A best-selling author in her native country and widely anthologized in the United States and around the world, Taraghi's work is now made fully accessible to an English-speaking audience in this standout and long-awaited volume of selected stories.Drawing on childhood experiences in Tehran during the reign of the Shah, her exile in Paris, and her subsequent visits to Tehran after the revolution, Taraghi develops characters and tales that linger in one's mind. In the title story, a woman traveling from Tehran to Paris is obliged to help an old woman--the Pomegranate Lady--find her way to her fugitive sons in Sweden. In "The Gentleman Thief," a new kind of polite, apologetic thief emerges from the wreckage of the revolution. In "Encounter," a woman's world is upended when her former maid becomes her jailer. And in "The Flowers of Shiraz," a group of teenagers finally manages to coax a shy schoolmate out of her shell--only to once again encounter tragedy.Reminiscent of the work of Nadine Gordimer and Eudora Welty, Taraghi's stories capture universal experiences of love, loss, alienation, and belonging--all with an irresistible sense of life's absurdities.

    Though Neda grew up far from Iran and the revolution, she felt its undertow, suffering from PTSD and longing for her missing father. Eventually, she realized that in order to move forward, she needed to face the past head-on.

    The victim was Mohammad Mossadegh, the democratically elected prime minister of Iran. Although the coup seemed a success at first, today it serves as a chilling lesson about the dangers of foreign intervention.In this book, veteran New York Times correspondent Stephen Kinzer gives the first full account of this fateful operation. His account is centered around an hour-by-hour reconstruction of the events of August 1953, and concludes with an assessment of the coup's "haunting and terrible legacy."Operation Ajax, as the plot was code-named, reshaped the history of Iran, the Middle East, and the world. It restored Mohammad Reza Shah to the Peacock Throne, allowing him to impose a tyranny that ultimately sparked the Islamic Revolution of 1979. The Islamic Revolution, in turn, inspired fundamentalists throughout the Muslim world, including the Taliban and terrorists who thrived under its protection."It is not far-fetched," Kinzer asserts in this book, "to draw a line from Operation Ajax through the Shah's repressive regime and the Islamic Revolution to the fireballs that engulfed the World Trade Center in New York."Drawing on research in the United States and Iran, and using material from a long-secret CIA report, Kinzer explains the background of the coup and tells how it was carried out. It is a cloak-and-dagger story of spies, saboteurs, and secret agents. There are accounts of bribes, staged riots, suitcases full of cash, and midnight meetings between the Shah and CIA agent Kermit Roosevelt, who was smuggled in and out of the royal palace under a blanket in the back seat of a car. Roosevelt,the grandson of President Theodore Roosevelt, was a real-life James Bond in an era when CIA agents operated mainly by their wits. After his first coup attempt failed, he organized a second attempt that succeeded three days later.The colorful cast of characters includes the terrified young Shah, who fled his country at the first sign of trouble; General H. Norman Schwarzkopf, father of the Gulf War commander and the radio voice of "Gang Busters," who flew to Tehran on a secret mission that helped set the coup in motion; and the fiery Prime Minister Mossadegh, who outraged the West by nationalizing the immensely profitable Anglo-Iranian Oil Company. The British, outraged by the seizure of their oil company, persuaded President Dwight Eisenhower that Mossadegh was leading Iran toward Communism. Eisenhower and Prime Minister Winston Churchill of Great Britain became the coup's main sponsors.Brimming with insights into Middle Eastern history and American foreign policy, this book is an eye-opening look at an event whose unintended consequences - Islamic revolution and violent anti-Americanism--have shaped the modern world. As the United States assumes an ever-widening role in the Middle East, it is essential reading.

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”

    After immigrating to the United States from Egypt, Samir successfully works his way through a residency and launches his own medical practice as Nagla tends to their firstborn, Hosaam, in the cramped quarters of a small apartment. Soon the growing family moves into a big house in the manicured New Jersey suburb of Summerset, where their three children eventually attend school with Natalie Bradstreet, the daughter of their neighbors and best friends. More than a decade later, the family’s seemingly stable life is suddenly upended when a devastating turn of events leaves Hosaam and Natalie dead and turns the Al-Menshawys into outcasts in their own town.Narrated a year after Hosaam and Natalie’s deaths, Rajia Hassib’s heartfelt novel follows the Al-Menshawys during the five days leading up to the memorial service that the Bradstreets have organized to mark the one-year anniversary of their daughter’s death. While Nagla strives to understand her role in the tragedy and Samir desperately seeks reconciliation with the community, Khaled, their surviving son, finds himself living in the shadow of his troubled brother. Struggling under the guilt and pressure of being the good son, Khaled turns to the city in hopes of finding happiness away from the painful memories home conjures. Yet he is repeatedly pulled back home to his grandmother, Ehsan, who arrives from Egypt armed with incense, prayers, and an unyielding determination to stop the unraveling of her daughter’s family. In Ehsan, Khaled finds either a true hope of salvation or the embodiment of everything he must flee if he is ever to find himself.Writing with unflinchingly honest prose, Rajia Hassib tells the story of one family pushed to the brink by tragedy and mental illness, trying to salvage the life they worked so hard to achieve. The graceful, elegiac voice of In the Language of Miracles paints tender portraits of a family’s struggle to move on in the wake of heartbreak, to stay true to its traditions, and above all else, to find acceptance and reconciliation.

