Set against the dramatic backdrop of Guatemala's political upheaval in the 1980s, this heady mix of magic, humor, and spirituality immerses the reader in the experiences of Mayan birth, courting, marriage, childrearing, old age, death, and beyond, using the true story of Prechtel's own family and friends.

    Talayesva, the Sun Chief, who was born and reared until the age of ten as a Hopi Indian, and then trained as a white man until he was twenty. Although torn between two worlds and cultures, he returned to Hopiland and readopted all the tribal customs. This is his autobiography, written for Leo Simmons, a white man who was a clan brother.

    It offers readers a unique survey of her entire career in forty short pieces that have never been collected in a single volume, from charming and incisive urban vignettes from the 1930s to the raw materials of her two unfinished books of the 2000s, together with introductions and annotations by editors Samuel Zipp and Nathan Storring. Readers will find classics here, including Jacobs's breakout article "Downtown Is for People," as well as lesser-known gems like her speech at the inaugural Earth Day and a host of other rare or previously unavailable essays, articles, speeches, interviews, and lectures. Some pieces shed light on the development of her most famous insights, while others explore topics rarely dissected in her major works, from globalization to feminism to universal health care.With this book, published in Jacobs's centenary year, contemporary readers--whether well versed in her ideas or new to her writing--are finally able to appreciate the full scope of her remarkable voice and vision. At a time when urban life is booming and people all over the world are moving to cities, the words of Jane Jacobs have never been more significant. Vital Little Plans weaves a lifetime of ideas from the most prominent urbanist of the twentieth century into a book that's indispensable to life in the twenty-first.Praise for Vital Little Plans"Jacobs's work . . . was a singularly accurate prediction of the future we live in."--The New Republic"In Vital Little Plans, a new collection of the short writings and speeches of Jane Jacobs, one of the most influential thinkers on the built environment, editors Samuel Zipp and Nathan Storring have done readers a great service."--The Huffington Post"A wonderful new anthology that captures [Jacobs's] confident prose and her empathetic, patient eye for the way humans live and work together."--The Globe and Mail"[A timely reminder] of the clarity and originality of [Jane Jacobs's] thought."--Toronto Star"[Vital Little Plans] comes to the foreground for [Jane Jacobs's] centennial, and in a time when more of Jacobs's prescient wisdom is needed."--Metropolis"[Jacobs] changed the debate on urban planning. . . . As [Vital Little Plans] shows, she never stopped refining her observations about how cities thrived."--Minneapolis Star Tribune"[Jane Jacobs] was one of three people I have met in a lifetime of meeting people who had an aura of sainthood about them. . . . The ability to radiate certainty without condescension, to be both very sure and very simple, is a potent one, and witnessing it in life explains a lot in history that might otherwise be inexplicable."--Adam Gopnik, The New Yorker"A rich, provocative, and insightful collection."--Reason

    National Geographic’s Book of Peoples of the World propels that important quest with concern, authority, and respect. Created by a team of experts, this hands-on resource offers thorough coverage of more than 200 ethnic groups—some as obscure as the Kallawaya of the Peruvian Andes, numbering fewer than 1,000; others as widespread as the Bengalis of India, 172 million strong. We’re swept along on a global tour of beliefs, traditions, and challenges, observing the remarkable diversity of human ways as well as the shared experiences. Spectacular photographs reveal how people define themselves and their worlds. Specially commissioned maps show how human beings have developed culture in response to environment. Thought-provoking text examines not only the societies and the regions that produced them, but also the notion of ethnicity itself—its immense impact on history, the effects of immigration on cultural identity, and the threats facing many groups today. Threading through the story are the extraordinary findings of the National Geographic Society’s Genographic Project—a research initiative to catalog DNA from people around the world, decoding the great map of human migration embedded in our own genetic makeup.At once a comprehensive reference, an appreciation of diversity, and a thoughtful look at our instinct to belong, this uplifting book explores what it means to be human and alive.

    He careened through the country, offering money for spirit contacts he couldn't duplicate by admitted magical chicanery. It was a heyday not only for Houdini but for the spirit-callers and there was an equally famous protagonist who thought the spirits could indeed be contacted, Sir Arthur Conan Doyle. A photo at the front records a meeting between Houdini and Doyle and Houdini gives Doyle his own chapter. There's an earlier chapter on Daniel Dunglas Home, the English engineer of spectacular paranormal effects. Houdini raises hell with spiritualists who were giving their (usually paying) clients a vision of heavens to come, and shares the methods used to practice "fake" and sensational spiritualism. Houdini was nothing if not unrelenting. As a taste of things to come, he ends his introduction with the words: "Up to the present time everything that I have investigated has been the result of deluded brains."

    He is here presenting new information resulting from his research into African music, especially among the Venda. Venda music, he discovered is in its way no less complex in structure than European music. Literacy and the invention of nation may generate extended musical structures, but they express differences of degree, and not the difference in kind that is implied by the distinction between 'art' and 'folk' music. Many, if not all, of music's essential processes may be found in the constitution of the human body and in patterns of interaction of human bodies in society. Thus all music is structurally, as well as functionally, 'folk' music in the sense that music cannot be transmitted of have meaning without associations between people.If John Blacking's guess about the biological and social origins of music is correct, or even only partly correct, it would generate new ideas about the nature of musicality, the role of music in education and its general role in societies which (like the Venda in the context of their traditional economy) will have more leisure time as automation increases.

