Stepanek.Mattie J.T. Stepanek has made several appearances on Oprah, and has also been a guest on Good Morning America, Prime Time Live, National Public Radio, and Book TV, and has been featured in the New York Times, Washington Post, USA Today, Chicago Tribune, and People.

    Is it crisp leaves crunching? That’s what Squirrel says. Could it be a cool pond, sun-warmed sand, or moonlight on the grass? Maybe poetry is all of these things, as it is something special for everyone—you just have to take the time to really look and listen. The magical thing is that poetry is in everyone, and Daniel is on his way to discovering a poem of his own after spending time with his animal friends. What is poetry? If you look and listen, it’s all around you!

    It is a dive deep into the circles of emotion, empathy, acceptance, healing and insights into a different perspective towards life. In the voice of a budding adolescent, the book cascades into day-to day-shortcomings, carved into poetry and at the same time, embraces you in silence and stillness of thought. The book is an attempt to connect with the reader, to reflect upon them, unbiased and together and embrace a new beginning. With simplified use of grammar and vocabulary, this book seeks nothing but the companionship of all. With this debut book, the author aims to connect to one and to all in the message and purpose of existence, the aid of spirituality and an ode to a beautiful journey called life.

    

    "Bolin's four-page introduction describes and explains Emily Dickinson's odd life style and creative productivity....prettily colored watercolors."--LJ. "...footnotes glossing antiquated diction are well-handled and the precis on Dickinson's church-hymnal metric is a model of its kind."--Washington Post. ". . . shot through with magical charm and graceful beauty . . ."--Buzz Weekly. 48 pages (all in color), 8 1/2 x 10.

    And Damon knows that even though he's the "man of the house," there's room for a friend like Blue in his life. At the end of the day, Damon has someone standing steadfast in his corner. Someone true . . . like Blue. Nikki Grimes's moving poems and Jerome Lagarrigue's bold paintings create an emotional and realistic bond of friendship between a man and a boy in a rough world.

    Edited by the two leading experts on Hughes’s work, and illustrated by the brilliant Benny Andrews, this very special volume is one to treasure forever. A much-requested book that was years in the making…and well worth the wait. One of the central figures in the Harlem Renaissance—the flowering of black culture that took place in the 1920s and 30s—Langston Hughes captured the soul of his people, and gave voice to their concerns about race and social justice. His magnificent and powerful words still resonate today: that’s why it’s so important for young people to have access to his poems. Now they do, in a splendid volume edited and illustrated by a top-caliber team who are simply the best in their fields. The introduction, biography, and annotations come from Arnold Rampersad, a Professor and Dean at Stanford University, who has written The Life of Langston Hughes, and David Roessel, co-editor with Professor Rampersad of The Collected Poems of Langston Hughes and editor of the Langston Hughes collection in Knopf’s Everyman series. Benny Andrews—a painter, printmaker, and arts advocate whose work is in the permanent collection of the Metropolitan Museum, the Museum of Modern Art, and the Smithsonian, among others—has created gallery-quality illustrations that pulse with energy and add rich dimension to the poems. Among the anthologized poems are Hughes’s best-known and most loved works: “The Negro Speaks of Rivers”; “Aunt Sue’s Stories”; “Danse Africaine”; “Mother to Son”; “My People”; “Words Like Freedom”; “Harlem”; and “I, Too”—his sharp, pointed response to Walt Whitman’s earlier “I Hear America Singing.” Poetry for Young People: Langston Hughes is a publishing event for all to celebrate.A Selection of the Scholastic Book Club.

    It's all the things we all hold onto, all the things we let anchor onto us, and all the things that leave us vacant.

    Each poet's work is illustrated by a different artist such as Emma Chichester Clark, Fritz Wegner and Korky Paul.Brian Patten came to public attention with the publication of THE MERSEY SOUND in 1967. He is a very popular performance poet, always in demand for conferences and school visits. Collections of his own poetry are published in Puffin and he is the editor of the PUFFIN BOOK OF TWENTIETH CENTURY VERSE. Brian lives in London.This collection features poems and illustrations from:Spike Milligan; Kit Wright; Michael Rosen; Charles Causley; Roger McGough; Benjamin Zephaniah; Brian Patten; Jackie Kay; John Agard; Allan Ahlberg; Emma Chichester Clark; Korky Paul; Alison Jay; Lydia Monks; Ali Chatterton; David Mostyn; Sue Williams; Sheila Moxley; Fritz Wegner

    They can be fully appreciated by an individual reader, but they're particularly striking when read aloud by two voices, making this an ideal pick for classroom use. Eric Beddows′s vibrant drawings send each insect soaring, spinning, or creeping off the page in its own unique way.With Joyful Noise, Paul Fleischman created not only a fascinating guide to the insect world but an exultant celebration of life.

    Young Vincent Malloy's vivid imagination takes him on a macabre journey into a fantastical and weird world in which his home is filled with spiders and bats, his aunt becomes an exhibit in his wax museum, and his beautiful wife is buried in his mother's flower bed.

    Just as cats go miaow and cows go moo, The Truth Pixie can only say things that are true.

    Boogers. Stinky boys. These are the things of childhood, and they're all here in this outrageous collection of poems that look at the world through a child's eyes. Featuring everything from the Giant Children of the title-who flip pages with amazing speed-to a turtle named Jaws, the poetry included here is rambunctious, irreverent, funny, and sometimes even gross. Tedd Arnold, creator of the beloved Parts and More Parts, and Brod Bagert are good friends who have happily teamed up-with hilarious results.

    Now he's eleven, and his life is about to change again. His teacher, Ms. Marcus, is showing him ways to put his jumbled feelings on paper. And suddenly, Lonnie has a whole new way to tell the world about his life, his friends, his little sister Lili, and even his foster mom, Miss Edna, who started out crabby but isn’t so bad after all. Jacqueline Woodson’s novel-in-poems is humorous, heartbreaking . . . a triumph.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.