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    The collection includes the following titles: Almost by Elizabeth Benedict, Those Who Save Us by Jenna Blum, The Hearts of Horses by Molly Gloss, The Last Chinese Chef by Nicole Mones, The Vanishing Act of Esme Lennox by Maggie O'Farrell, and The Magician's Assistant by Ann Patchett.

    In 73 B.C., in the heart of Rome’s Mediterranean empire, a slave named Spartacus ignited one of the most violent episodes of slave resistance in the history of the Roman Empire — indeed in the world annals of slavery. Organizing 80 original Greek and Latin source translations into topical chapters on the daily life of slaves trained as gladiators and those who labored on farms in Italy and Sicily, Shaw includes accounts of revolts that preceded and anticipated that of Spartacus. In a carefully crafted introductory essay, Shaw places Spartacus in the broader context of first and second century B.C. Roman Italy and Sicily and explains why his story continues to be a popular symbol of rebellion today. The volume also includes a glossary, chronology, selected bibliography, 3 maps, an annotated list of ancient writers, and questions for consideration.

    Croatian by birth, Jergovic ? spent his childhood in Sarajevo and chose to remain there throughout most of the war. A dazzling storyteller, he brings a profoundly human, razor-sharp understanding of the fate of the city’s young Muslims, Croats, and Serbs with a subterranean humor and profoundly personal vision. Their offbeat lives and daily dramas in the foreground, the killing zone in the background.

    Written over a sixty-year period, these letters, the vast majority of them never before published, are funny, moving, and full of the same uncanny wisdom that has endeared his work to readers worldwide. Included in this comprehensive volume: the letter a twenty-two-year-old Vonnegut wrote home immediately upon being freed from a German POW camp, recounting the ghastly firebombing of Dresden that would be the subject of his masterpiece "Slaughterhouse-Five;" wry dispatches from Vonnegut's years as a struggling writer slowly finding an audience and then dealing with sudden international fame in middle age; righteously angry letters of protest to local school boards that tried to ban his work; intimate remembrances penned to high school classmates, fellow veterans, friends, and family; and letters of commiseration and encouragement to such contemporaries as Gail Godwin, Gunter Grass, and Bernard Malamud. Vonnegut's unmediated observations on science, art, and commerce prove to be just as inventive as any found in his novels--from a crackpot scheme for manufacturing "atomic" bow ties to a tongue-in-cheek proposal that publishers be allowed to trade authors like baseball players. ("Knopf, for example, might give John Updike's contract to Simon and Schuster, and receive Joan Didion's contract in return.") Taken together, these letters add considerable depth to our understanding of this one-of-a-kind literary icon, in both his public and private lives. Each letter brims with the mordant humor and openhearted humanism upon which he built his legend. And virtually every page contains a quotable nugget that will make its way into the permanent Vonnegut lexicon. - On a job he had as a young man: "Hell is running an elevator throughout eternity in a building with only six floors."- To a relative who calls him a "great literary figure" "I am an American fad--of a slightly higher order than the hula hoop."- To his daughter Nanny: "Most letters from a parent contain a parent's own lost dreams disguised as good advice."- To Norman Mailer: "I am cuter than you are." Sometimes biting and ironical, sometimes achingly sweet, and always alive with the unique point of view that made him the true cultural heir to Mark Twain, these letters comprise the autobiography Kurt Vonnegut never wrote.

    As a bold and gifted child, his promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low. With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of Charlotte, Emily and Anne. This is the biography of the shadowy figure of the "unknown" Bronte.

    A South American president revisits the scenes of his ruthless rise to power-shortly after his own funeral. A transformed and sparkling city of London sets the scene for a company chairman's nemesis at the hands of his wife. In Andalucia, the spirit of the "duende" inspires an elderly widow to dance a death-defying flamenco. We meet splendacious Mrs. da Silva, sixty-five year old matriarch of Rebel War Band, as she boogies at a carnival. The ghost of Dante's Virgil, leading his pilgrim along perilous paths, is brought to mind as one friend guides another on her final journey.

    Simultaneously channeling the gonzo energy of Hunter S. Thompson and the wit and insight of Joan Didion, Sullivan shows us—with a laidback, erudite Southern charm that’s all his own—how we really (no, really) live now. In his native Kentucky, Sullivan introduces us to Constantine Rafinesque, a nineteenth-century polymath genius who concocted a dense, fantastical prehistory of the New World. Back in modern times, Sullivan takes us to the Ozarks for a Christian rock festival; to Florida to meet the alumni and straggling refugees of MTV’s Real World, who’ve generated their own self-perpetuating economy of minor celebrity; and all across the South on the trail of the blues. He takes us to Indiana to investigate the formative years of Michael Jackson and Axl Rose and then to the Gulf Coast in the wake of Katrina—and back again as its residents confront the BP oil spill. Gradually, a unifying narrative emerges, a story about this country that we’ve never heard told this way. It’s like a fun-house hall-of-mirrors tour: Sullivan shows us who we are in ways we’ve never imagined to be true. Of course we don’t know whether to laugh or cry when faced with this reflection—it’s our inevitable sob-guffaws that attest to the power of Sullivan’s work.

    George Saunders's first foray into nonfiction is composed of essays on literature, travel, and politics. At the core of this unique collection are Saunders's travel essays based on his trips to seek out the mysteries of the "Buddha Boy" of Nepal; to attempt to indulge in the extravagant pleasures of Dubai; and to join the exploits of the minutemen at the Mexican border. Saunders expertly navigates the works of Mark Twain, Kurt Vonnegut, and Esther Forbes, and leads the reader across the rocky political landscape of modern America. Emblazoned with his trademark wit and singular vision, Saunders's endeavor into the art of the essay is testament to his exceptional range and ability as a writer and thinker.

