Sally De Rooze is almost thirty. She survived the accident that killed her father and brothers. Her mother never forgave her for that. But she survived her mother too. Surviving is what she does best. Farmer Ross Bertram, who offers her his acres and safety, is the answer for a while. Until he starts pushing for a wedding. Sally wants ... wants more. Wants to know great love. Wants to find herself. One year. That's what she wants. One year of freedom in the big, bad city. Her survival skills are tested in the urban sprawl and she discovers more about herself than she had ever dared to imagined.

    The Summer of ’82 is the hilarious and heartfelt story of a boy becoming a man in suburban Australia.Dave O’Neil is one of our most loved comedians. He has been performing stand-up for over twenty-five years, has been part of some of Australia’s most successful FM radio teams, and is a regular on our TV screens, where he holds the honour of having the most guest appearances on ABC’s iconic Spicks and Specks (over fifty!). He is also a successful writer, columnist and actor. The Summer of ’82 is his fifth book.

    She's an icon to her fans, a darling of the media, schmoozed by television networks and an A-list guest at festivals abroad. She's a month and three countries into her current tour, a week away from home – through what exactly 'home' means is problematic these days. On a flight between gigs, a recurring dream raises disturbing questions. Haunting flashbacks provide clues to a past long ago buried – a secret life in another time, a life of lies, pacts and forbidden alliances. Then there's her relationship with Murray and where it went wrong. Out of the spotlight and beneath the punchlines, Meg discovers that memory will find a way to break the surface . . .

    Uses of Literature bridges the gap between literary theory and common-sense beliefs about why we read literature.Explores the diverse motives and mysteries of why we readOffers four different ways of thinking about why we read literature: for recognition, enchantment, knowledge, and shockArgues for a new "phenomenology" in literary studies that incorporates the historical and social dimensions of readingIncludes examples of literature from a wide range of national literary traditions

    The arche, or origin, is always also a command, and a beginning is always the first principle that governs and decrees. This is as true for theology, where God not only creates the world but governs and continues to govern through continuous creation, as it is for the philosophical and political tradition according to which beginning and creation, command and will, together form a strategic apparatus without which our society would fall apart.The five essays collected here aim to deactivate this apparatus through a patient archaeological inquiry into the concepts of work, creation, and command. Giorgio Agamben explores every nuance of the arche in search of an an-archic exit strategy. By the book's final chapter, anarchy appears as the secret center of power, brought to light so as to make possible a philosophical thought that might overthrow both the principle and its command.

    Product DescriptionPublishers Description:A Prohibition-era novel centering around the occurrence of a dust storm in southern Minnesota, Orchard of Dust follows the lives of a boy and his father as their town is invaded by a speakeasy.From the Back Cover:In the quiet born to the soil, the coming of a fresh generation quaked and rumbled as a people, displaced from their land, dreamed of once and tomorrow; they followed promised whispers of abundance through a desolation where men ripped at the land, wrenching what harvest the fields could spit until a protestation came against man, strangling the fields in dust; and this people broke their homes, shattering hearthstones against the collapsed shelter of forgotten desires that had turned to dead leaves.

    Each book explores the major themes, historical and philosophical context and key passages of a major philosophical text, guiding the reader toward a thorough understanding of often demanding material. Ideal for undergraduate students, the guides provide an essential resource for anyone who needs to get to grips with a philosophical text. Heidegger's Being and Time is one of the most influential and controversial philosophical treatises of the 20th century. It had a profound impact on Sartre and Merleau-Ponty in their further development of phenomenology and existentialism, hugely influenced Gadamer's hermeneutics, and paved the way, partly directly and partly indirectly through Heidegger's later thought, for the emergence of deconstructionism. In addition to being a very important text, it is also a very difficult one. Heidegger presents a number of challenges to the the reader, asking them to abandon many assumptions fundamental to traditional philosophy, such as the mind/body distinction and the concept of substance. The text also introduces a whole host of new concepts and terms and as such is a hugely challenging, yet fascinating, piece of philosophical writing. In Heidegger's 'Being and Time': A Reader's Guide William Blattner explains the philosophical background against which the book was written and provides a clear and concise overview of the key themes and motifs. The book then examines this challenging text in details, guiding the reader to a clear understanding of Heidegger's work as a whole. Finally Blattner explores the reception and influence of the work and offers the student guidance on further reading. This is the ideal companion to study of this most influential and challenging of texts.

    He explains in depth the tools Lacan gave him to navigate the extremes of his other two philosophical "masters," Jean-Paul Sartre and Louis Althusser. Élisabeth Roudinesco supplements Badiou's experience with her own perspective on the troubled landscape of the French analytic world since Lacan's death—critiquing, for example, the link (or lack thereof) between politics and psychoanalysis in Lacan's work. Their exchange reinvigorates how the the work of a pivotal twentieth-century thinker is perceived.

