The author tackles a wide range of issues, from the democratic case against book banning to the role of teachers' unions in education, as well as the vexed questions of public support for private schools and affirmative action in college admissions.

    The most complete edition yet published of Wittgenstein's 1929 lecture includes a never-before published first draft and makes fresh claims for its significance in Wittgenstein's oeuvre.The first available print publication of all known drafts of Wittgenstein's Lecture on EthicsIncludes a previously unrecognized first draft of the lecture and new transcriptions of all draftsTranscriptions preserve the philosopher's emendations thus showing the development of the ideas in the lectureProposes a different draft as the version read by Wittgenstein in his 1929 lectureIncludes introductory essays on the origins of the material and on its meaning, content, and importance

    This inexpesnive pamphlet edition is sure to be prized by Americans of all ages.

    . . this collection can be read with pleasure by those unversed in semiotic theory." —Times Literary Supplement

    It’s no coincidence that geniuses not only dare to dream of the impossible for their work, but do the same for their lives. They’re audacious enough to think that they’re not just ordinary players. Few stories better illustrate this better than the life of the father of the modern world, a man of legendary imaginative power and wonder: Nikola Tesla.In this book, you’ll be taken on a whirlwind journey through Tesla’s life and work, and not only learn about the successes and mistakes of one of history’s greatest inventors, but also how to look at the world in a different, more imaginative way.Read this book now and learn lessons from Nikola Tesla on why imagination is so vital to awakening your inner genius, and insights into the real “secret” to creativity, as explained by people like Jobs, Picasso, Dali, and Twain.

    After her sometime boyfriend —a CIA agent— is murdered before her eyes, she finds herself holding a ticket to Moscow and a mysterious metal card. A far cry from her usual pairing of a Faulkner novel and bottle (or two) of white Bordeaux.Alone and haunted by her lover’s death, apolitical Lily resolves to complete his mission and find out who killed him. Masquerading as a gung-ho member of the American Communist Party, she travels to Moscow, where she is contacted by Pasha Tarkhan. Brutal, yet charismatic, Tarkhan is both a high-ranking Soviet official and CIA asset, not to mention a covert supporter of the Russian Spiritual Underground. This alliance of self-styled “deists” have rejected the secular Soviet state and vowed to bring it down by means of faith, prayer...and blood.Grinding her old life beneath the heel of her Dior stiletto, Lily puts her new one on the line, surrendering to fate, love and, for once, events bigger than herself.

    The execution is nearly indescribable. Think McSweeney's production values and design pyrotechnics. Think traditional esoteric symbols in a childhood garden of wonder. Think graphic novel and an adult version of the coolest activity book ever made. And you'll be somewhere in the neighborhood. Jeff Hoke has created a history of the human imagination with visual cues and clues and wonderment about and around everything you ever thought and everything you wish you'd been crafty enough to think. He has built a museum accessible to all, in book format, arranged with 7 halls (representing the seven stages of alchemical process) in which the questions of the universe unfold. All one needs to enter is some basic understanding of the human experience.Open The Museum of Lost Wonder, and step into an alternative world full of beautiful drawings, interesting historical tidbits, thoughtful challenges to common myths, and projects and pursuits to complete at home. Pages pull out with cutouts for building models. Hoke's museum is graphic novel meets quantum physics meets mythical journey meets spirit. Hoke begins with The Calcinatio Hall where the featured exhibit is The Beginning of Everything and leads us into halls like The Sublimatio Hall, with the exhibit How To Have Visions. In The Separatio Hall the exhibit Where Are You Going challenges us in our own journey. Through each hall we are led into an exhibit that questions our own understanding of life and urges us into new ways of thinking. As in wandering the great, immense halls of an ancient museum with endless corridors and fascinating exhibits, the reader is instantly pulled into this enormously imaginative pursuit. Each page is full of depth and questions. And each hall features a special foldout interactive page.

    Dennett, Gerald Edelman, and Roger Penrose, all firing volleys in what has come to be called the consciousness wars. Now, in The Conscious Mind, philosopher David J. Chalmers offers a cogent analysis of this heated debate as he unveils a major new theory of consciousness, one that rejects the prevailing reductionist trend of science, while offering provocative insights into the relationship between mind and brain.Writing in a rigorous, thought-provoking style, the author takes us on a far-reaching tour through the philosophical ramifications of consciousness. Chalmers convincingly reveals how contemporary cognitive science and neurobiology have failed to explain how and why mental events emerge from physiological occurrences in the brain. He proposes instead that conscious experience must be understood in an entirely new light--as an irreducible entity (similar to such physical properties as time, mass, and space) that exists at a fundamental level and cannot be understood as the sum of its parts. And after suggesting some intriguing possibilities about the structure and laws of conscious experience, he details how his unique reinterpretation of the mind could be the focus of a new science. Throughout the book, Chalmers provides fascinating thought experiments that trenchantly illustrate his ideas. For example, in exploring the notion that consciousness could be experienced by machines as well as humans, Chalmers asks us to imagine a thinking brain in which neurons are slowly replaced by silicon chips that precisely duplicate their functions--as the neurons are replaced, will consciousness gradually fade away? The book also features thoughtful discussions of how the author's theories might be practically applied to subjects as diverse as artificial intelligence and the interpretation of quantum mechanics.All of us have pondered the nature and meaning of consciousness. Engaging and penetrating, The Conscious Mind adds a fresh new perspective to the subject that is sure to spark debate about our understanding of the mind for years to come.

