But that is only a small part of its complicated and complicit performance history. In this sophisticated and historically grounded analysis, anthropologist Jennifer Robertson draws from over a decade of fieldwork and archival research to explore how the Revue illuminates discourses of sexual politics, nationalism, imperialism, and popular culture in twentieth-century Japan.The Revue was founded in 1913 as a novel counterpart to the all-male Kabuki theater. Tracing the contradictory meanings of Takarazuka productions over time, with special attention to the World War II period, Robertson illuminates the intricate web of relationships among managers, directors, actors, fans, and social critics, whose clashes and compromises textured the theater and the wider society in colorful and complex ways. Using Takarazuka as a key to understanding the "logic" of everyday life in Japan and placing the Revue squarely in its own social, historical, and cultural context, she challenges both the stereotypes of "the Japanese" and the Eurocentric notions of gender performance and sexuality.

    Tramping through China by train, bus, boat, motorcycle, mule or hitching on the back of anything that moved. On a budget so scant that he drew sympathetic stares from peasants. Backpacking photographer Tom Carter somehow succeeded in circumnavigating over 35,000 miles (56,000 kilometers) across all 33 provinces in China during a 2-year period, the first foreigner on record ever to do so.What Carter found along the way, and what his photographs ultimately reveal, is that China is not just one place one people, but 33 distinct geographical regions populated by 56 different ethnicities, each with their own languages, customs and lifestyles.Despite increased tourism and surging foreign investment, the cultural distances between China and the West remain as vast as the oceans that separate them. Carter's book, CHINA: Portrait of a People, was published as a means to visually introduce China to the world by providing a glimpse into the daily lives of the ordinary people who don't make international headlines yet whom are invariably the heart and soul of this country.MEDIA REVIEWS"One of China's most extraordinary explorers." --The World of Chinese"Part of the strength of this book is its independent spirit. It's not a travel guide showing China dressed in its Sunday best, or a photojournalistic approach documenting the underbelly of the country, but rather a peek at the sights Carter has seen and a corrective to both the glowing promotional images and negative media shots that we are all familiar with." -- China Daily"Tom Carter is an extraordinary photographer whose powerful work captures the heart and soul of the Chinese people." -- Anchee Min, author of Red Azalea"Tom Carter's photo book is an honest and objective record of the Chinese and our way of life... his camera leads us through 33 wide-sweeping scenes of the real and the surreal." -- Mian Mian, author of Candy"Capturing the diversity of [China's] 56 ethnic groups is a remarkable achievement ... There are a number of shots in this book that could easily grace the pages of National Geographic ... Unless you want to undertake your own two-year trek through some of the mainland's most difficult terrain to take your own shots, this is a study well worth having on your bookshelf." -- South China Morning Post"In these 900 images, Carter shows just how diverse the Chinese really are, with their different facial features, skin hues, lifestyles, cultures and occupations. What ensues is an engaging and enlightening photo essay of 1.3 billion people." -- Asian Geographic Passport"A striking, kaleidoscopic vision of China's lands and people." -- The Beijinger"Through Carter's journey of self-discovery, we end up discovering a little more about ourselves -- and a land so vast, so disparate, that 638 pages of photos barely manage to scratch the surface. Still, CHINA: Portrait of a People is a very good place to start peeling back the layers." -- Time Out Hong Kong"Travel photos taken by a stranger seldom fascinate. But 800 color images captured by Tom Carter as he spent two years on the road, traveling 56,000 kilometers through all of China's 33 provinces, make a dramatic exception ... Carter's weighty book takes an effort to carry home from a store. But anyone interested in China should love owning it." -- Cairns Media Magazine"Getting a full picture of China - a vast country with an enormous population, a place that is experiencing sweeping cultural and economic changes - is, of course, impossible. But Tom Carter comes close. ... It's a remarkable book, compact yet bursting with images that display the diversity of a nation of 56 ethnic groups." -- San Francisco Chronicle"In China: Portrait of a People, Tom Carter shows us that there are actually dozens of Chinas. The American photojournalist spent two years traveling 35,000 miles through every province of China by bus, boat, train, mule, motorcycle, and on foot." -- Christian Science Monitor

