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      Santiago Ramón y Cajal (1852–1934) was the father of modern neuroscience and an exceptional artist. He devoted his life to the anatomy of the brain, the body’s most complex and mysterious organ. His superhuman feats of visualization, based on fanatically precise techniques and countless hours at the microscope, resulted in some of the most remarkable illustrations in the history of science. Beautiful Brain presents a selection of his exquisite drawings of brain cells, brain regions, and neural circuits with accessible descriptive commentary.   These drawings are explored from multiple perspectives: Larry W. Swanson describes Cajal’s contributions to neuroscience; Lyndel King and Eric Himmel explore his artistic roots and achievement; Eric A. Newman provides commentary on the drawings; and Janet M. Dubinsky describes contemporary neuroscience imaging techniques. This book is the companion to a traveling exhibition opening at the Weisman Art Museum in Minneapolis in February 2017, marking the first time that many of these works, which are housed at the Instituto Cajal in Madrid, have been seen outside of Spain.  Beautiful Brain showcases Cajal’s contributions to neuroscience, explores his artistic roots and achievement, and looks at his work in relation to contemporary neuroscience imaging, appealing to general readers and professionals alike.

    “No question is more debated today. And none produces more disappointing answers.” In Girard’s mimetic theory it is the imitation of someone else’s desire that gives rise to conflict whenever the desired object cannot be shared. This mimetic rivalry, Girard argues, is responsible for the frequency and escalating intensity of human conflict. For Girard, human conflict comes not from the loss of reciprocity between humans but from the transition, imperceptible at first but then ever more rapid, from good to bad reciprocity. In this landmark text, Girard continues his study of violence in light of geopolitical competition, focusing on the roots and outcomes of violence across societies latent in the process of globalization. The volume concludes in a wide-ranging interview with the Sicilian cultural theorist Maria Stella Barberi, where Girard’s twenty-first century emphases on the continuity of all religions, global conflict, and the necessity of apocalyptic thinking emerge.

    You don't have to be a Witch to use Love Magic. This enlightening book--a rich treasury of spells for men, women, and couples to attract, enhance, or end relationships--addresses both the novice and the experienced magic worker. Following an inspiring and informative overview on the meaning of love magic and on the craft of performing it, Love Magic offers an extensive array of rituals to bring warmth, affection, pleasure, and passion into your life and the lives of others. Told in Laurie Cabot's friendly voice and reflecting her many years of experience as a Witch, Love Magic promotes magic for the good of all and the harm of none, so readers can't hurt their chances at love, only increase them.

    These four took the nihilism of the movement to its ultimate conclusion, their works are remnants of lives lived to the limit and then cast aside with nonchalance and abandon: Vache died of a drug overdose, Rigaut shot himself, Cravan and Torma simply vanished, their fates still a mystery. Yet their fragmentary works - to which they attached so little importance - still exert a powerful allure and were a vital inspiration for the literary movements that followed them. Vache's bitter humour, Cravan's energetic invective, Rigaut's dandyfied introspection, and Torma's imperturbable asperity: all had their influence. This collection contains biographical introductions to each author as well as personal recollections by their contemporaries.

    To its contemporaries, the event was a journey and the men who took part in it pilgrims. Only later were those participants dubbed Crusaders--"those signed with the Cross." In fact, many developments wit

    That is, until I met my phoenix.”Ana de Navalles has almost nothing, aside from her friends. Having always been a child of the slums, her fortunes change when she’s admitted to Galfour’s Point, the prestigious and almost-mythical academy, and the only place in the world where you can train to become a dragon rider.Just before she is set to leave, her friend Cien is murdered before her by a mob-affiliated criminal with surprising strength. But Ana does not cower. With dark magic seemingly on the rise, her hunger to make something of herself – and thirst for revenge – is revived.After mere days at the academy, Ana is beginning to feel like the odd one out. A poor slum-dweller in a school of snobbish rich kids, all eyes are on her, and if she can’t pass her entrance exams, she’ll be kicked out without so much of a glance at a dragon.So when she discovers a young phoenix, newly hatched, and quickly establishes a bond with the precocious and unpredictable creature, Ana’s suddenly the talk of the academy. If, that is, she can convince the school authorities to let them stay.As Ana and her friends – some new and some old – prepare to investigate Cien’s murder, nefarious forces within the academy, and outside in the wider world conspire against them. Can Ana and Fyrenza – her newly named phoenix - rise from the ashes, and shine bright upon a cruel world?This novel contains violence. This is a young adult fantasy novel. If you love epic phoenix-tamer fantasy, life-risking adventure, and loyal friendships, Phoenix Whisperer is for you.

    In question-and-answer format, Polkinghorne and his collaborator Nicholas Beale offer their highly informed opinions about some of the most frequently asked of these questions. Readers can follow their own paths through the book, selecting questions that interest them and looking at the additional material if they choose. This unique book will help Christians clarify their beliefs regarding difficult issues and better face challenges--from within and from others--to their faith.