    

    The sports page chronicles man's triumphs." So the adage goes, never more true than when surveying 100 years of American history through its coverage of sports. From Bobby Knight to Bobby Fischer, from Secretariat to Sugar Ray, from Butkus to the Babe, the 20th century abounds with classic figures in sports history. Their compelling stories fuel our collective memory. In the pieces assembled here, The Best American Sports Writing of the Century captures these indelible moments in words worth a thousand pictures. Working with series editor Glenn Stout (Best American Sports Writing 1999 etc.), Pulitzer-Prize winner David Halberstam (The Summer of '49, Playing For Keeps:Michael Jordan & the World He Made) selects the century's most engaging sports journalism. While the task was surely a challenge, the result is a near-seamless retrospective of contemporary athleticism. The pieces are contemporaneous with the events recounted, infusing the entire collection with an intimate immediacy. You are there — with Joe DiMaggio, Junior Johnson, Muhammad Ali, Branch Rickey — again & again. The writing is uniformly excellent, mixing some familiar choices with otherwise overlooked gems. However, one criticism must be noted: This is for fans of men's endeavors, for women hardly appear in the 800-plus pages. No exquisite essays on Wilma Rudolph's struggles to achieve Olympic gold. No mention of Chris Evert's importance to tennis. No hymns of praise for Peggy Fleming's inspiring skating. Nohyperboleabout Shirley Muldowney's drag racing prowess. No Mary Decker, no Nancy Lopez, no Picabo Street. Perhaps a companion volume is in the offing. For capturing 10 decades of achievement by the men, tho, no tribute could be finer. Whether rejoicing on the quietude of fishing (Thomas McGuane, The Longest Silence, 1969) or the cacophony of Bobby Thomson's pennant-winning heroics (Red Smith, Miracle of Coogan's Bluff, 1951), the writing is evocative and timeless. Some athletic greats are viewed as their careers are poised to explode (Tiger Woods in 1997's The Chosen One, by Gary Smith). Others are glimpsed in the rearview mirror: DiMaggio in 1966's The Silent Season of a Hero, by Gay Talese; Ty Cobb in 1961's The Fight to Live, by Al Stump; & Billy Conigliaro in 1989's "A Brother's Keeper," by Mike Lupica. In a marvelous choice, Halberstam concludes the book with six essays on Ali. The selections represent the full spectrum of his athletic and public career, from cocksure Cassius Marcellus Clay (Murray Kempton, "The Champ and the Chump," 1964) to reflective disciple of Islam (Dick Schaap, "Muhammad Ali Then and Now," 1971) to resurrected warrior in Manila (Mark Kram, "Lawdy, Lawdy, He's Great," 1975) & beyond.

    In doing so Asimov illuminates the Bible's many obscure and mysterious passages, producing a valuable text for anyone interested in religion and history.

    Green calls himself a “stove-up old cowboy,” and readers of this book will learn soon enough where the broken bones came from. Green tells of his adventures with wild steers, sharing with readers the years he worked in thorny brush and canyon country delivering those animals that were too wily or too wild for the normal roundup. Finding them was hard, even dangerous, work. Few cowboys looked for such chores. Green declares, “I got real good at it, but of course in those days I didn’t know any better.”

    Together they express a philosophy, or a moral code, by which Confucius, one of the most humane thinkers of all time, believed everyone should live. Upholding the ideals of wisdom, self-knowledge, courage and love of one’s fellow man, he argued that the pursuit of virtue should be every individual’s supreme goal. And, while following the Way, or the truth, might not result in immediate or material gain, Confucius showed that it could nevertheless bring its own powerful and lasting spiritual rewards.This edition contains a detailed introduction exploring the concepts of the original work, a bibliography and glossary and appendices on Confucius himself, The Analects and the disciples who compiled them. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    But now, surprisingly, he has turned his wit and elegant storytelling gifts to a candid memoir of the first forty years of his life. Palimpsest is written from the vantage point of Vidal's library in his villa on the Italian coast. As visitors come and go, his memory ranges back and forth across a rich history. Vidal's childhood was spent in Washington, D.C., in the household of his grandfather, the blind senator from Oklahoma, T. P. Gore, and in the various domestic situations of his complicated and exasperating mother, Nina. Then come schooldays at St. Albans and Exeter; the army; life as a literary wunderkind in New York, London, Rome, and Paris in the forties and fifties; sex in an age of promiscuity; and a campaign for Congress in 1960. Vidal's famous skills as a raconteur, his forthrightness, and his wicked wit are brilliantly at work in these recollections of a difficult family, talented friends, and interesting enemies. The cast includes Tennessee Williams, the Kennedys, Eleanor Roosevelt, Truman Capote, Paul Newman and Joanne Woodward, Christopher Isherwood, Jack Kerouac, Jane and Paul Bowles, Santayana, Anais Nin, Norman Mailer, Leonard Bernstein, and the Duke and Duchess of Windsor, among others. Beautifully rendered anecdotes are intermixed with meditations on writing, history, acting, and politics. Perhaps most surprising is the leitmotif of a great, lost love. "A memoir is how one remembers one's own life," Vidal says, "while an autobiography is history." Palimpsest is a true story, but also an extraordinary work of literary imagination.