night. Meet Me at the Looking Tree - A tragic tale of two boys, a towering tree, and a new pair of binoculars. When one of them goes missing, the other's life will never be the same. The Deer Cam - An avid hunter's first hunt of the season turns horrific when noises send him running home. The terror is not over when noises accompany his sleep. What Mustn't be Seen - One night, a boy hears his next door neighbor's home being invaded. But what he witnesses is much worse than a couple of thieves. He Who Waits - Ever since childhood, a girl is constantly watched by a suited man just outside her home. Nobody else can see him. Later in life, a tragedy shows the man's dreadful intentions. The Orb - A metallic, glowing sphere lands in a small town, and those who come close to it are flooded with euphoric visions. Those who touch it disappear in a flash. But unknown horrors await them on the other side. The Way of the World - A wealthy man invites a beggar over for dinner, but the menu may not be to his liking. You Should've Opened the Door - A lonely woman hears news of an escaped killer. That night, the strange knocking begins. Forgetful - A man awaits much needed sleep. But he soon realizes he has forgotten a few routine things. One of which may cost him his life. Sensations - A little girl enjoys spending the night at her grandparents, save for the fact that something visits her at night. Soon, she will learn the horrid truth of the sensations she feels at night. A Stranger's Approach - A distraught woman is having enough trouble affording life when a stranger begins to follow her. Quickly, the stalking becomes too much, and a fateful climax ensues. What people are saying about Brenden Dean's works - “Beautifully written. Absolutely amazing.” –David B. “Holy s***. That was amazing.” -Jacob S. “Now that’s how you write a f****** twist.” -Stefan T. “There’s a lot of good stories out there, but [When They Come Alone] is great.” -Fredrick H. “. . . It's very well written and personable. High praise.” -R. Bowers “F****** amazing. I love it.” -Paula M. “Oh, this is the first thing I’ve read on /r/NoSleep that actually freaked me out. Good job. Good f****** job.” -Cassie A. “Wow. Holy s***. . . The ending really got me.” -Bradley S. "This is probably the saddest story I’ve ever read on /r/NoSleep. God damn, made me cry even.

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    Ann’s clearest memory is performing as Peter Pan in grade school, complete with the distinct elation of feeling she never had to grow up. A lyrical new play about yearning for youth, the pangs of aging, and the enduring bonds of family.

    He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Peyton’s handsome nephew George arrives as heir apparent and quickly falls in love with Zoe, a beautiful octoroon. But the evil overseer M’Closky has other plans—for both Terrebonne and Zoe. In 1859, a famous Irishman wrote this play about slavery in America. Now an American tries to write his own.

    Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    With Steffy, his sometime paramour, at his side, Herb decides to take another stab at fatherhood and hopefully this time, get it right.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Brant’s writing [is] taut, terse and concentrated on exposing the fissures that open in the heroine’s confidence and sense of honor... Grounded has a grimly fresh topicality." - New York Times"Propulsive drama... A fascinating exploration of personality, Grounded is, of course, all the more interesting because the subject of drone warfare is so much in the news... Thought-provoking." - Washington Post"Brant’s sharp-eyed, timely script... lets no one off easy; it forces the audience into a greater awareness of our own complicity in America’s drifts. Clap all you want at the end of the play—and you’ll want to clap a lot—but the game stays with you." - Time Out New York"Brant's drama is ready for prime time... Compelling and provocative." - San Francisco Chronicle"I was blown away... Grounded powerfully focuses on the human element... Don't miss it." - The Nation"Gripping... A play that challenges us to consider the moral and mortal conflict that is so much a part of our dangerous world... Delivers quite the gut punch... Grounded could not be much more timely." - Baltimore SunSeamlessly blending the personal and the political, Grounded tells the story of a hot-rod F16 fighter pilot whose unexpected pregnancy ends her career in the sky. Repurposed to flying remote-controlled drones in the Middle East from an air-conditioned trailer near Vegas, the Pilot struggles through surreal twelve-hour shifts far from the battlefield, hunting terrorists by day and being a wife and mother by night. A tour de force play for one actress, Grounded flies from the heights of lyricism to the shallows of workaday existence, targeting our assumptions about war, family, and the power of storytelling.Winner of the 2012 Smith Prize, a 2013 Scotsman Fringe First Prize, and Shortlisted for the Amnesty International Freedom of Expression Award 2013 at the Edinburgh Fringe Festival, 2013.

    Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.