Now, Haskell brings his powers of observation to the biological networks that surround all species, including humans. Haskell repeatedly visits a dozen trees around the world, exploring the trees connections with webs of fungi, bacterial communities, cooperative and destructive animals, and other plants. An Amazonian ceibo tree reveals the rich ecological turmoil of the tropical forest, along with threats from expanding oil fields. Thousands of miles away, the roots of a balsam fir in Canada survive in poor soil only with the help of fungal partners. These links are nearly two billion years old: the fir s roots cling to rocks containing fossils of the first networked cells. By unearthing charcoal left by Ice Age humans and petrified redwoods in the Rocky Mountains, Haskell shows how the Earth s climate has emerged from exchanges among trees, soil communities, and the atmosphere. Now humans have transformed these networks, powering our societies with wood, tending some forests, but destroying others. Haskell also attends to trees in places where humans seem to have subdued nature a pear tree on a Manhattan sidewalk, an olive tree in Jerusalem, a Japanese bonsai demonstrating that wildness permeates every location. Every living being is not only sustained by biological connections, but is made from these relationships. Haskell shows that this networked view of life enriches our understanding of biology, human nature, and ethics. When we listen to trees, nature s great connectors, we learn how to inhabit the relationships that give life its source, substance, and beauty."

    It is, of course, about dancing. About loving to dance as a small child in Shanghai. About ballet classes and ballet teachers, about practice and rehearsal. About making her debut--as a Snowflake, at fifteen--with the emerging Sadler's Wells Company, under the demanding rule of the brilliant and volatile Ninette de Valois. About her almost magical early success (at seventeen dancing Giselle; at eighteen, Swan Lake; at nineteen, Sleeping Beauty) and the effects on a young girl of sudden stardom. About the hard work of overcoming her limitations ("a face like a pudding," she says) and her weaknesses....And it is about the great triumphs in London, New York, Paris. About the great choreographers and dancers who worked with her and helped her: Frederick Ashton (he choreographed by flinging himself into swoops and twists that seemed to flow spontaneously from the music, suddenly saying, "What did I do? Now you do it"); the magnetic and sophisticated Robert Helpmann, of whom she was more than a little frightened "until the harmony of dancing with him began taking hold"; the handsome Michael Somes ("platoons of corps de ballet girls lost their hearts to him"). About Nureyev, who, when Fonteyn was already in her forties, galvanized her energies and talents and swept her into a new career. About her feeling for her great Russian counterpart, Ulanova. About getting older and never ceasing to dance; now, at fifty-seven, still dancing around the world.But even more, this is a book about the woman herself, who sees dancing as only a part of her life and perhaps not the most vital part--the Fonteyn who could not find love until in her thirties she suddenly met again (a visiting card brought to her dressing room; one hundred red roses) the man she had been in love with in her teens, the Panamanian diplomat Roberto Arias. And here is the infinitely moving story of their marriage, her shy assumption of her new role as ambassadress at the Court of St. James--and then, the near-fatal shooting in Panama that crippled her husband, and the drama and heroism of their life together since then.Throughout, with the freshest imaginable gift for anecdote, Margot Fonteyn takes us into her many worlds--the vicissitudes of backstage life on six continents, the tumult of Panamanian politics and revolution, the social pleasures (and embarrassments) of international fame.Above all, her autobiography is a revelation of a direct, warm-hearted person who believes that artists must take their art altogether seriously--and themselves not seriously at all; who finds her own fame difficult to grasp; who is worthy of what her audiences feel for her. Fonteyn is not only admired but loved. Her book--in its decency, its generosity, its sense of fun--makes clear why.

       It’s Christmas Eve, and Bird, Rabbit, Deer, and Squirrel are eagerly waiting for Santa to fly overhead. When he does, a gift tumbles out of his sleigh, landing in the woods. The friends find the gift and read the tag: “For the new baby at the farm. Love, Santa.” And so, in spite of Squirrel’s grumbling—“It’s not our baby”—they set off on a long journey to deliver it. Sweet, poignant, and starring a cast of truly adorable characters, this is a story sure to be shared year after year at Christmastime.