    Japan, meanwhile, was trying to reinvent itself as a more cosmopolitan, modern state, ultimately transforming itself, in the course of twenty-five years, from a feudal backwater to an international power. This great wave of historical and cultural reciprocity between the two young nations, which intensified during the late 1800s, brought with it some larger-than-life personalities, as the lure of unknown foreign cultures prompted pilgrimages back and forth across the Pacific.In The Great Wave, Benfey tells the story of the tightly knit group of nineteenth-century travelers—connoisseurs, collectors, and scientists—who dedicated themselves to exploring and preserving Old Japan. As Benfey writes, “A sense of urgency impelled them, for they were convinced—Darwinians that they were—that their quarry was on the verge of extinction.”These travelers include Herman Melville, whose Pequod is “shadowed by hostile and mysterious Japan”; the historian Henry Adams and the artist John La Farge, who go to Japan on an art-collecting trip and find exotic adventures; Lafcadio Hearn, who marries a samurai’s daughter and becomes Japan’s preeminent spokesman in the West; Mabel Loomis Todd, the first woman to climb Mt. Fuji; Edward Sylvester Morse, who becomes the world’s leading expert on both Japanese marine life and Japanese architecture; the astronomer Percival Lowell, who spends ten years in the East and writes seminal works on Japanese culture before turning his restless attention to life on Mars; and President (and judo enthusiast) Theodore Roosevelt. As well, we learn of famous Easterners come West, including Kakuzo Okakura, whose The Book of Tea became a cult favorite, and Shuzo Kuki, a leading philosopher of his time, who studied with Heidegger and tutored Sartre.Finally, as Benfey writes, his meditation on cultural identity “seeks to capture a shared mood in both the Gilded Age and the Meiji Era, amid superficial promise and prosperity, of an overmastering sense of precariousness and impending peril.”

    . . when you were little, you learned that everyone poops. But did you ever discover how much? Well, sit down on that cold porcelain throne and get ready to laugh your butt off at the most amazing, hilarious, need-to-go facts on the one thing everyone does--but nobody talks about. Filled to the rim with piles of fascinating dirty fun, this illustrated kids' book for grown-ups answers all the questions you never thought to ask: •How do astronauts poop in space? •Where does poop go after you flush? •Why can I see the corn but not the chicken? •Can I light my poop on fire? •Who invented the first flushing toilet? •What's the poop on Michael Jackson, Elvis and John Wayne?

    From the world's greatest fantasy artist Yoshitaka Amano comes a masterful interpretation of the classic opera The Magic Flute by Wolfgang Amadeus Mozart.Mateki is a beautiful and tragic tale of a young prince who must put away his flute and become a warrior to save his love from the lord of darkness.

    College level text for art appreciation.

    It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    The Pixels of Paul Cezanne is a collection of essays by Wim Wenders in which he presents his observations and reflections on the fellow artists who have influenced, shaped, and inspired him."How are they doing it?" is the key question that Wenders asks as he looks at the dance work of Pina Bausch, the paintings of Cezanne, Edward Hopper, and Andrew Wyeth, as well as the films of Ingmar Bergman, Michelanelo Antonioni, Ozu, Anthony Mann, Douglas Sirk, and Sam Fuller.He finds the answer by trying to understand their individual perspectives, and, in the process revealing his own art of perception in texts of rare poignancy.

    Lynch reflects on her difficult childhood with her bi-polar mother, and comes to realize her chaotic past unwittingly provided the perfect foundation for her chosen career.

    David Hockney has worked in almost every medium - painting, drawing, stage design, photography and printmaking. He has undertaken an ambitious experiment with ways of seeing and ways of representing sight - ranging from his paintings, with their challenges to perspective and brilliant colours, to his vivid multi-dimensional photo-collages and his fax art, computer printings and coloured laser prints.

    Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone. For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he shares the secrets of his trade.Making Records is a fascinating look "behind the glass" of a recording studio. From Phil's exhilarating early days recording jazz and commercial jingles at A&R, to his first studio, and eventual legendary producer status, Phil allows you to sit in on the sessions that created some of the most memorable music of the 20th century -- including Frank Sinatra's Duets album, Bob Dylan's Blood on the Tracks, Ray Charles's Genius Loves Company and Paul Simon's Still Crazy After All These Years. In addition to being a ringside seat for contemporary popular music history, Making Records is an unprecedented tutorial on the magic behind what music producers and engineers do. In these pages, Phil offers a rare peek inside the way music is made . . . illuminating the creative thought processes behind some of the most influential sessions in music history. This is a book about the art that is making records -- the way it began, the way it is now, and everything in between.

    With a revised final chapter and expanded recommended readings, Roger Daniels's updated edition examines a tragic event in our nation's past and thoughtfully asks if it could happen again.

    Illustrated throughout with behind-the-scenes photos.

    It’s about a young person trying to work out who they are, and where they fit - and trying to do this whilst surviving the trauma of a triple disaster of colossal scale, told through both prose and manga.

    But the latter soon proved particularly pointless as the private first class found himself in the thick of two pivotal, fiercely fought Big Red One operations, going head-to-head against crack Viet cong and NVA troops in the notorious Iron Triangle and along the treacherous Cambodian border near Tay Ninh.Patrols, ambushes, plunging down VC tunnels, search and destroy missions–there were many ways to drive the enemy from his own backyard, as Ronnau quickly discovered. Based on the journal Ronnau kept in Vietnam, Blood Trails captures the hellish jungle war in all its stark life-and-death immediacy. This wrenching chronicle is also stirring testimony to the quiet courage of those unsung American heroes, many not yet twenty-one, who had a job to do and did it without complaint–fighting, sacrificing, and dying for their country. Includes sixteen pages of rare and never-before-seen combat photosFrom the Paperback edition.