    Daria and her friends call themselves the Authentics, because they pride themselves on always keeping it real.But in the course of researching a school project, Daria learns something shocking about her past, which launches her on a journey of self-discovery. It seems everyone is keeping secrets. And it’s getting harder to know who she even is any longer.With infighting among the Authentics, her mother planning an over-the-top sweet sixteen party, and a romance that should be totally off limits, Daria doesn’t have time for this identity crisis. As everything in her life is spinning out of control—can she figure out how to stay true to herself?

    From his vantage point at the break-up of the old regime, Kapuscinski gives us a compelling history of conspiracy, repression, fanatacism, and revolution.

    Then I realized I’d woken because the key was turning in the lock. I didn’t think it was possible to get colder, but a chill shook my already-frozen skin. The dim light coming through the high window shone on the door creeping open. Should I wake the others? I thought of the stories we’d heard of boys taken away and never seen again.It’s 1982, and twelve-year-old Reza has no interest in joining Iran’s war effort. But in the wake of a tragedy and at his mother’s urging, he decides to enlist, assured by the authorities that he will achieve paradise should he die in service to his country. War does not bring the glory the boys of Iran have been promised, and Reza soon finds himself held in a prisoner-of-war camp in Iraq, where the guards not only threaten violence—they act upon it.Will Reza make it out alive? And if he does, will he even have a home to return to?

    It is a human story, a chronicle of family and friendships torn apart by a terror-mongering regime, and how the adult choices of three childhood mates during the Islamic Republic yielded divisive and tragic fates. And it is the stunningly courageous account of one man’s decades-long commitment to lead a shocking double life informing on the beloved country of his birth, a place that once offered the promise of freedom and enlightenment—but instead ruled by murderous violence and spirit-crushing oppression.Reza Kahlili grew up in Tehran surrounded by his close-knit family and two spirited boyhood friends. The Iran of his youth allowed Reza to think and act freely, and even indulge a penchant for rebellious pranks in the face of the local mullahs. His political and personal freedoms flourished while he studied computer science at the University of Southern California in the 1970s. But his carefree time in America was cut short with the sudden death of his father, and Reza returned home to find a country on the cusp of change. The revolution of 1979 plunged Iran into a dark age of religious fundamentalism under the Ayatollah Khomeini, and Reza, clinging to the hope of a Persian Renaissance, joined the Revolutionary Guards, an elite force at the beck and call of the Ayatollah. But as Khomeini’s tyrannies unfolded, as his fellow countrymen turned on each other, and after the horror he witnessed inside Evin Prison, a shattered and disillusioned Reza returned to America to dangerously become “Wally,” a spy for the CIA.In the wake of an Iranian election that sparked global outrage, at a time when Iran’s nuclear program holds the world’s anxious attention, the revelations inside A Time to Betray could not be more powerful or timely. Now resigned from his secretive life to reclaim precious time with his loved ones, Reza Kahlili documents scenes from history with heart-wrenching clarity, as he supplies vital information from the Iran-Iraq War, the Marine barracks bombings in Beirut, the catastrophes of Pan Am Flight 103, the scandal of the Iran-Contra affair, and more . . . a chain of incredible events that culminates in a nation’s fight for freedom that continues to this very day. A TIME TO BETRAY was the winner of The National Best Books 2010 Awards for Non-Fiction Narrative. It was also honored as the “Finalist” in the “Autobiography/Memoirs” category. It is now part of JCITA’s (Joint Counterintelligence Training Academy of DOD) Iranian Program’s readings.

    Her crime: removing her veil, or hijab, which is compulsory for women in Iran. This is the self-portrait that sparked 'My Stealthy Freedom,' a social media campaign that went viral. Masih is a world-class journalist who grew up in a traditional village where her mother, a tailor and respected figure in the community, was the exception to the rule in a culture where women reside in their husbands' shadows. As a teenager, Masih was arrested for political activism and was surprised to discover she was pregnant while in police custody. When she was released, she married quickly and followed her young husband to Tehran where she was later served divorce papers to the shame and embarrassment of her religiously conservative family. Masih spent nine years struggling to regain custody of her beloved only son and was forced into exile, leaving her homeland and her heritage. Following Donald Trump's notorious immigration ban, Masih found herself separated from her child, who lives abroad, once again.