    Using her own story as a launching spot, and creative quizzes, charts, and lists to engage the reader in an interactive journey, Mia Michaels explores the experience of the unicorn in a world of donkeys, a world where fitting in, pleasing others, following rules, and maintaining norms-no matter how messed up those norms are-is the only acceptable path. She acknowledges the struggles of the unicorn life-loneliness, ridicule, being misunderstood and undervalued-and goes on encourage readers to reframe the unicorn life the way she has, as essential to a life of brilliance.

    But she started her career as a ballerina, and learnt to dance alongside Margot Fonteyn, Moira Shearer, Beryl Grey and Frederick Ashton during the Second World War. A Dancer in Wartime tells the story of Gillian's extraordinary childhood. From Miss Madeleine Sharp's Ballet Class for Young Ladies in Bromley, to being evacuated with her theatre school to rural Leicestershire; from performing in the West End with doodlebugs falling to touring a devastated Europe, the early years were hard, exciting and dramatic. And when the call came to join Sadler's Wells - well, what ballerina hopeful could have asked for more?

    The Imagineers are like Santa's elves: they are the nuts-and-bolts workers who allow Disney's magic to take flight. Walt Disney Imagineering explains in colorful detail the making of the magic of Walt Disney World, Disneyland, Disneyland Paris, and Tokyo Disneyland -- the world's most popular vacation "kingdoms" -- from the inside out. From Mickey's Toontown to Blizzard Beach, the wizardry of the Imagineers is brought to life in this book through drawings, models, artwork, and anecdotes; also featured are the now legendary conceptual sketches from Walt Disney's very own pencil. Walt Disney Imagineering is sure to inform and fascinate history buffs, art collectors, graphic designers, architects, engineers, and Disney fans alike.

    He had battle scars that would’ve killed a lesser man.
After fighting for years to reclaim his territory, he was ready to settle down and create a family, to claim a wife. But Bronson never had time for romance. He was a warrior who made no apologies for the carnage left behind in his wake. Wooing females was foreign to him, but that was about to change.
Warlords were not known for their gallant, tender hearts.
Until she came along and changed everything he ever thought he knew. If anyone could make the hardened warrior be gentle, it was Genevieve.
The buxom redhead was brought to him as a potential bride, untouched, innocent in all ways. And at the first look into her green eyes, Bronson instantly wanted to claim her. She was all he ever envisioned wanting.
Genevieve's body was meant to bear him strong, fearsome sons, and he’d show her what it meant to be owned by a warlord.
But there was an enemy who wanted to hurt what Bronson held most dear, and that was his new bride and his child she carried.

*This story was previously published under the title “The Warlord Claims His Bride.” It has been reedited, parts rewritten, and new content has been added. This is a pseudo-Scottish historical romance and is for enjoyment purposes only.

    Here is a necessary and singular look at the life of one of the great figures of the 20th Century: the dynamic Balanchine, founder of The New York City Ballet, collaborator of Stravinsky, and inspiration to countless fans over the course of his long and storied career. George Balanchine is another engaging entry in the HarperCollins’ “Eminent Lives” series of biographies by distinguished authors on canonical figures.

    The multiple sell-out miniseries from the writer of WHO IS JAKE ELLIS? and the artist of VIKING, DANCER is the story of a retired assassin who must protect his ballerina love from a sniper stalking them both through the back alleys of a wintry Europe.CNN calls DANCER: "The best example of what's possible without a man in tights." Collects DANCER #1-5.

    It makes a nice sound -- PLINK! -- and inspires him to write his own song. His friend Mouse would love to hear it. But Bear isn't the only animal in the forest to find musical inspiration that day, and Snake, Crow and Tortoise keep taking his turn to perform. When they finally give him the opportunity and meet his song with less enthusiasm than he'd like, the discouraged bear shelves his music career forever . . . but the kindness, empathy and appreciation of his best friend will prove that his art deserves recognition and can even inspire others.This dryly humorous and sweetly profound collaboration between two critically acclaimed children's book creators, a follow-up to the masterful King Mouse, has the makings of a modern classic.