    

    A disciplined, gentle man who upheld the old ways, he was aggrieved by the social ills he saw besetting his own people and forthright in denouncing them. When he died in 1989 at the Pine Ridge Reservation in South Dakota, he was widely loved and respected. Fools Crow is based on interviews conducted in the 1970s. The holy man tells Thomas E. Mails about his eventful life, from early reservation days when the Sioux were learning to farm, to later times when alcoholism, the cash economy, and World War II were fast eroding the old customs. He describes his vision quests and his becoming a medicine man. His spiritual life—the Yuwipi and sweatlodge ceremonies, the Sun Dance, and instances of physical healing—is related in memorable detail. And because Fools Crow lived joyfully in this world, he also recounts his travels abroad and with Buffalo Bill's Wild West show, his happy marriages, his movie work, and his tribal leadership. He lived long enough to mediate between the U.S. government and Indian activists at Wounded Knee in 1973 and to plead before a congressional subcommittee for the return of the Black Hills to his people.

    In an engaging and wide-ranging narrative Agustin Fuentes counters these pervasive and pernicious myths about human behavior. Tackling misconceptions about what race, aggression, and sex really mean for humans, Fuentes incorporates an accessible understanding of culture, genetics, and evolution requiring us to dispose of notions of "nature or nurture." Presenting scientific evidence from diverse fields, including anthropology, biology, and psychology, Fuentes devises a myth-busting toolkit to dismantle persistent fallacies about the validity of biological races, the innateness of aggression and violence, and the nature of monogamy and differences between the sexes. A final chapter plus an appendix provide a set of take-home points on how readers can myth-bust on their own. Accessible, compelling, and original, this book is a rich and nuanced account of how nature, culture, experience, and choice interact to influence human behavior.

    In With Billie, we hear the voices of those people who knew Billie best: piano players and dancers, pimps and junkies, lovers and narcs, producers and critics, each recalling intimate stories of the Billie they knew. What emerges is a portrait of a complex, contradictory, enthralling woman, a woman who — contrary to myth — knew what she wanted and what really mattered to her. Julia Blackburn has pieced together an oral history of this jazz great, creating a unique and fascinating view of an astonishing woman.

    This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.

    This book is a skilful combination of lucid explanation and cogently argued critique of the fundamental directions in which our world is moving financially and economically. The author reviews the causes and consequences of famine in Sub-Saharan Africa, the dramatic meltdown of financial markets, the demise of State social programs and the devastation resulting from corporate downsizing and trade liberalisation."A leading intellectual of the antiwar movement. He works his tail off documenting the material he presents and is rigorous." -Jude Wanniski, Polyconomics."The book can and should be read by all with an interest in world peace and the causes of poverty." -Frances Hutchinson, The Ecologist"Michel Chossudovsky's valuable study addresses some of the most important issues of the current era." -Noam Chomsky

    Cutting paths through the alien harshness of the Australian frontier, McMillan became a pioneer to be forever mythologised in the statues and landmarks that bore his name. He was also Cal Flyn’s great-great-great-uncle. Inspired by this glimmer of an ancestral greatness, Flyn followed in his footsteps to Australia, where her investigations forced her to confront dark and horrifying family secrets. She discovered that McMillan and his peers were responsible for a series of assaults on indigenous peoples so ferocious that the sites would ever after be synonymous with bloodshed: Skull Creek, Boney Point, Slaughterhouse Gully. McMillan too had a new name: the Butcher of Gippsland.Driven to piece together his story and confront her own history, Flyn looks for answers: How could a man lauded for his generosity and integrity commit such terrible acts? How could a man who had witnessed the horror of Highlanders cleared from their lands then massacre and ‘clear’ indigenous people on the other side of the world? How can whole societies come to be overlooked and forgotten? Should today's generation atone for their ancestors' sins? Blending memoir, history and travel, Thicker Than Water evokes the startlingly beautiful wilderness of the Highlands, the desolate bush of Victoria and the reverberations on one from the other. A tale of blood and bloodlines, it is a powerful, personal journey into dark family history, intergenerational grief and the inherited guilt that we all carry with us.

    A city so rich that it spends 150 million dollars a year on corporate lunches, dinners and fundraisers and yet so poor that its streets are frequently as potholed as those of any forgotten backwater in the developing world. A city that deploys more armed officers per square mile than any other in the world but has earned the title of being its country's murder capital. A city where 565 elected Congressmen and Senators are chased, charmed, cajoled and sometimes bribed by 35,000 registered lobbyists; where the most illustrious resident travels with a fleet of planes and a small army of body guards but where the mayor for twelve years was a convicted crack addict who believed that every law in his own country was racist, 'including the law of gravity'. A city that plays host to seventeen different spying agencies, employing 23,000 agents, none of whom were able to discover a plot that involved flying civilian airliners into buildings, even though the plotters had littered their path with clues. Hard to imagine? Welcome to Washington DC: the Rome of the 21st century.Matt Frei was the BBC’s Washington correspondent from 2002. ‘Only in America’ is a surprising and brilliant dissection of the most powerful nation on earth from its capital out.

    This is a comeback to a position of power, influence, and creativity in Canadian civilization.John Ralston Saul argues that historic moments are always uncomfortable. The events that began late in 2012 with the Idle No More movement were not just a rough patch in Aboriginal relations with the rest of Canada. What is happening today in Aboriginal-white relations is not about guilt, sympathy, or failure, or romanticizing a view of the past. It is about citizens’ rights. It is about rebuilding relationships that were central to the creation of Canada and, equally important, central to its continued existence. Canadians are faced with the potential for those relationships to open up a more creative and accurate way of imagining ourselves, a different narrative for Canada in which we all share obligations as a society.Wide in scope but piercing in detail, The Comeback presents a powerful portrait of modern Aboriginal life in Canada in contrast to the perceived failings, often portrayed in media, that Canadians have become accustomed to. Once again, Saul presents an unfamiliar story of Canada’s past so that we may better understand its present—and imagine a better future.