    He's about to take his first-ever trip to Iran, and it's pretty overwhelming—especially when he's also dealing with clinical depression, a disapproving dad, and a chronically anemic social life. In Iran, he gets to know his ailing but still formidable grandfather, his loving grandmother, and the rest of his mom's family for the first time. And he meets Sohrab, the boy next door who changes everything.Sohrab makes sure people speak English so Darius can understand what's going on. He gets Darius an Iranian National Football Team jersey that makes him feel like a True Persian for the first time. And he understands that sometimes, best friends don't have to talk. Darius has never had a true friend before, but now he's spending his days with Sohrab playing soccer, eating rosewater ice cream, and sitting together for hours in their special place, a rooftop overlooking the Yazdi skyline.Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he's Darioush to Sohrab. When it's time to go home to America, he'll have to find a way to be Darioush on his own.

    A young woman sits in her apartment in an unnamed English city, absorbed in watching the small dramas of her assorted neighbors through their windows across the way. Traumatized into muteness after a long, devastating trip from war-torn Syria to the UK, she believes that she wants to sink deeper into isolation, moving between memories of her absent boyfriend and family and her homeland, dreams, and reality. At the same time, she begins writing for a magazine under the pseudonym "the Voiceless," trying to explain the refugee experience without sensationalizing it—or revealing anything about herself. Gradually, as the boundaries of her world expand—as she ventures to the neighborhood corner store, to a gathering at a nearby mosque, and to the bookstore and laundromat, and as an anti-Muslim hate crime shatters the members of a nearby mosque—she has to make a choice: Will she remain a voiceless observer, or become an active participant in her own life and in a community that, despite her best efforts, is quickly becoming her own?   With brilliant, poetic prose that captures all the fragments of this character's life, and making use of fragments of text from Tweets and emails to the narrator's own articles, journals, and fiction, Silence Is a Sense explores what it means to be a refugee and to need asylum, and how fundamental human connection is to survival.

    His ancestors were the companions of Prophet Mohammad and played a significant role in the early Islamic conquests.Imam Tawhidi ended his relationship with the Iranian regime and continued his studies in the Holy Cities in Iraq. In 2014, ISIS conquered large parts of Iraq's territory and murdered members of Tawhidi's family. In 2015, Imam Tawhidi began to gradually call for reform within Muslim societies. His views have been broadcast on international media and have been met with both criticism and praise.In this book, Tawhidi takes you on a unique journey detailing the highlights of his life that prompted his transition from an extremist into a reformist. He then emphasizes the theological, jurisprudential and historical difficulties of Islamic thought and Islamic governance, including insights that have never been published before.Celebrated as the Imam of Peace, Tawhidi's international activism against Islamic extremism has earned him a nomination for the 2019 Australian of the Year Awards.

    And if she can't get that from her parents, then why not from her mother's boyfriend, or her father's muscle-bound neighbor, Mr. Vuoso? Alicia Erian's incandescent debut novel, Towelhead, will ring true for readers who remember the rarely poetic transition from childhood to young adulthood. Jasira is a creature of contradiction: both innocent (reading romantic intentions into the grossest displays of lust) and oddly clear-sighted, especially when it comes to the imbalance of power, and the things we do for love. When her mother exiles her to Houston to live with Jasira's strict, quick-to-anger Lebanese father, she quickly learns what aspects of herself to suppress in front of him. In private, however, she conducts her sexual awakening with all the false confidence that pop culture and her neighbor's Playboy magazines have provided.Jasira tells her story with candor and glimmers of dark, unexpected humor--as when she describes her mother's boyfriend Barry's assistance in her personal grooming: "A week later, Barry broke down and told her the truth. That he had shaved me himself. That he had been shaving me for weeks. That he couldn't seem to stop shaving me." The freshness of her narrative voice sets Towelhead apart from the sentimental or purely harsh treatment of similar subject matter elsewhere, and makes the novel a promising follow-up to Erian's well-regarded short story collection, The Brutal Language of Love. --Regina Marler

    The book chronicles her travels into Luristan, the mountainous terrain nestled between Iraq and present-day Iran, often with only a single guide and on a shoestring budget. Stark writes engagingly of the nomadic peoples who inhabit the region's valleys and brings to life the stories of the ancient kingdoms of the Middle East, including that of the Lords of Alamut, a band of hashish-eating terrorists whose stronghold in the Elburz Mountains Stark was the first to document for the Royal Geographical Society. Her account is at once a highly readable travel narrative and a richly drawn, sympathetic portrait of a people told from their own compelling point of view. This edition includes a new Introduction by Jane Fletcher Geniesse, Stark's biographer.