    Now, at age thirty-five, Fiona is again confronted with her weight issues when the HR department kindly encourages her and a co-worker, Stu, to attend a support group for people with "health" issues. When quilting is suggested as a hobby to help with their total opposite eating disorders (Fiona loves everything calorie, Stu tries to avoid any), Stu insanely suggests they enter a local version of Dancing With the Stars instead... What follows is a fantastic journey with a lot of ups and downs, sore feet, self-doubt, sweat and tears mixed in with ghosts from the past. Dancing Queen is a warmhearted and humorous story about self-doubt, dancing, friendship, and the courage to follow your dreams no matter what size you are. "If you love fast-paced, feel-good books, with snappy dialogue, lots of humor and heart, this is the book for you."

    Her old friend, Silja Ramsay, is dancing the principal role. They have dinner after the show, but when they return Pittsburgh Ballet Theater is down one dancer! Ballerina, Alexis Cartwright, has been found dead in the dressing room. Is this murder a result of hot tempers among the cast members? Or is it a random act of violence? Will there be more murders? Homicide Detective, Nathan Landry, isn't taking any chances. After finding out Fiona has a strong background in ballet he recruits her to go undercover among the cast of Coppelia. Can Fiona help catch a killer, or will she be the next victim?

    Now Hester has returned to Yorkshire, to Wychwood, where each year at Christmas, a ballet is performed on Twelfth Night in the little theatre. This year, the brilliant young choreographer Hugo Carradine has been invited to direct the ballet Sarabande. Claudie Drake is Hugo's lover and the ballet's star--every inch a prima ballerina in style--but is she just a little past her best?

    Created by the Africans brought to Brazil as slaves beginning in 1500, capoeira was forbidden by law but survived underground. When open practice was allowed in the 1930s it soon became very popular. Capoeira came to America around 1975, and has become widely recognized by dancers and martial artists. The author discusses capoeira's evolution from Brazilian street play into a way of life. The philosophy of capoeira, and the practical and spiritual benefits of this philosophy, are also discussed. Instructions and exercises in intermediate and advanced skills take up where the author's previous book left off. The book includes 100 black-and-white photos and illustrations.

    She's brave enough to say 'buy less of everything, ' and even the politically fraught 'buy nothing.' Matheson's genius is to make this seem not only doable, but fun."- Elizabeth Royte, author of Garbage Land and Bottlemania Want to go green without giving up great style? Welcome to the world of Green Chic. Choosing to be green makes a real difference in the fight against global warming. But did you know that it's also hip, classic and stylish? Offering up dozens of author-tested, earth-friendly ideas, writer Christie Matheson reveals that being chic and saving the planet aren't mutually exclusive. Embrace the fabulousness of green living and you can: - Look gorgeous - Have a killer wardrobe- Feel amazing- Travel in style- Create a home that's an oasis- Host fun parties- Eat incredible food and drink phenomenal wine... All while feeling more connected to your friends, family and nature. (And did we mention that green women don't get fat?) Printed on recycled paper, with a portion of its proceeds going to a green cause, Green Chic is the perfect book for style-savvy readers with a green heart. Can living a chic green lifestyle TRULY make a difference to the planet? You bet your organic cotton sheets it can. Buying into the Green Chic movement doesn't mean you need to buy more stuff.Avoid products that purport to be green just for the marketing effect: "organic" processed foods; huge, gas-guzzling hybrid SUVs; clothes boasting that they're green just because they're made from "natural" cotton. Claiming to be green is trendy and companies out there are taking advantage. Don't believe all the hype. 10 GREEN CHIC-AND EASY-WAYS TO MAKE A DIFFERENCE- Ditch bottled water: refill a sassy thermos. - Pop little purchases in your purse, not a shopping bag.- Sip biodynamic wine.- Choose cashmere, not acrylic. - Let your hair air dry for a while before you blow dry: less frizz, less energy consumed.- Unplug (and put away) unsightly cell phone chargers.- Opt for quality over quantity in everything you buy.- Cut down on clutter.- Limit your consumption of anything packaged in plastic.- Support local designers. BUT REMEMBER: Don't go out and replace everything you own, from your makeup to your wardrobe to your furniture, with (theoretically) ecofriendly products. Being ecofriendly means consuming less, not more. Get in the habit of thinking before you buy. The best time to purchase ecofriendly goods is when you need them. That's when you're in a position to make a choice and express yourself as a green consumer. Being Green isn't a fad ... it's timelessly chic.