    Today, we flee urban dangers for the safer, reconfigured world of suburban lawns and parks. According to geographer Yi-Fu Tuan, people have always sought to escape in one way or another, sometimes foolishly, often creatively and ingeniously. Glass-tower cities, suburbs, shopping malls, Disneyland—all are among the most recent monuments in our efforts to escape the constraints and uncertainties of life—ultimately, those imposed by nature. "What cultural product," Tuan asks, "is not escape?" In his new book, the capstone of a celebrated career, Tuan shows that escapism is an inescapable component of human thought and culture.

    Focusing on the relationships among political leadership, the norms of the legal order, and the state of political emergency, Schmitt argues in Political Theology that legal order ultimately rests upon the decisions of the sovereign. According to Schmitt, only the sovereign can meet the needs of an "exceptional" time and transcend legal order so that order can then be reestablished. Convinced that the state is governed by the ever-present possibility of conflict, Schmitt theorizes that the state exists only to maintain its integrity in order to ensure order and stability. Suggesting that all concepts of modern political thought are secularized theological concepts, Schmitt concludes Political Theology with a critique of liberalism and its attempt to depoliticize political thought by avoiding fundamental political decisions.

    Provocative, intimate, and thoughtful, Another Turn of the Crank reaches to the heart of Wendell Berry's concern for our nation, its communities, and their future.

    Friedmann, Natural Law Forum

    Written during the Second World War and circulated privately, it appeared in a printed edition in Amsterdam in 1947. "What we had set out to do," the authors write in the Preface, "was nothing less than to explain why humanity, instead of entering a truly human state, is sinking into a new kind of barbarism."Yet the work goes far beyond a mere critique of contemporary events. Historically remote developments, indeed, the birth of Western history and of subjectivity itself out of the struggle against natural forces, as represented in myths, are connected in a wide arch to the most threatening experiences of the present. The book consists in five chapters, at first glance unconnected, together with a number of shorter notes. The various analyses concern such phenomena as the detachment of science from practical life, formalized morality, the manipulative nature of entertainment culture, and a paranoid behavioral structure, expressed in aggressive anti-Semitism, that marks the limits of enlightenment. The authors perceive a common element in these phenomena, the tendency toward self-destruction of the guiding criteria inherent in enlightenment thought from the beginning. Using historical analyses to elucidate the present, they show, against the background of a prehistory of subjectivity, why the National Socialist terror was not an aberration of modern history but was rooted deeply in the fundamental characteristics of Western civilization.Adorno and Horkheimer see the self-destruction of Western reason as grounded in a historical and fateful dialectic between the domination of external nature and society. They trace enlightenment, which split these spheres apart, back to its mythical roots. Enlightenment and myth, therefore, are not irreconcilable opposites, but dialectically mediated qualities of both real and intellectual life. "Myth is already enlightenment, and enlightenment reverts to mythology." This paradox is the fundamental thesis of the book.This new translation, based on the text in the complete edition of the works of Max Horkheimer, contains textual variants, commentary upon them, and an editorial discussion of the position of this work in the development of Critical Theory.

    Or they can lead to different destinations: places turned upside down or inside out, territories riddled with marks understood only by their maker, realms connected more to the interior mind than to the exterior world. These are the places of artists' maps, that happy combination of information and illusion that flourishes in basement studios and downtown galleries alike. It is little surprise that, in an era of globalized politics, culture, and ecology, contemporary artists are drawn to maps to express their visions. Using paint, salt, souvenir tea towels, or their own bodies, map artists explore a world free of geographical constraints.Katharine Harmon knows this territory. As the author of our best-selling book You Are Here, she has inspired legions of new devotees of imaginative maps. In The Map as Art, Harmon collects 360 colorful, map-related artistic visions by well-known artistssuch as Ed Ruscha, Julian Schnabel, Olafur Eliasson, Maira Kalman, William Kentridge, and Vik Munizand many more less-familiar artists for whom maps are the inspiration for creating art. Essays by Gayle Clemans bring an in-depth look into the artists' maps of Joyce Kozloff, Landon Mackenzie, Ingrid Calame, Guillermo Kuitca, and Maya Lin. Together, the beautiful reproductions and telling commentary make this an essential volume for anyone open to exploring new paths.

    J. C. Smart and Bernard Williams. In the first part of the book Professor Smart advocates a modern and sophisticated version of classical utilitarianism; he tries to formulate a consistent and persuasive elaboration of the doctrine that the rightness and wrongness of actions is determined solely by their consequences, and in particular their consequences for the sum total of human happiness. In Part II Bernard Williams offers a sustained and vigorous critique of utilitarian assumptions, arguments and ideals. He finds inadequate the theory of action implied by utilitarianism, and he argues that utilitarianism fails to engage at a serious level with the real problems of moral and political philosophy, and fails to make sense of notions such as integrity, or even human happiness itself. This book should be of interest to welfare economists, political scientists and decision-theorists.