A team of local detectives made it their business to take him on until Scotland Yard threw them under the bus and the business of putting on 'the greatest show on earth' won the day.Award-winning journalist Michael Gillard took up where they left off to expose the tangled web of chief executives, big banks, politicians and dirty money where innocent lives are destroyed and the guilty flourish. Gillard's efforts culminated in a landmark court case, which finally put the Long Fella and his friends on trial exposing London's real Olympic legacy.

    The issues it tackled, from the failures of the drug war and criminal justice system to systemic bias in law enforcement and other social institutions, have become more urgent and central to the national conversation. The show's actors, such as Idris Elba, Dominic West, and Michael B. Jordan, have gone on to become major stars. Its creators and writers, including David Simon and Richard Price, have developed dedicated cult followings of their own. Universities use the show to teach everything from film theory to criminal justice to sociology. Politicians and activists reference it when discussing policy. When critics compile lists of the Greatest TV Shows of All Time, The Wire routinely takes the top spot. It is arguably one of the great works of art America has produced in the 20th century.But while there has been a great deal of critical analysis of the show and its themes, until now there has never been a definitive, behind-the-scenes take on how it came to be made. With unparalleled access to all the key actors and writers involved in its creation, Jonathan Abrams tells the astonishing, compelling, and complete account of The Wire, from its inception and creation through its end and powerful legacy.

    It is rare that a historian of the Left has managed to retain as much credibility while refusing to let his academic mantle change his beautiful writing style from being anything but direct, forthright, and accessible. Whether his subject is war, race, politics, economic justice, or history itself, each of his works serves as a reminder that to embrace one's subjectivity can mean embracing one's humanity, that heart and mind can speak with one voice. Here, in six sections, is the historian's own choice of his shorter essays on some of the most critical problems facing America throughout its history, and today.

    John's, Antigua; Oranjestad, Aruba; Bridgetown, Barbados; Belize City, Belize; Bermuda; Kralendijk, Bonaire; Calica (Playa del Carmen), Mexico; Cartagena, Colombia; Colon, Panama; Costa Maya, Mexico; Willemstad, Curacao; Roseau, Dominica; Falmouth, Jamaica; Freeport-Lucaya, Bahamas; Grand Cayman, Cayman Islands; Grand Turk, Turks and Caicos Islands; St. George's, Grenada; Pointe-a-Pitre, Guadeloupe; Key West, Florida; La Romana, Dominican Republic; Fort-de-France, Martinique; Montego Bay, Jamaica; Nassau, Bahamas; Charlestown, Nevis; Ocho Rios, Jamaica; Progreso, Mexico; Puerto Limon, Costa Rica; Roatan, Honduras; Samana (Cayo Levantado), Dominican Republic; San Juan, Puerto Rico; Santo Domingo, Domican Republic; Santo Tomas de Castilla, Guatemala; Gustavia, St. Barthelemy; Fredericksted, St. Croix; Cruz Bay, St. John; Basseterre, St. Kitts; Castries, St. Lucia; Philipsburg, St. Maarten; Charlotte Amalie, St. Thomas; Kingstown, St. Vincent; Road Town, Tortola; and The Valley, Virgin Gorda· Covered ports of embarkation: Baltimore, Maryland; Charleston, South Carolina; Fort Lauderdale, Florida; Galveston, Texas; Houston, Texas; Jacksonville, Florida; Miami, Florida; New Orleans, Louisiana; New York, New York; Port Canaveral, Florida; San Juan, Puerto Rico; Tampa, Florida

    . . to promote me. He promotes me again and again. I am wild with ecstasy.   Imagine a world where erotica was written by feminists: Their daydreams include equal pay, a gender-balanced Congress, and Tom Hardy arriving at their doorstep to deliver a fresh case of LaCroix every week.   Both light-hearted and empowering, New Erotica for Feminists is a sly, satirical take on all the things that turn feminists on. From a retelling of Adam and Eve to tales of respectful Tinder dates, New Erotica for Feminists answers the question of “What do women really want?” with stories of power, equality, and an immortal Ruth Bader Ginsburg.

    This thrilling compendium includes:Jeffrey Toobin's eye-opening exposé in The New Yorker about a famous prosecutor who may have put the wrong man on death rowSkip Hollandsworth's amazing but true tale of an old cowboy bank robber who turned out to be a "classic good-hearted Texas woman"Jimmy Breslin's stellar piece about the end of the Mob as we know it

    Its Internet community web site, Fox Nation, serves as the online gathering place for Fox viewers to absorb and spread the aggregated disinformation and conspiracy theories hatched by Fox News.Two years ago the first volume of Fox Nation vs. Reality was published revealing an Internet operation that was dedicated to fiercely partisan, right-wing distortions of the truth. Its mission was, and remains, to construct a safe haven for the broader Fox News community to reinforce their preferred fantasies and unfounded preconceptions. Since then Fox Nation has evolved into an even more sheltered environment that has taken on many characteristics of culthood. It is a pattern they adopted from their parent, Fox News, where the slogan “fair and balanced” was an implicit condemnation of all other news sources as being neither. Recognizing that the prime directive of a cult is to convince your followers that your version of reality is the only true version and that all others are agents of deception, Fox segregated their disciples to prevent them from being contaminated by impure thoughts, otherwise known as facts.In Fox Nation vs. Reality you will find a compilation of articles originally published on the media analysis web site News Corpse. They provide an eye-opening look into the lengths that committed propagandists will go in order to fabricate an alternative political reality. And remember that Fox Nation is not some remote outpost on the Internet Superhighway. It is an integral part of Fox News whose executives are wholly responsible for the stain it produces on journalism.

