Yet they live their lives under Japanese occupation. All students must read and write in Japanese and no one can fly the Korean flag. Hardest of all is when the Japanese Emperor forces all Koreans to take Japanese names. Sun-hee and Tae-yul become Keoko and Nobuo. Korea is torn apart by their Japanese invaders during World War II. Everyone must help with war preparations, but it doesn’t mean they are willing to defend Japan. Tae-yul is about to risk his life to help his family, while Sun-hee stays home guarding life-and-death secrets.

    Diaper, tackle the talking toilets, clash with the crazy cafeteria ladies, plot against Professor Poopypants, and wrestle the wicked Wedgie Woman. Overflowing with humor, action, and that world-famous cheesy animation technique, Flip-O-Rama, this boxed collection will make kids laugh until soda comes out their noses. Have you read your UNDERPANTS today?

    The only scion of a drunken interlude between a cowardly yakuza and an inebriated bar-hostess, Momoko's mom has since split the scene, and, after various ill-fated scams that involve imitation brand name merchandise, Momoko's dad relocates them to the boondocks of rural Ibaraki prefecture. To escape her humdrum existence, Momoko fanaticizes about French rococo, dreams of living in the palace of Versailles, and buys all her extremely lacy clothes from an expensive Tokyo boutique. Meet Ichiko, a tough-talking motorcycle grrrl (on a tricked-out moped) who leads a ladies-only biker gang known as the Ponytails. Together, this unlikeliest of duos strike out on a quest to find a legendary embroiderer, a journey on which they encounter conniving pachinko parlor managers, legendary street-punks, and anemic costumers. Who knows, they might just make it big...if only Ichiko would stop head butting Momoko in the forehead. Novala Takemoto's break-though novel KAMIKAZE GIRLS, already a cult-classic in Japan, is more than a wry coming-of-age picaresque, it's a new way of life.

    Yet this year, it's different -- Hattie's uncle Adam is coming home. Returning from a Chicago school that's just closed and whose existence is kept quiet by adult family members, Adam is a 21-year-old man with a child's mind, having a knack for talking quickly, a savant-like ability for remembering weekdays, and a passion for I Love Lucy. Hattie and Adam wind up spending precious time together -- including a visit to the recently arrived carnival with Hattie's new friend, Leila -- which makes her feel soulfully connected to her uncle, especially when he declares that she's one of the people who can lift the corners of our universe. But when Hattie takes Adam on the Ferris wheel one night, it sets off dramatic events that lead Hattie's family to strengthen its bonds and changes her life's outlook forever.

    An award-winning author makes her fiction debut with this coming-of-age story of three young black children set against the backdrop of the Atlanta child murders of 1979.

    Everything about this new kid is a mystery: Where does Lani come from? How old is Lani? And most disturbing of all, is Lani a boy or a girl?Claire McKenzie isn't up to tormenting Lani with the rest of the high school elite. Instead, she befriends the intriguing outcast. But within days of Lani's arrival, tragedy strikes and Claire must deal with shattered friendships and personal demons--and the possibility that angels may exist on earth.

    Skin and the gang have a job for him. They want him to break into Mrs Little's house and steal the jewellery box. But Luke finds more than just a jewellery box in the house. He finds something so unexpected it will change his life forever.

    Seeking only to be "good enough," she remains motionless and silent for hours on end, feeling the walls of her psychological prison pressing against her. Ultimately, Suzie finds herself in a mental hospital where she begins a long and fear-filled journey. To make sense of her world, Suzie must piece together a puzzle that involves seemingly unrelated clues--a broken bicycle, a torn picture, peacock feathers, and more--which together reveal a secret that is likely to change Suzie's life forever, and give her an opportunity to regain her voice and reclaim her spirit.

