Georgia Rice, who has cared for her father and two siblings since her mother's death, is diagnosed, at nineteen, with tuberculosis and sent away to a sanitarium. Freed from the burdens of caretaking, she discovers a nearly lost world of youth and possibility, and meets the doomed young man who will become her lover.Vermont, the present. On the heels of a divorce, Catherine Hubbard, Georgia's granddaughter, takes up residence in Georgia's old house. Sorting through her own affairs, Cath stumbles upon the true story of Georgia's life and marriage, and of the misunderstanding upon which she built a lasting love.With the tales of these two women--one a country doctor's wife with a haunting past, the other a twice-divorced San Francisco schoolteacher casting about at midlife for answers to her future--Miller offers us a novel of astonishing richness and emotional depth. Linked by bitter disappointments, compromise, and powerful grace, the lives of Georgia and Cath begin to seem remarkably similar, despite their distinctly different times: two young girls, generations apart, motherless at nearly the same age, thrust into early adulthood, struggling with confusing bonds of attachment and guilt; both of them in marriages that are not what they seem, forced to make choices that call into question the very nature of intimacy, faithfulness, betrayal, and love. Marvelously written, expertly told, The World Below captures the shadowy half-truths of the visible world, and the beauty and sorrow submerged beneath the surfaces of our lives--the lost world of the past, our lost hopes for the future. A tour de force from one of our most beloved storytellers.From the Hardcover edition.

    She is to be a student at Temple School -- banished because her features too closely resemble those of her mother's married employer. The headmistress of this all-girl school, Sophia Westervelt, has a mysterious past and a passion for education. She instills achievement into her students, confident that one day they will have dinner with the King of Sweden, because they will win the Nobel Prize. Under Sophia's direction, Waverley grows as her own abilities and vision expand. But far away in Europe, nations clash, and even isolated Isadora Island feels the impact. Sophia struggles to keep Temple School going, though formidable forces combine against her. And in the midst of this turmoil, Waverley experiences love for the first time -- a love so fierce that, like her education, it will shape the rest of her life.

    For Tom already knows Danny Miller. When Danny was ten Tom helped imprison him for the killing of an old woman. Now out of prison with a new identity, Danny has some questions - questions he thinks only Tom can answer.Reluctantly, Tom is drawn back into Danny's world - a place where the border between good and evil, innocence and guilt is blurred and confused. But when Danny's demands on Tom become extreme, Tom wonders whether he has crossed a line of his own - and in crossing it, can he ever go back?

    As the book opens, he is driving along a dark road when he is distracted by what seems to be a flight of arrows. He crashes into a ravine and suffers horrible burns over much of his body. As he recovers in a burn ward, undergoing the tortures of the damned, he awaits the day when he can leave the hospital and commit carefully planned suicide—for he is now a monster in appearance as well as in soul. A beautiful and compelling, but clearly unhinged, sculptress of gargoyles by the name of Marianne Engel appears at the foot of his bed and insists that they were once lovers in medieval Germany. In her telling, he was a badly injured mercenary and she was a nun and scribe in the famed monastery of Engelthal who nursed him back to health. As she spins their tale in Scheherazade fashion and relates equally mesmerizing stories of deathless love in Japan, Iceland, Italy, and England, he finds himself drawn back to life—and, finally, in love.He is released into Marianne's care and takes up residence in her huge stone house. But all is not well. For one thing, the pull of his past sins becomes ever more powerful as the morphine he is prescribed becomes ever more addictive. For another, Marianne receives word from God that she has only twenty-seven sculptures left to complete—and her time on earth will be finished.

    After a quick engagement and marriage, the couple produce four childrenand are joined by boarder Mary Snelling, who teaches at the country school across the road. This addictive story winds through many twists before ending in a deadly rampage that results in one of the most notorious ax murders in American history.

    . . not even in His house.Liz’s best friend rode off on the back of a motorcycle when she was 16 years old. Her body parts washed up on the shores of a Virginia beach community days later, prompting Liz’s parents to sequester her away to Richmond, far away from the vicious murder. Now on her own, Liz returns to take back that part of her life and make peace with the events of her 16th summer.John Williams’ heart broke when, after being questioned in the grisly murder, Liz’s parents spirited her away for good, leaving him grieving for his forsaken love. With the guidance of his father, the community preacher, John moves on with a clear understanding of his life’s mission.When another body turns up, savagely hacked-up on the side of the road, safety becomes elusive, even in the small community church where the answers are hidden. Liz and John have to face the truth that the killer is still out there. Watching. Waiting for them.

    I think movies are the way I do that,” says Sophie Stark, a visionary and unapologetic filmmaker. She uses stories from the lives of those around her—her obsession, her girlfriend, and her husband—to create movies that bring her critical recognition and acclaim. But as her career explodes, Sophie’s unwavering dedication to her art leads to the shattering betrayal of the people she loves most.Told in a chorus of voices belonging to those who knew her best, The Life and Death of Sophie Stark is an intimate portrait of an elusive woman whose monumental talent and relentless pursuit of truth reveal the cost of producing great art, both for the artist and for the people around her.