    Her father Brian, a Vietnam veteran struggling with the long-term effects of the war, has been missing ever since he walked out on Beth and their two children in the dead of night twenty years ago. Matt dreams of one day finding his own path like his heroic father, as Beth’s religious fervour propagates a childhood of parental disappointment. Rachel sets before her family one last request: a journey to the exotic and the unknown. Rachel, ever the free spirit, administers a dose of her notorious wanderlust.The Happiness Jar is a story about how tightly you hold on to what you believe in; how one person’s beliefs can affect a family and tear at the already fragile folds where love hides. It’s about faith, and what can endure despite the burdens we place on ourselves and each other.Set against the red dust of the Kimberley desert, and the smoky backdrop of the holy river Ganges in India, The Happiness Jar is a novel that reminds us that we continue to live in the memories we leave behind. “The Happiness Jar will take the reader on a journey of discovery, of oneself and those whom we love, and others we may not love at all. I found this book to be a wonderful read from start to finish and was left pondering at the end, my own mortality, outlook and relationships. Samantha Tidy has penned a book that you may well want to read again and again.” Gary McKay, Author

    One of the most progressive and imaginative people in British education today he has hitherto kept a low profile. This book accompanies a three part television series to be screened on BBC 2 but differs from it significantly.There is a crisis in the British education system. Year on year GCSE and A Level pupils post better exam results, with more students achieving top grades. Yet business leaders and employers complain bitterly that our schools are not producing people fit for purpose. What we have become is a nation 'Over schooled and under educated'. Far from being locked in an ivory tower, a bastion of privilege, Mr Little has used his time as a teacher and headmaster to get to grips with fundamental questions concerning education. He wants to produce people fit to work in the modern world. How do children absorb information? What kind of people does society need? What is education for? Not only is the author one of the great reforming headmasters of our time but he has planted Academies in the East end of London, founded a state boarding school near Windsor and yet is a passionate advocate of single sex schools.This book is not a text book for colleges of education- it is a book to enlighten the teaching profession and just as much for anxious parents. The book is simply arranged under topics such as authority, expectations, progress, self-confidence, sex, crises and creativity.Tony Little thinks it is time to ask some fundamental questions, and to make brave decisions about how we make our schools and our schoolchildren fit for purpose.

    Art has been replaced by postart, a term invented by Alan Kaprow, as a new visual category that elevates the banal over the enigmatic, the scatological over the sacred, cleverness over creativity. Tracing the demise of aesthetic experience to the works and theory of Marcel Duchamp and Barnett Newman, Kuspit argues that devaluation is inseparable from the entropic character of modern art, and that anti-aesthetic postmodern art is in its final state. In contrast to modern art, which expressed the universal human unconscious, postmodern art degenerates into an expression of narrow ideological interests. In reaction to the emptiness and stagnancy of postart, Kuspit signals the aesthetic and human future that lies with the old masters. The End of Art points the way to the future for the visual arts. Donald Kuspit is Professor of Art History at SUNY Stony Brook. A winner of the Frank Jewett Mather Award for Distinction in Art Criticism, Professor Kuspit is a Contributing Editor at Artforum, Sculpture and New Art Examiner. His most recent book is The Cult of the Avant-Garde (Cambridge, 1994).

    He brings to life the ageless comfort of Krishna’s sayings: whatever is meant to happen will happen. Don’t expect to be perfect. You cannot blame anyone else for what will happen to you. He showcases the wisdom of the ages with beautiful simplicity and emotional grace. Find out more about this exquisite text in this short, sweet read from Devlok.

    In this raffish, hilarious, scathing yet often surprisingly humane collection, Gill applies his unmatched wit to the largest and smallest issues of our time. Whether you're struggling to satisfy your other half, having a crisis over your baldness, don't like your daughter's boyfriend, or need the definitive rules on shorts, leather jackets and man-bags, AA Gill has all the answers - but you'd better brace yourself first.

    The marketplace now operates through every hour of the clock, pushing us into constant activity and eroding forms of community and political expression, damaging the fabric of everyday life.Jonathan Crary examines how this interminable non-time blurs any separation between an intensified, ubiquitous consumerism and emerging strategies of control and surveillance. He describes the ongoing management of individual attentiveness and the impairment of perception within the compulsory routines of contemporary technological culture. At the same time, he shows that human sleep, as a restorative withdrawal that is intrinsically incompatible with 24/7 capitalism, points to other more formidable and collective refusals of world-destroying patterns of growth and accumulation.

    However, because it leaves no permanent trace, its evolution has long been a mystery, and it is only in the last fifteen years that we have begun to understand how language came into being. "The First Word" is the compelling story of the quest for the origins of human language. The book follows two intertwined narratives. The first is an account of how language developed?how the random and layered processes of evolution wound together to produce a talking animal: us. The second addresses why scientists are at last able to explore the subject. For more than a hundred years, language evolution was considered a scientific taboo. Kenneally focuses on figures like Noam Chomsky and Steven Pinker, along with cognitive scientists, biologists, geneticists, and animal researchers, in order to answer the fundamental question: Is language a uniquely human phenomenon? "The First Word" is the first book of its kind written for a general audience. Sure to appeal to fans of Steven Pinker's "The Language Instinct" and Jared Diamond's "Guns, Germs, and Steel," Kenneally's book is set to join them as a seminal account of human history.