    But he was not alone. The Inuit people who traded there taught him how to track polar bears, build igloos, and survive ferocious winter storms. He learned their language and became completely immersed in their culture, earning the name Issumatak, meaning “he who thinks.”In The Last Gentleman Adventurer, Edward Beauclerk Maurice relates his story of coming of age in the Arctic and transports the reader to a time and a way of life now lost forever.

    Yet after fate takes him off a bus that crashes and kills his fellow students, including his girlfriend, Kevin inexplicably becomes a track phenomenon. Separated from his memory and distanced from his own life, he effortlessly smashes records and gains national attention, until he finds that he can no more remain apart from himself than he can from the ground beneath his feet.

    For the farming Pye family, life is a Greek tragedy where the sins of the fathers are visited on the sons, and terrible events occur—offstage. Centerstage are the Morrisons, whose tragedy looks more immediate if less brutal, but is, in reality, insidious and divisive. Orphaned young, Kate Morrison was her older brother Matt’s protegee, her fascination for pond life fed by his passionate interest in the natural world. Now a zoologist, she can identify organisms under a microscope but seems blind to the state of her own emotional life. And she thinks she’s outgrown her siblings—Luke, Matt, and Bo—who were once her entire world. In this universal drama of family love and misunderstandings, of resentments harbored and driven underground, Lawson ratchets up the tension with heartbreaking humor and consummate control, continually overturning one’s expectations right to the very end. Tragic, funny, unforgettable, this deceptively simple masterpiece about the perils of hero worship leapt to the top of the bestseller lists only days after being released in Canada and earned glowing reviews in The New York Times and The Globe and Mail, to name a few.

    But after several idyllic days of exploring, he's hit with some bad luck. He can't find his way home, and he runs into a hungry alligator who takes a bite out of his canoe. When he pulls up to a remote island, he finds another surprise: a mystery that will reach far into his own past . . . and force him to question the world he's left behind.

    Dropped into a world more savage than anything in National Geographic, more cutthroat than anything New York's grimy downtown streets have to offer-the exclusive rural community of Vlyvalle, New Jersey-fifteen-year-old Finn Earl and his recovering mother must fight for survival.

    Now you help me."As fourteen-year-old Allison Blair lies comatose in the hospital, she hears in her head the voice of Becky Lee Thompson, pleading for help and pulling Allison back in time to 1906—and into Becky's body. But why? Is it to prevent Becky's tragic death, or the death of Joshua, the boy who loves her? Allison must remain in the past—fortified by her own growing feeling for Joshua, and Becky's will—to make sense of the layers of mystery, blackmail, and mistaken identity so that history will be altered.Becky's spirit struggles to keep Allison's body alive. Can Allison save Becky and Joshua and return to her own body before time runs out?

    Dalloway -- a postmodern masterpiece whose minimal action takes place on a single June day in postwar London. The Hours progresses in fuguelike fashion: First we meet Clarissa Vaughan, a New York book editor dubbed "Mrs Dalloway" by her longtime friend and former lover Richard. Next, Cunningham presents Woolf herself, beginning work in 1923 on what is to become Mrs. Dalloway. And finally we are introduced to Laura Brown, a California housewife who is avidly reading Woolf's novel. Scenes from these three narratives are presented in recurrent identical succession: "Mrs. Dalloway," Mrs. Woolf, Mrs. Brown -- all bristling with connections and startling parallels. The "Mrs. Dalloway" strand is particularly rich, filled as it is with one-to-one correspondences to Woolf's novel. But the deepest and most important thing that The Hours shares with Mrs. Dalloway is "the feeling," as Woolf called it, "that it was very, very dangerous to live even one day." Cunningham's three women proceed through the day, through the hours, trying to keep themselves psychologically intact, like someone carrying a glass of water filled to the brim through a crowd and endeavoring not to spill it. They hesitate before plunging into the day because they know how hard it is to live in the world and remain identical with oneself. And they puzzle over a universal dilemma: how to bring the self into the world without its getting broken in the process. In The Hours, Michael Cunningham has explored this dilemma with an impressive and moving subtlety worthy of his great precursor. Benjamin Kunkel