    And all humanity.This Auschwitz Chapter is taken from Lee Vidor's novel, Under Total Eclipse We Will Tremble Like Birds Without Song, which is an historically accurate fictional account of Europe under Nazi Occupation. Even though The Auschwitz Chapter is only a concise single chapter in the novel, more than 2 years were spent researching every existing published eyewitness account of imprisonment at Auschwitz, in order to ensure complete accuracy. Lee Vidor states: ‘I believe I missed no eyewitness testimonies and that the account here given is absolutely accurate in every detail. It is the most specific and accurate description of events and processes at Auschwitz which exists. Every single detail in The Auschwitz Chapter has been confirmed from more than one eyewitness source, from photographic evidence and court documents.I believe it is the single most reliable and harrowing piece of literary writing ever done on the subject of the events which took place in the Nazi concentration camps during World War II.’Although fictional, the piece contains many precise facts which are extremely difficult to uncover and which are coherently gathered together nowhere else with such accuracy and completeness. Herein lies its enduring value.This work is not suitable for reading by anyone under 18 years of age.Please Note: This book is subject to attacks by holocaust deniers. A careful reading of any peculiar review for hidden motive is recommended. About The Auschwitz Chapter:If Holocaust deniers have somehow begun to lead you to question that what took place in Auschwitz concentration camp may be in any possible way a part myth, then this is the book for you. This is the concise and authentic story of what happened in Auschwitz, and in other Nazi concentration camps during World War II. The Auschwitz Chapter will inform you precisely of what was done, how it was done, where it was done, and precisely by whom. And it will give your their reasons for doing it. It will also tell you what it means to the world. You will read the absolute and specific truth. Every detail of the process. You won't have to doubt or wonder about it any longer. It will be the most valuable time you have ever spent on the subject because you will have learned not only about Auschwitz and about human nature, but also about the true nature of Holocaust deniers and revisionists. About Lee Vidor:Lee Vidor is the original source of the astonishing Shakespeare-X Message.She is the author of the novel cycle, 20th Century Bohemians and Angels, which is an expansive cycle of literary novels which follows and dramatizes the development of Modernism among the great writers, artists and bohemians of the 20th Century. It is a story of artistic obsession and bohemian madness.It is Lee Vidor’s original theory that the 20th Century has been a Modernist Renaissance for mankind, which is greater and more essential for our development than the Italian Renaissance of c1500.The Shakespeare-X Message is a definitive statement of authorship sent to the world by the authentic William Shakespeare. A mathematically verifiable statement.Lee Vidor has that message. The only person in 400 years to receive it.

    In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.

    Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman - his imaginary Well-Beloved - in stone, just as he tries to find her in the flesh. Powerful symbolism marks this romantic fantasy that Hardy has grounded firmly in reality with a characteristically authentic rendering of location, the Isle of Slingers, or Portland as we know it. Overt exploration of the relationship between erotic fascination and creativity makes this novel a nineteenth-century landmark in the persistent debate about art, aesthetics and gender.A person who differed from the local wayfarers was climbing the steep road which leads through the sea-skirted townlet definable as the Street of Wells, and forms a pass into that Gibraltar of Wessex, the singular peninsula once an island, and still called such, that stretches out like the head of a bird into the English Channel. It is connected with the mainland by a long thin neck of pebbles 'cast up by rages of the se, ' and unparalleled in its kind in Europe.The pedestrian was what he looked like-a young man from London and the cities of the Continent. Nobody could see at present that his urbanism sat upon him only as a garment. He was just recollecting with something of self-reproach that a whole three years and eight months had flown since he paid his last visit to his father at this lonely rock of his birthplace, the intervening time having been spent amid many contrasting societies, peoples, manners, and scenes

    In the face of his impending institutionalization, he continually reinvents himself to escape the legal and mental health authorities and to save himself from a life of incarceration. But running turns out to be costly. Vincent's clients in the L.A. underworld lose patience, the hospital evaluator may not be fooled by his story, and the only person in as much danger as himself is the woman who knows his real name.

    But when Dorsey returns to their small Michigan hometown with a successful career as an astrophysicist and a happy family life, Hugh, who has a long habit of worrying about his sister, realizes that it s his own life he has to cure, not Dorsey s. As they explore their complicated history over one hot Fourth of July weekend, they ll come to terms with the experiences that put such distance between them and discover the imperfect love that ties them as siblings."

    . . a standout shocker."--Library JournalThe child called Laura was the worst case Dr. Richard D'Ambrosio had ever encountered. As a toddler, she had been held in a frying pan and horribly burned. Now she was twelve, labeled schizophrenic, and housed in a gloomy institution run by Catholic nuns. Scarred physically and emotionally, she had never spoken a word. But the Sisters believed she would speak--if they could find someone to unlock the terrifying memories that kept her mute.That person was Dr. D'Ambrosio. Here, in an unforgettable story of professional skill and human courage, he records his rescue of that one little girl. No Language But a Cry has transcended its status as immensely interesting case history to become an incomparable testament to the awesome power of faith and love.

    This fascinating catalog of the comic relates the ironic and ludicrous adventures of a noted (but mysterious) English travel-book writer whose reported “death” throws the London literary world into a tizzy. Anthony Powell is also the author of O, How the Wheel Becomes It! and Venusberg.

    Bess Hardemon, a tough and canny young teacher living in the mid-nineteenth century, is determined to make a difference at her new school, Priors Heath. Under the austere gaze of the Reverend Carnegie and his deputy, Miss Simms, the young girls remain underfed and unstimulated -- until the arrival of the bright, motivated young Bess.At the cost of her own chance of finding love, Bess remains trapped by her duty, a confinement echoed a century later by Sarah, a teacher at the modern-day Priors Heath who must make her own choice between her duty to her pupils and her efforts to save a broken marriage.