    This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

      Dogfight is a narrative poem interrupted regularly by other poems and occasionally by what the author calls a pause for prose (“Callista Gingrich, Aware That Her Husband Has Cheated On and Then Left Two Wives Who Had Serious Illnesses, Tries Desperately to Make Light of a Bad Cough”). With the same barbed wit he displayed in the bestsellers Deciding the Next Decider, Obliviously On He Sails, and A Heckuva Job, America’s deadline poet trains his sights on the Tea Party (“These folks were quick to vocally condemn/All handouts but the ones that went to them”) and the slapstick field of contenders for the Republican nomination (“Though first-tier candidates were mostly out,/Republicans were asking, “What about/The second tier or what about the third?/Has nothing from those other tiers been heard?”). There is an ode to Michele Bachmann, sung to the tune of a Beatles classic (“Michele, our belle/Thinks that gays will all be sent to hell”) and passages on the exit of candidates like Herman Cain (“Although his patter in debates could tickle,/Cain’s pool of knowledge seemed less pool than trickle”) and Rick Santorum (“The race will miss the purity/That you alone endow./We’ll never find another man/Who’s holier than thou.”)   On its way to the November 6 finale, Trillin’s narrative takes us through such highlights as the January caucuses in frigid Iowa (“To listen to long speeches is your duty,/And getting there could freeze off your patootie”), the Republican convention (“It seemed like Clint, his chair, and their vignette/Had wandered in from some adjoining set”), and Mitt Romney’s secretly recorded “47 percent” speech, which inspired the “I Got the Mitt Thinks I’m a Moocher, a Taker not a Maker, Blues.”From the Hardcover edition.

    “Essays are restless literature, trying to find out how things fit together, how we can think about two things at once, how the personal and the public can inform each other, how two overtly dissimilar things share a secret kinship,” contends Rebecca Solnit in her introduction. From lost languages and extinct species to life-affirming cosmologies and literary myths that offer cold comfort, the personal and the public collide in The Best American Essays 2019. This searching, necessary collection grapples with what has preoccupied us in the past year—sexual politics, race, violence, invasive technologies—and yet, in reading for the book, Solnit also found “how discovery can be a deep pleasure.”  The Best American Essays 2019 includes Michelle Alexander, Jabari Asim, Alexander Chee, Masha Gessen, Jean Guerrero, Elizabeth Kolbert, Terese Marie Mailhot, Jia Tolentino, and others.

    The result is both a defense of freedom of speech and a critique of the likeability factor that can impede it.

    His essays and commentaries, such as the recent “Shivers Down the Spine,” “A Time for Anger,” and “Journalism Under Fire,” are argued over and passed along as soon as they appear in print or on the Internet. Identifying what he sees as a political system increasingly at the mercy of a corporate ruling class, Moyers urges a reengagement with the spirit of community that makes the work of democracy possible. Not only a trenchant critique of what is wrong, Moyers on America is also a call to arms for the progressive promise of the people of America, in whom his faith is strong.

    Our “digital convention” features such major bestselling authors as Ken Follett, Matt Haig, Jonathan Lethem, and Sue Miller. Other sure-to-be popular titles are by Rumaan Alam, J’nell Ciesielski, Vendela Vida, and Bryan Washington. At the end of most excerpts, you will find a link to the full galley on NetGalley!Buzz Books has had a particularly stellar track record with highlighting the most talented, exciting debut authors. Simon Stephenson’s novel about a humanlike bot has already been optioned for film, while Finnish sensation Max Seeck’s thriller is due out as a television series. Robert Jones Jr.’s The Prophets and Richard Osman’s The Thursday Murder Club were both sold at auction.Our nonfiction selections include an inspirational World War II story, Three Ordinary Girls: The Remarkable Story Of Hannie Schaft And The Oversteegen Sisters: Teenaged Saboteurs and Nazi Assassins by Tim Brady, a true crime read; We Keep the Dead Close by Becky Cooper; and the incisive Can't Even: How Millennials Became The Burnout Generation by BuzzFeed columnist Anne Helen Petersen.

    Army. Defying all known accepted military practice -- and indeed, the laws of physics -- they believed that a soldier could adopt a cloak of invisibility, pass cleanly through walls, and, perhaps most chillingly, kill goats just by staring at them. Entrusted with defending America from all known adversaries, they were the First Earth Battalion. And they really weren't joking. What's more, they're back and fighting the War on Terror. With firsthand access to the leading players in the story, Ronson traces the evolution of these bizarre activities over the past three decades and shows how they are alive today within the U.S. Department of Homeland Security and in postwar Iraq. Why are they blasting Iraqi prisoners of war with the theme tune to Barney the Purple Dinosaur? Why have 100 debleated goats been secretly placed inside the Special Forces Command Center at Fort Bragg, North Carolina? How was the U.S. military associated with the mysterious mass suicide of a strange cult from San Diego? The Men Who Stare at Goats answers these and many more questions.

    Through his own experience as the speechwriter for a controversial governor, Barton Swaim tells the story of a band of believers who attach themselves to this sort of ambitious narcissist—and what happens when it all comes crashing down.The Speechwriter is a funny and candid introduction to the world of politics, where press statements are purposefully nonsensical, grammatical errors are intentional, and better copy means more words. Swaim paints a portrait of a man so principled he’d rather sweat than use state money to pay for air conditioning, so oblivious he’d wear the same stained shirt for two weeks, so egotistical he’d belittle his staffers to make himself feel better, and so self-absorbed he never once apologized to his staff for making his administration the laughing stock of the country. On the surface, this is the story of one politician’s rise and fall. But in the end, it’s a story about us—the very real people who want to believe in our leaders and must learn to survive with broken hearts.