    "The inadvertent shooting death of his brother by poet Orr gives this memoir a god-awful specific gravity and spurs the author's search for ways to live on…Here, the old and new meanings of 'blessing' - to sprinkle with blood, to confer spiritual power - harrowingly collide." - Kirkus Review

     Wild Stories collects thirty-two of the best pieces to appear in the magazine, written by its most esteemed contributors, including Jim Harrison, Sebastian Junger, P. J. O’Rourke, Rick Bass, Thomas McGuane, George Plimpton, Hampton Sides, Doug Stanton, Tim Cahill, and Mark Bowden. Each of the four chapters in Wild Stories showcases Men’s Journal’s diversity and taut storytelling power. “The Adventures” is a series of razor-sharp travel narratives, from a road trip across India on the perilous Grand Trunk Road to a search for grizzlies in Romania. “The Sporting Life” is a look into obscure corners of the sports world, where golf’s bush-league wannabes try to make it to the PGA and a group of cyclists out-suffer one another in pursuit of the mythic Hour Record. “Men’s Lives” includes profiles of singular adventurers such as Yvon Chouinard and Ned Gillette, and captures the rewards of such quintessentially male traditions as building a cabin on your own plot of land. And “The Reporting” collects definitive accounts of the most newsworthy disasters, as well as riveting dispatches from war zones in Somalia, Sudan, and Colombia, and from environmental hot spots in Alaska and Montana.Commemorating Men’s Journal’s tenth anniversary, Wild Stories is a diverse and entertaining anthology that explores the magazine’s basic creed: Life is an adventure. From the first page to the last, these are stories you’ll never forget.

    He can do no wrong, although sometimes he wants to, especially to people who look down on him and his mother, and their drab existence. And if bad things should happen to them - why, it's nothing to do with him. He's a good boy. Everybody says so.Susan Ramsey was once perfect too, cherished by her parents, a popular girl at school. A nice girl in a nice home. Then her dad died and her mum remarried. The way her stepfather cherished her wasn't very nice at all.So then they meet, Ronnie and Susan, become teenage sweethearts. If the world wasn't so wrong they'd be the perfect couple. But Ronnie can set that right. He's a good boy. Everybody says so.

    A bittersweet post-summer story about innocence and summers that are so special that they can't last.--San Francisco Chronicle.

    Born into a hardscrabble world of poverty and abandonment, Dove must take on much of the responsibility for her siblings after Crystal turns to their Bible-thumping Aunt Bett for help. When Molly's deadbeat blood father threatens to bring a custody suit, Crystal and Dove flee with the children to a secret refuge called Swan Place, where they meet a group of devout Black women who transform their lives in unusual and profound ways.

    Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love.

    I was a very ugly child. My appearance has not improved so I guess it was a lucky break when he was attracted by my youthfulness." So begins the wrenching diary of Minnie Goetze, a fifteen-year-old girl longing for love and acceptance and struggling with her own precocious sexuality. Minnie hates school and she wants to be an artist, or maybe a speleologist, or a bartender. She sleeps with her mother's boyfriend, and yet is too shy to talk with boys at school. She forges her way through adolescence, unsupervised and unguided, defenseless, and yet fearless.The story unfolds in the libertine atmosphere of the 1970s San Francisco, but the significance of Minnie's effort to understand herself and her world is universal. This is the story of an adolescent troubled by the discontinuity between what she thinks and feels and what she observes in those around her. The Diary of a Teenage Girl offers a searing comment on adult society as seen though the eyes of a young woman on the verge of joining it.In this unusual novel, artist and writer Phoebe Gloeckner presents a pivotal year in a girl's life, recounted in diary pages and illustrations, with full narrative sequences in comics form.