    Who were these medieval monastic knights, whose exploits were the stuff of legend even in their own day? Were these elite crusaders corrupted by their conquests, which amassed them such power and wealth as to become the envy of kings? Indignant at the discrepancies between the fantasies, on which "writers on history of every kind and hue have indulged themselves without restraint", and the available evidence, Régine Pernoud draws a different portrait of these Christian warriors. From their origins as defenders of pilgrims to the Holy Land to their dramatic finish as heretics burned at the stake, Pernoud offers a concise but thorough account of the Templars' contribution to Christendom.

    Capitol Building all have in common? Will the first Antichrist rise again? Will ancient Babylon once again become a prominent player in the Last Days? Will America be the catalyst through which both return? Why do the actions of our presidents, the iconography on the back of the U.S. one dollar bill, and the monuments of Washington, DC all seem to indicate that it will be? Find out in this updated and expanded edition of Babylon Rising: And The First Shall Be Last.

    Through the decades, this eye focused on Africa in the 1920s, the tragic fate of the Spanish Republicans, and the victory of the Chinese Communists. It was Cartier-Bresson who fixed in our minds the features of his contemporaries: Giacometti and Sartre as characters from their own works; Mauriac mysteriously levitating; Faulkner, Matisse, Camus, and countless others captured at the decisive moment in portraits for eternity.An intensely private individual, Cartier-Bresson confided in his close friend Pierre Assouline over a number of years, even opening up his archives to him. Here, for the first time, we read about his youthful devotion to surrealism; his unending passion for drawing; the war and the prison camps; the friends and the women in his life. Assouline provides an acute and perceptive account of the life and philosophy of this icon of our times, and gives us an opportunity to reassess his contribution to twentieth-century photography and reportage. 23 illustrations.

    While Christians anticipated the return of Jesus Christ, a wave of expectation swept through Islam that the "Lord of the Age" would soon appear. In Persia, this reached a dramatic climax on May 23, 1844, when a twenty-five-year-old merchant from Shiraz named Siyyid 'Ali-Muhammad, later title "The Bab," announced that He was the bearer of a divine Revelation destined to transform the spiritual life of the human race. Furthermore, He claimed that He was but the Herald of another Messenger, who would soon bring a far greater Revelation that would usher in an age of universal peace. Against a backdrop of wide-scale moral decay in Persian society, this declaration aroused hope and excitement among all classes. The Bab quickly attracted tens of thousands of followers, including influential members of the clergy--and the brutal hand of a fearful government bent on destroying this movement that threatened to rock the established order.

    It contains : - Biography of the Holy Prophet (S.A.W.), his companions, his wives and children. - Belief. - Pillars of Islam. - Political, economic, ethical and legal system of Islam in brief. - Sources of law. - Fiqh. - Translation of selected Suras, Verses and Ahadith.

    "It must be established as a law that adventure in itself does not exist," Mac Orlan stipulates. "Adventure is in the mind of the one who pursues it, and no sooner is he able to touch it with his finger than it vanishes, to reappear much farther off in another form, at the limits of the imagination." This handbook outlines two classes of adventurer: the active adventurer (sailors, soldiers, criminals) and the passive adventurer (sedentary parasites who draw sustenance from the exploits of the former). Roaming from battlefields to pirate ships to port-town taverns, and offering advice on reading, traveling and eroticism, Mac Orlan's "Handbook" is ultimately a how-to manual for the imagination, and a formulation of the stark choice all would-be adventurers must face: to live or write.Generally known as the author of "Le Quai des brumes" (the basis for Marcel Carne's film of the same name), Pierre Mac Orlan (1882-1970) was a prolific writer of absurdist tales, adventure novels, flagellation erotica and essays, as well as the composer of a trove of songs made famous by the likes of Juliette Greco. A member of both the Academie Goncourt and the College de 'Pataphysique, Mac Orlan was admired by everyone from Raymond Queneau and Boris Vian to Andre Malraux and Guy Debord.

    Nikki McArthur aka ‘A mother in France’ opens up a window to her world and invites you to journey with her through the positive and negative experiences of the process of moving, settling, making a living and raising a family in a new country. Woven within the pages of the family’s experiences are a treasury of facts and information making it not only a fascinating read but a useful guide to living in France.Uncovering the thought processes behind why the family decided to move to France and how they went about it, the book reveals how to prepare for a move abroad, house hunting tips and the buying process. Discover what it was like when they arrived, the main difficulties and challenges they faced with settling in as a family, renovation challenges and experiences of developing a business and making a living. Follow the ups and downs of family life in France from pregnancy and childbirth through to adulthood with fascinating details on education, health, cultural differences and raising bilingual children. An intriguing mixture of facts backed by true life experiences and comparisons and a compelling read for anyone interested in or considering moving abroad.