    He's been rebuilding an old Honda Civic working at a salvage yard, and designing T-shirts to help pay for food and parts. As long as Stet avoids his abusive, alcoholic father, he considers himself lucky. His car, his art, and a high school diploma are his tickets out of their factory town. Then his father brings home Kayla-a younger sister Stet never knew he had. His mother had been pregnant when she left, but told no one; now she's dead, and Kayla has nowhere else to go. Can these two wary siblings find anything in common, and try to build a future together?

    The book collects almost two dozen brief character sketches composed of lively and often humorous anecdotes, most of which concern the role of the Holy Spirit in empowering believers, and the ways that saints both desire and resist the Spirit's power. St. Lutgarde of Awyieres, for instance, asked God to take back her healing powers when the lines of petitioners grew so long that she barely had time for prayer. Mystics and Miracles offers an easy-to-read introduction to saintly lives that will particularly appeal to young people. --Michael Joseph Gross

    Sammy and Terry Prescott were orphaned as children. Sammy, now the single mother of a young son, has stayed in their hometown and is an officer at the local bank. Terry has become something of a drifter, surfacing only when he needs money. Sammy’s own life has its complications: she puts off an old boyfriend’s proposal and begins an affair with her new boss. Together in their family home, Terry’s charming irresponsibility collides with Sammy’s confusion over her own actions. What remains unspoken is what they’ve known since they were left with only each other sixteen years before.

    Frank writes provocative fiction. America, a foulmouthed, yet endearing 16-year-old, attempts suicide and is placed in the care of psychiatrists at Ridgeway mental hospital. There he learns to cope with a past filled with neglect and mistreatment with the help of Dr. B. Alternating between Americas present- day stay at the hospital and his past, living in the care of his older brothers, America is a stark exploration of the mind of an inner-city youth.

    . . . Other than the seasons, nothing ever changed. . . .” Until the summer of 1968. Ten-year-old Tina Hamilton’s life changes forever. Trouble erupts when a proposed theme park threatens her tiny Appalachian town. Some folks blame the trouble on “progress,” some blame the space race and men meddling with the moon’s cycles, and some blame Tina’s father. A past he has hidden catches up to him, his family, and the entire town. Suddenly, the clash of a father’s past and present becomes the microcosm of the clash between progressive ideas and small town values. Tina struggles with her shaken confidence in a father who, in hiding his past, has made a string of choices that shape her childhood. Gradually, Tina gains insight into her father through seemingly unrelated circumstances: her feud with a fellow ballplayer, her friendship with Old Joe who lives alone on the mountain, a gift left to her father by a neighbor fourteen years dead, and a broken promise. Meticulously researched, this moving and engaging coming-of-age tale is a delightful, richly-textured tapestry of family stories woven with the timeless wisdom of generations past, all of which guide Tina and create the fabric of a journey to forgiveness that will warm your heart. Tina is forced to answer a difficult question: are secrets worth the price they cost to keep? Pour yourself a cup of tea, settle in, and come along. Then you decide. “There’s a touch of Laura Ingalls Wilder simplicity in the descriptions of home life, crafts, cooking and chores, a sprinkling of Stephen King in its authentic portrayal of small-town life and dialogue, and a dash of To Kill a Mockingbird in its deeper themes of truth, trust, love, betrayal and forgiveness. That’s one heck of a mix.” --Ariane Jenkins, Epinons.com

    Will their love be enough to keep them together and protect them from prejudice and jealousy? How many lives will they affect and how big exactly is the human heart?

    . . Other Girls.

    Set in Houser Banks, Mississippi, a fictional town frozen in time, Suzanne Kingsbury's debut is an intense and evocative tale of young people coming to terms with the legacy of racism over the course of a sultry Southern summer. Deserted by her mother and raised by her whiskey-drinking, gun-shooting father, beautiful Haley has broken the heart of every boy in town. Yet she hides two intimate and explosive secrets that empower her just as they threaten to undermine everything she holds dear. Haley is engaged in a dangerous flirtation with one of her father's friends when Fletcher Greel, the Judge's son, comes home for the summer, having just graduated from a New England prep school. Fletcher's friend Riley is in love with a blues-singing black girl named Crystal, and Fletcher falls instantly for Haley. These four soon become inseparable, intoxicated by love, desire, and the new-found freedoms of late adolescence.But Houser Banks is a small town where attitudes hearken back to a time of racism and hatred. As the summer wanes, disapproval of Riley and Crystal's romance takes increasingly violent turns, and Haley's secrets surface to devastating results.An enormously talented young writer, Suzanne Kingsbury has crafted a pitch-perfect, cinematic first novel rich with unforgettable characters, mesmerizing prose, and smoldering sexual tension. A fresh and vivid rendering of timeless themes, "The Summer Fletcher Greel Loved Me" captures the exhilaration of firstlove and the consequences of rebellion in a place resistant to change.

    At the club, she meets a firefighter who seems to be Mr Right. However as luck would have it, he has a girlfriend and she's unlikely to give him up without a fight.

    His mother Eileen died two years earlier when her car plunged into the icy waters of the Mississippi River, and since then Kevin's relationship with his father Patrick has become increasingly distant. As lonely women vie for his father's attention, Kevin discovers Patrick's own closely guarded secret: he had planned to abandon his family for another woman. More disturbingly, his mother's death may well have been a suicide, not an accident.Complicating the family dynamic is the constant meddling of Kevin's outspoken Aunt Nora--who will never forgive Patrick for Eileen's death--along with Patrick's inability to stay single for very long. His loyalties divided between his father and his aunt, between his internal reality and his public persona, Kevin is forced to accept his gay identity and reevaluate his notions of family and love as painful truths emerge about both.

    Here she meets the beautiful Anna, who everyone loves. But, as Caitlin is soon to discover, Anna has a secret that will soon change everything. Uncompromisingly acute in its depiction of the painful passage from adolescence to adulthood, Skating the Edge is a gripping read that will resonate with the reader long after the book is closed.

     Well, a pet and pierced ears and really long hair would be nice, too -- and most of all, Alice wishes she still had a mother. But starting third grade in a new school in a new town can be lonely, especially if the closest thing you have to a friend is weird Donald Sheavers from next door. But even making new friends can't solve all of Alice's problems. Somehow she manages to get into trouble for a stupid lie, and to get on the wrong side of a bullying crossing guard and three snooty girls whom Alice calls "the Terrible Triplets." Will Alice ever feel at home in Takoma Park?

    As a disenchanted, unemployed English professor, Thad decides one day to sneak away from his temp job in Manhattan and catch a wave off a dingy Queens shoreline. In the meager cold waves, he contemplates how he could have possibly become a semidepressed, chain-smoking, aimless man when for a few shining years of his boyhood, he was invincible. His lapsed love affair with the ocean begins amid the late-sixties counterculture in coastal Florida. After his parents' divorce, nine-year-old Thad escapes from his difficult family -- notably a new brooding and explosive stepfather -- by heading for the thrilling, uncharted waters of the local beach. In the embrace of the surf, he is able to stay offshore for years, until his life is upended once again, this time by a double tragedy that deposits him at a crossroads between a life in the waves and a life on land. Lyrical and disarmingly funny, On a Wave is a glorious portrait of youth that reminds readers of Tobias Wolff's This Boy's Life and Frank Conroy's Stop-Time.

    Heidi is the perfect introduction to classic stories for younger readers.Heidi, a lively orphan girl, goes to live with her cranky grandfather in a little hut high in the Alps. Soon she is happy and healthy, leading a carefree life with her grandfather, her new friend, Peter, and the goats on the Alm.But Heidi's happiness is short-lived when she is sent to stay with a rich city family as a companion for a sick girl, Clara. Although she grows fond of the older girl, Heidi is terribly homesick. She eventually returns to the Alps and finds happiness once again in the clean, pure natural mountain setting.